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Pilate Washing His Hands, Mattia Preti (Il Cavalier Calabrese) Italian, Oil on canvas — Pilate Washing His Hands
Mattia Preti (Il Cavalier Calabrese)
1663

Saint John the Baptist Preaching, Mattia Preti (Il Cavalier Calabrese) Italian, Oil on canvas — Saint John the Baptist Preaching
Mattia Preti (Il Cavalier Calabrese)
ca. 1650

Saint Celestine V Renouncing the Papacy, after Mattia Preti, Jean Honoré Fragonard French, Black chalk, over a black chalk counterproof — Saint Celestine V Renouncing the Papacy, after Mattia Preti
Jean Honoré Fragonard
After Mattia Preti (Il Cavalier Calabrese)
1761

Martyrdom of St. Bartholomew, after Mattia Preti, François André Vincent French, Brush and brown wash, over traces of graphite — Martyrdom of St. Bartholomew, after Mattia Preti
François André Vincent
After Mattia Preti (Il Cavalier Calabrese)
ca. 1774

Kneeling Woman, Mattia Preti (Il Cavalier Calabrese) Italian, Red chalk on light brown paper — Kneeling Woman
Attributed to Mattia Preti (Il Cavalier Calabrese)
17th century

Saint in Ecstasy, Mattia Preti (Il Cavalier Calabrese) Italian, Pen and brown ink, washed, on brownish paper — Saint in Ecstasy
attributed to Mattia Preti (Il Cavalier Calabrese)
1613–99

A Group of Saints and Angels (recto); Studies of a Male Figure in a Pendentive (verso), Mattia Preti (Il Cavalier Calabrese) Italian, Red chalk, brush and red wash (recto and verso) — A Group of Saints and Angels (recto); Studies of a Male Figure in a Pendentive (verso)
Mattia Preti (Il Cavalier Calabrese)
1613–99

Seated Bishop with Arms Extended and Three Attendant Figures (recto); Head of a Lion and Perspective Diagrams (verso), Mattia Preti (Il Cavalier Calabrese) Italian, Red chalk, brush and red wash (recto); red chalk (verso), on beige paper — Seated Bishop with Arms Extended and Three Attendant Figures (recto); Head of a Lion and Perspective Diagrams (verso)
Mattia Preti (Il Cavalier Calabrese)
1613–99

Design for the Decoration of a Cupola with a Prophet, King David and Two Putti, Mattia Preti (Il Cavalier Calabrese) Italian, Red chalk, pen and brown ink, brush and red wash — Design for the Decoration of a Cupola with a Prophet, King David and Two Putti
Mattia Preti (Il Cavalier Calabrese)

Saint Catherine of Alexandria, Jean Honoré Fragonard French, Etching, first state of two — Saint Catherine of Alexandria
Jean Honoré Fragonard
After Mattia Preti (Il Cavalier Calabrese)
ca. 1764

The Mystic Marriage of Saint Catherine, Jean Honoré Fragonard French, Black chalk counterproof, re-worked in black chalk — The Mystic Marriage of Saint Catherine
Jean Honoré Fragonard
After Mattia Preti (Il Cavalier Calabrese)
ca. 1761

Plate 8: Canonization of Saint Catherine of Siena; Pius II seated on a throne at right, blessing his nephew, Francesco Todeschini Piccolomini, who kneels before him; after Mattia Preti, Giuliano Traballesi Italian, Etching and engraving — Plate 8: Canonization of Saint Catherine of Siena; Pius II seated on a throne at right, blessing his nephew, Francesco Todeschini Piccolomini, who kneels before him; after Mattia Preti
Giuliano Traballesi
After Mattia Preti (Il Cavalier Calabrese)
1760–80

Moses receiving the Tablets of the Law from God who descends from the heavens; from the series of 112 prints of the sacred history, after the painting by Mattia Preti, Pietro Monaco Italian, Etching and engraving — Moses receiving the Tablets of the Law from God who descends from the heavens; from the series of 112 prints of the sacred history, after the painting by Mattia Preti
Pietro Monaco
After Mattia Preti (Il Cavalier Calabrese)
Publisher Pietro Monaco
ca. 1730–39

Christ on a balcony surrounded by guards, Pilate stands to the right gesturing toward him; from the series of 112 prints of the sacred history, after the painting by Mattia Preti, Pietro Monaco Italian, Etching and engraving — Christ on a balcony surrounded by guards, Pilate stands to the right gesturing toward him; from the series of 112 prints of the sacred history, after the painting by Mattia Preti
Pietro Monaco
After Mattia Preti (Il Cavalier Calabrese)
Publisher Pietro Monaco
ca. 1730–39

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