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A Tyger, John Murphy  Irish, Mezzotint
Engraver John Murphy
After James Northcote
Publisher John & Josiah Boydell
1790
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), Richard Earlom  British, Stipple engraving; fourth state of four
Multiple artists/makers
first published 1792; reissued 1852
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough  British, Aquatint (sugar-lift process), printed in brown ink
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough  British, Aquatint with soft-ground etching, printed in gray ink; third state of three
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough  British, Soft-ground etching, printed in gray ink; second state of two
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church, Thomas Gainsborough  British, Soft-ground etching; third state
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), Robert Thew  British, Stipple engraving; fourth state of four
Multiple artists/makers
first published 1796; reissued 1852
The Seven Ages, Fifth Age: The Justice (Shakespeare, As You Like It, Act 2, Scene 7), Peter Simon  British, Stipple engraving
Multiple artists/makers
first published 1801; reissued 1852
Wooded Landscape with Riders, Thomas Gainsborough  British, Aquatint; second state of two
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place), Thomas Gainsborough  British, Soft-ground etching with aquatint; second state of two
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; third state of three
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
1797
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; fourth state of four
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; second state of two
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
The Beggar's Opera, Act III, William Blake  British, Etching and engraving
Multiple artists/makers
July 1, 1790
The Beggar's Opera, Act III, William Blake  British, Engraving
Multiple artists/makers
July 1, 1790
Pisces: Hogarth's Quadrille Fish, William Hogarth  British, Etching and engraving
After William Hogarth
Publisher John & Josiah Boydell
ca. 1730
The Times, Plate 2, William Hogarth  British, Etching and engraving; fourth state of four
William Hogarth
Publisher John & Josiah Boydell
May 29, 1790
The Times, Plate 2, William Hogarth  British, Etching and engraving; fourth state of four
William Hogarth
Publisher John & Josiah Boydell
May 29, 1790
The Times, Plate 2, William Hogarth  British, Etching and engraving; fourth state of four
William Hogarth
Publisher John & Josiah Boydell
May 29, 1790
William Hogarth, Benjamin Smith  British, Stipple engraving and etching
Multiple artists/makers
June 4, 1795
The Beggar's Opera, Act III, William Blake  British, Engraving
Multiple artists/makers
1790
William Hogarth, Benjamin Smith  British, Stipple engraving
Multiple artists/makers
June 4, 1795
Sigismonda (Sigismunda), Benjamin Smith  British, Etching and engraving
Engraver Benjamin Smith
After Tristam Bampfylde Freeman
Publisher John & Josiah Boydell
June 4, 1795
The Pool of Bethesda (St. John, Chapter 5), William Hogarth  British, Etching and engraving
Multiple artists/makers
February 24,1772
Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, William Hogarth  British, Etching and engraving
After William Hogarth
Publisher John & Josiah Boydell
Author Related author John Dryden
February 1, 1791
The Good Samaritan (St. Luke, Chap. 10, verse 30), William Hogarth  British, Etching and engraving
Multiple artists/makers
February 24,1772
Key with List of Performers and Audience to: The Beggars Opera, William Hogarth  British, Etching and engraving
After William Hogarth
Publisher John & Josiah Boydell
Author Related author John Gay
July 1, 1790
The Incarceration of St. Roch, Vincenzio Vangelisti  Italian, Mixed method engraving and etching, printed in brown ink
Multiple artists/makers
1764–98
Repentance of St. William, Vincenzio Vangelisti  Italian, Mixed method engraving and etching, printed in gray-blue ink
Multiple artists/makers
1764–98
The Return of the Prodigal Son, Vincenzio Vangelisti  Italian, Mixed method engraving and etching, printed in brown ink
Multiple artists/makers
1764–98
Cephalus and Procris, Vincenzio Vangelisti  Italian, Mixed method engraving and etching, printed in brown ink
Multiple artists/makers
1764–98
Girl and Pigs, Thomas Gaugain  British, Stipple engraving, printed a la poupée
Multiple artists/makers
May 1, 1802

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