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The Abduction of the Sabine Women, Nicolas Poussin French, Oil on canvas
The Abduction of the Sabine Women
Nicolas Poussin
probably 1633–34
Blind Orion Searching for the Rising Sun, Nicolas Poussin French, Oil on canvas
Blind Orion Searching for the Rising Sun
Nicolas Poussin
1658
The Companions of Rinaldo, Nicolas Poussin French, Oil on canvas
The Companions of Rinaldo
Nicolas Poussin
ca. 1633
Midas Washing at the Source of the Pactolus, Nicolas Poussin French, Oil on canvas
Midas Washing at the Source of the Pactolus
Nicolas Poussin
ca. 1627
Saints Peter and John Healing the Lame Man, Nicolas Poussin French, Oil on canvas
Saints Peter and John Healing the Lame Man
Nicolas Poussin
1655
The Holy Family with Saint John the Baptist, Nicolas Poussin French, Oil on canvas
The Holy Family with Saint John the Baptist
Nicolas Poussin
ca. 1627
The Agony in the Garden, Nicolas Poussin French, Oil on copper
The Agony in the Garden
Nicolas Poussin
1626–27
Bacchanal, Nicolas Poussin French, Pen and brown ink, brush and brown wash, over faint black chalk
Bacchanal
Nicolas Poussin
ca. 1635–36
The Nurture of Bacchus (from Scrapbook), John Singer Sargent American, Graphite on off-white wove paper, American
The Nurture of Bacchus (from Scrapbook)
John Singer Sargent
After Nicolas Poussin
1874–80
The Plague of Ashod (from Scrapbook), John Singer Sargent American, Graphite on off-white wove paper, American
The Plague of Ashod (from Scrapbook)
John Singer Sargent
After Nicolas Poussin
ca. 1874–80
The Triumph of Flora, John Singer Sargent American, Graphite on off-white wove paper, American
The Triumph of Flora
John Singer Sargent
After Nicolas Poussin
ca. 1874–78
The Offering to Pan from a set of the Berain Grotesques, Jean-Baptiste Monnoyer French, Wool, silk (21-22 warps per inch, 8-9 per cm.), French, Beauvais
The Offering to Pan from a set of the Berain Grotesques
Multiple artists/makers
designed ca. 1685–89; woven late 17th–early 18th century
Nurture of Bacchus, Detail (from Scrapbook), John Singer Sargent American, Graphite on off-white wove paper, American
Nurture of Bacchus, Detail (from Scrapbook)
John Singer Sargent
After Nicolas Poussin
ca. 1874–80
Orpheus and Eurydice, Nicolas Poussin French, Oil on canvas
Orpheus and Eurydice
Style of Nicolas Poussin
Education of a Princess, Höchst Manufactory German, Hard-paste porcelain, German, Höchst
Education of a Princess
Manufactory Höchst Manufactory
After a painting by Nicolas Poussin
1755–60
Scenes from the Story of Moses, Ferdinand Favre et Cie, Cotton, French, Nantes
Scenes from the Story of Moses
Manufactory Ferdinand Favre et Cie
Engraver Engraved by Samuel Cholet
After Nicolas Poussin
ca. 1820
Scenes from the Story of Moses
After Nicolas Poussin
Manufactory Petitpierre factory, Ferdinand Favre et Cie
Engraver Engraved by Samuel Cholet
ca. 1820–25
General Bonchamp Shown in a Pose Designed for His Tomb (recto); Three Figures after Poussin (verso), Pierre Jean David d'Angers French, Graphite, pen and brown ink (recto); graphite (verso)
General Bonchamp Shown in a Pose Designed for His Tomb (recto); Three Figures after Poussin (verso)
Pierre Jean David d'Angers
After Nicolas Poussin
19th century
Study of a Group of Trees, Nicolas Poussin French, Pen and brown ink
Study of a Group of Trees
Circle of Nicolas Poussin
Former Attribution manner of Claude Lorrain (Claude Gellée)
ca. 1625–50
Study of a Group of Trees, Nicolas Poussin French, Pen and brown ink
Study of a Group of Trees
Circle of Nicolas Poussin
Former Attribution Manner of Claude Lorrain (Claude Gellée)
ca. 1625–50
Study of a Palm Tree (recto); Mountain Landscape (verso), Nicolas Poussin French, Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso)
Study of a Palm Tree (recto); Mountain Landscape (verso)
Nicolas Poussin
ca. 1635–40
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, Giovanni Battista Ferrari Italian, plates: etching, engraving
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
Multiple artists/makers
1646
Frontispiece to the Bible, Claude Mellan French, Engraving; first state (?) of three (BN)
Frontispiece to the Bible
Claude Mellan
After Nicolas Poussin
Publisher Published by L'Imprimerie Royale
1642
Traitté de la Peinture, Leonardo da Vinci Italian, Printed book
Traitté de la Peinture
Multiple artists/makers
1651
Sentimens des plus Habiles Peintres sur la Pratique de la Peinture et Sculpture, mis en Tables de Preceptes, avec Plusieurs discours Accademiques, Henri Testelin French, Plates: etching, woodcut
Sentimens des plus Habiles Peintres sur la Pratique de la Peinture et Sculpture, mis en Tables de Preceptes, avec Plusieurs discours Accademiques
Multiple artists/makers
1696
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond British, Engraving, etching, woodcut
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Multiple artists/makers
1732–69
Cinerary Urn, after the Antique, Nicolas Poussin French, Pen and brown ink, brush and brown wash, over black chalk
Cinerary Urn, after the Antique
Circle of Nicolas Poussin
17th–19th century
The Nativity, Louis Licherie de Beurie French, Black and white chalk on light brown paper
The Nativity
Louis Licherie de Beurie
Former Attribution Formerly attributed to school of Nicolas Poussin
Former Attribution Formerly attributed to Anonymous, French, 17th century
The Entombment, Nicolas Poussin French, Pen and brown ink
The Entombment
Nicolas Poussin
ca. 1656–57
The Sorcerer Atlante Abducting Pinabello's Lady (Ariosto, Orlando Furioso, canto II, 38), Nicolas Poussin French, Pen and brown ink; black chalk on verso
The Sorcerer Atlante Abducting Pinabello's Lady (Ariosto, Orlando Furioso, canto II, 38)
Nicolas Poussin
ca. 1635–38
Studies of Details from Trajan's Column, Nicolas Poussin French, Pen and brown ink, brush and brown wash, over traces of black chalk
Studies of Details from Trajan's Column
Nicolas Poussin
ca. 1635
Holy Family on the Steps, Claudine Bouzonnet Stella French, Engraving and etching
Holy Family on the Steps
Claudine Bouzonnet Stella
After Nicolas Poussin
1668
Winter, Nicolas Poussin French, Engraving
Winter
After Nicolas Poussin
Jean Audran
n.d.
Frontispiece: Horace, Quinti Horatii Flacci Opera, Claude Mellan French, Engraving; first state of two
Frontispiece: Horace, Quinti Horatii Flacci Opera
Claude Mellan
After Nicolas Poussin
1642
Frontispiece: Virgil, Publii Virgilii Maronis Opera, Claude Mellan French, Engraving; first state of two
Frontispiece: Virgil, Publii Virgilii Maronis Opera
Claude Mellan
After Nicolas Poussin
1641
Mars and Venus, Fabrizio Chiari Italian, Etching
Mars and Venus
Fabrizio Chiari
After Nicolas Poussin
Publisher Giovanni Giacomo De Rossi
1635–49
Mars and Sleeping Venus with Putti, Thomas Rowlandson British, Etching
Mars and Sleeping Venus with Putti
Etcher Thomas Rowlandson
After Nicolas Poussin
1799
Ego Mater pulchrae dilectionis Eccl. 24., Claudine Bouzonnet Stella French, Etching and engraving
Ego Mater pulchrae dilectionis Eccl. 24.
Claudine Bouzonnet Stella
After Nicolas Poussin
1668
Recueil de Planches, sur les Sciences, Les Arts Libéraux, et Les Arts Méchaniques, avec leur explication. Seconde Livraison, en deux parties. Second Partie
Multiple artists/makers
1763
Holy Family
Jean Claude Richard, Abbé de Saint-Non
After Nicolas Poussin
1773
Summer
Jean Pesne
After Nicolas Poussin
17th century
Three Representations of the Virgin and Child, volume 2, plate 139 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829