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Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry
Tapestry Room from Croome Court
Multiple artists/makers
1763–71
Dining room from Lansdowne House, Robert Adam British, Scottish, Wood, plaster, stone, British
Dining room from Lansdowne House
Multiple artists/makers
1766–69
Mirror from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine, marble sheets veneered on a cement core, with newly carved swags, British
Mirror from Croome Court, Worcestershire
Designer Robert Adam
Sefferin Alken
1765
Mirror, Robert Adam British, Scottish, Gilded pine, mirror glass, British
Mirror
Designer Possibly designed by Robert Adam
John Mayhew
and William Ince
1769
Ceremonial scene with Abundance and Piping Pan, Adam Partnership British, Oil on canvas, British
Ceremonial scene with Abundance and Piping Pan
Adam Partnership
Designer Robert Adam
1765–66
Side table, Robert Adam British, Scottish, Mahogany, British
Side table
Designer In the style of Robert Adam
ca. 1780
Console table from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine with newly carved swags; marble sheets veneered on a limestone core, British
Console table from Croome Court, Worcestershire
Designer Robert Adam
Sefferin Alken
1765
Woodwork and ceiling from the Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, wood, tapestry, British
Woodwork and ceiling from the Tapestry Room from Croome Court
Multiple artists/makers
ca. 1760–69
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Carpet possibly made for Harewood House, Robert Adam British, Scottish, Wool, knotted, British, Axminster
Carpet possibly made for Harewood House
After a design by Robert Adam
Probably made at Axminster carpet manufactory
Workshop director Thomas Whitty
Woven 1791, after a design ca. 1770
Pair of urns and pedestals, Robert Adam British, Scottish, Inlaid mahogany, British
Pair of urns and pedestals
Designer In the style of Robert Adam
ca. 1780 with latter additions
Set of fourteen side chairs, Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Set of fourteen side chairs
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Robert Adam
Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Thomas Chippendale British, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Thomas Chippendale
Designer Robert Adam
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Thomas Chippendale
ca. 1772
Frame
Designer Designed by Robert Adam
Carved by Sefferin Alken
Charles Aylmer
ca. 1765–66
Ancient buildings next to water in the woods (recto); A variation of the same landscape in reverse (verso), Robert Adam British, Scottish, Pen and brown ink, over graphite (recto); pen and brown ink (verso)
Ancient buildings next to water in the woods (recto); A variation of the same landscape in reverse (verso)
Robert Adam
Formerly attributed to James Adam
1740–55
The Works in Architecture of Robert and James Adam, Esquires. Volume II. Containing the Five Following Numbers, viz... and vol. III, Containing the Remainder of the Designs..., Robert Adam British, Scottish, Illustrations: etching and engraving
The Works in Architecture of Robert and James Adam, Esquires. Volume II. Containing the Five Following Numbers, viz... and vol. III, Containing the Remainder of the Designs...
Multiple artists/makers
[1822]
Design for an Oblong Ceiling with an Oval Centre, James Wyatt British, Pen and ink
Design for an Oblong Ceiling with an Oval Centre
Attributed to James Wyatt
Former Attribution Formerly attributed to Robert Adam
18th–19th century
Design for a Console Table, Robert Adam British, Scottish, Watercolor over pen and black ink and graphite
Design for a Console Table
Style of Robert Adam
Style of James Adam
second half 18th century
Design for a Chimney Piece in the Gallery, now Dining Room, Harewood House, Yorkshire (Elevation), Robert Adam British, Scottish, Pen and ink, brush and ink wash, over graphite
Design for a Chimney Piece in the Gallery, now Dining Room, Harewood House, Yorkshire (Elevation)
Robert Adam
ca. 1769
Design for a Chimney Piece in the Pompeian Style, Robert Adam British, Scottish, Pen and black ink, brush and wash or watercolor, over graphite
Design for a Chimney Piece in the Pompeian Style
Style of Robert Adam
ca. 1775
Classical Landscape with Ruins (recto); Two men in Roman military dress (verso), Robert Adam British, Scottish, Pen and brown ink, brush and gray wash, over black chalk
Classical Landscape with Ruins (recto); Two men in Roman military dress (verso)
Robert Adam
1755–57
Design for a Ceiling, Robert Adam British, Scottish, Pen and black ink, brush and gray wash
Design for a Ceiling
Style of Robert Adam
1745–1800
Design for a Doric Porch, Plan and Elevation, Robert Adam British, Scottish, Pen and ink, brush and wash
Design for a Doric Porch, Plan and Elevation
Style of Robert Adam
second half 18th century
Classical Landscape with Temples (recto); Indecipherable sketch, possibly of a seated figure (verso), Robert Adam British, Scottish, Pen and brown ink, brush and gray wash
Classical Landscape with Temples (recto); Indecipherable sketch, possibly of a seated figure (verso)
Robert Adam
1755–57
Design for a Ceiling for the First Drawing Room at Culzean Castle, Ayrshire, Robert Adam British, Scottish, Pen and ink, brush and green wash and watercolor
Design for a Ceiling for the First Drawing Room at Culzean Castle, Ayrshire
Robert Adam
1779–82
Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalamatia, Robert Adam British, Scottish, Illustrations: etching and engraving
Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalamatia
Author Robert Adam
1764
Design of a Greenhouse for the Right Honorable Earl of Coventry, Croome Court, Worcestershire (Elevation), Robert Adam British, Scottish, Pen and gray ink, brush and wash
Design of a Greenhouse for the Right Honorable Earl of Coventry, Croome Court, Worcestershire (Elevation)
Robert Adam
1760
Design for a Console Table, Robert Adam British, Scottish, Watercolor over pen and black ink and graphite
Design for a Console Table
Style of Robert Adam
second half 18th century
Design for a fireplace, Robert Adam British, Scottish, Pen and ink, brush and wash, watercolor
Design for a fireplace
Attributed to Robert Adam
mid-18th–late 18th century
Design for a Panel, Robert Adam British, Scottish, Pen and black ink, watercolor
Design for a Panel
Style of Robert Adam
1748–92