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The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, Robert Dodd British, Etching and aquatint
The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4
Multiple artists/makers
January 1, 1792
Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, William Hogarth British, Etching and engraving
Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4
After William Hogarth
Publisher John & Josiah Boydell
Author Related author John Dryden
February 1, 1791
Key with List of Performers and Audience to: The Beggars Opera, William Hogarth British, Etching and engraving
Key with List of Performers and Audience to: The Beggars Opera
After William Hogarth
Publisher John & Josiah Boydell
Author Related author John Gay
July 1, 1790
The Pool of Bethesda (St. John, Chapter 5), William Hogarth British, Etching and engraving
The Pool of Bethesda (St. John, Chapter 5)
Multiple artists/makers
February 24,1772
Sigismonda (Sigismunda), Benjamin Smith British, Etching and engraving
Sigismonda (Sigismunda)
Engraver Benjamin Smith
After Tristam Bampfylde Freeman
Publisher John & Josiah Boydell
June 4, 1795
The Good Samaritan (St. Luke, Chap. 10, verse 30), William Hogarth British, Etching and engraving
The Good Samaritan (St. Luke, Chap. 10, verse 30)
Multiple artists/makers
February 24,1772
The Beggar's Opera, Act III, William Blake British, Engraving
The Beggar's Opera, Act III
Multiple artists/makers
July 1, 1790
Pisces: Hogarth's Quadrille Fish, William Hogarth British, Etching and engraving
Pisces: Hogarth's Quadrille Fish
After William Hogarth
Publisher John & Josiah Boydell
ca. 1730
The Times, Plate 2, William Hogarth British, Etching and engraving; fourth state of four
The Times, Plate 2
William Hogarth
Publisher John & Josiah Boydell
May 29, 1790
The Times, Plate 2, William Hogarth British, Etching and engraving; fourth state of four
The Times, Plate 2
William Hogarth
Publisher John & Josiah Boydell
May 29, 1790
Girl and Pigs, Thomas Gaugain British, Stipple engraving, printed a la poupée
Girl and Pigs
Multiple artists/makers
May 1, 1802
Mary, Queen of Scots witnessing the murder of David Rizzio, Isaac Taylor, Jr. British, Etching and engraving
Mary, Queen of Scots witnessing the murder of David Rizzio
Multiple artists/makers
January 1, 1791
The Incarceration of St. Roch, Vincenzio Vangelisti Italian, Mixed method engraving and etching, printed in brown ink
The Incarceration of St. Roch
Multiple artists/makers
1764–98
The Beggar's Opera, Act III, William Blake British, Engraving
The Beggar's Opera, Act III
Multiple artists/makers
1790
William Hogarth, Benjamin Smith British, Stipple engraving and etching
William Hogarth
Multiple artists/makers
June 4, 1795
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place), Thomas Gainsborough British, Soft-ground etching with aquatint; second state of two
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place)
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, Thomas Gainsborough British, Hand-colored soft-ground etching and aquatint; fourth state of four
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough British, Hand-colored soft-ground etching and aquatint; second state of two
Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
The Times, Plate 2, William Hogarth British, Etching and engraving; fourth state of four
The Times, Plate 2
William Hogarth
Publisher John & Josiah Boydell
May 29, 1790
Repentance of St. William, Vincenzio Vangelisti Italian, Mixed method engraving and etching, printed in gray-blue ink
Repentance of St. William
Multiple artists/makers
1764–98
The Return of the Prodigal Son, Vincenzio Vangelisti Italian, Mixed method engraving and etching, printed in brown ink
The Return of the Prodigal Son
Multiple artists/makers
1764–98
Cephalus and Procris, Vincenzio Vangelisti Italian, Mixed method engraving and etching, printed in brown ink
Cephalus and Procris
Multiple artists/makers
1764–98
The Tempest, Act I: Ferdinand and Miranda, Samuel Middiman British, Etching
The Tempest, Act I: Ferdinand and Miranda
Multiple artists/makers
1788
A Tyger, John Murphy Irish, Mezzotint
A Tyger
Engraver John Murphy
After James Northcote
Publisher John & Josiah Boydell
1790
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), Richard Earlom British, Stipple engraving; fourth state of four
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1)
Multiple artists/makers
first published 1792; reissued 1852
"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4), William Sharp British, Etching and engraving
"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4)
Multiple artists/makers
1793
Angelo's House–Escalus, a Justice, Elbow, Froth, Clown, Officers, etc. (Shakespeare, Measure for Measure, Act 2, Scene 1), Thomas Ryder I British, Stipple engraving
Angelo's House–Escalus, a Justice, Elbow, Froth, Clown, Officers, etc. (Shakespeare, Measure for Measure, Act 2, Scene 1)
Multiple artists/makers
April 23, 1798
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), William Satchwell Leney American, born England, Stipple engraving; third state of three
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4)
Multiple artists/makers
first published 1795; reissued 1852
The Seven Ages, Fifth Age: The Justice (Shakespeare, As You Like It, Act 2, Scene 7), Peter Simon British, Stipple engraving
The Seven Ages, Fifth Age: The Justice (Shakespeare, As You Like It, Act 2, Scene 7)
Multiple artists/makers
first published 1801; reissued 1852
Wooded Landscape with Riders, Thomas Gainsborough British, Aquatint; second state of two
Wooded Landscape with Riders
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, Thomas Gainsborough British, Hand-colored soft-ground etching and aquatint; third state of three
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
1797
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough British, Aquatint (sugar-lift process), printed in brown ink
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough British, Aquatint with soft-ground etching, printed in gray ink; third state of three
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough British, Soft-ground etching, printed in gray ink; second state of two
Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Shylock's House–Shylock, Jessica and Launcelot (Shakespeare, Merchant of Venice, Act 2, Scene 5), Peter Simon British, Stipple engraving
Shylock's House–Shylock, Jessica and Launcelot (Shakespeare, Merchant of Venice, Act 2, Scene 5)
Multiple artists/makers
first published 1795; reissued 1852
The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2), Peter Simon British, Stipple engraving; fourth state of four
The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2)
Multiple artists/makers
first published 1797; reissued 1852
Olivia's House - Olivia, Maria and Malvolio (Shakespeare, Twelfth Night, Act 3, Scene 4), Thomas Ryder I British, Stipple engraving
Olivia's House - Olivia, Maria and Malvolio (Shakespeare, Twelfth Night, Act 3, Scene 4)
Multiple artists/makers
first published 1794; reissued 1852
Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), Robert Thew British, Stipple engraving; fourth state of four
Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4)
Multiple artists/makers
first published 1796; reissued 1852
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church, Thomas Gainsborough British, Soft-ground etching; third state
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Rome, Titus's Garden–Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1), Thomas Kirk British, Stipple engraving
Rome, Titus's Garden–Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1)
Multiple artists/makers
first published 1793; reissued 1852
The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1), Benjamin Smith British, Stipple engraving and etching
The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1)
Multiple artists/makers
originally published 1797; reissued 1852
Before the Duke's Palace–Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2), William Satchwell Leney American, born England, Stipple engraving
Before the Duke's Palace–Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2)
Multiple artists/makers
first published 1800; reissued 1852