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An allegorical composition with Charity and prisoners in chains

Jacques Blondeau

1677

Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning

Pietro Testa

ca. 1640

Palazzo delli Re d'Inghilterra

Pietro Ferrerio

1655

The Battle of Aeneas and Turnus, plate 14 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi

ca. 1661

Plate 11: Paris receiving the Apple of Discord from Mercury; from the Galeriae Farnesianae Icones

Pietro Aquila

ca. 1674

Series of Cartouche Designs

Agostino (Stanzani) Mitelli

1646–99

Disegno et sito del sontuoso giardino et palazzo del Gran Duca di Toscana in Roma (Villa Medici)

Giovanni Giacomo De Rossi

1620s

Fontana di Mercurio nel Giardino del Gran Duca di Toscana (...), from 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)', part 3, 'Le Fontane ne' Palazzi di Roma' (plate 9)

Giovanni Francesco Venturini

1691 or after

Plate 16: Detail of a wall from the Farnese gallery; at bottom set in a niche, a classical sculpture of Bacchus holding Cupid; above, two small fresco paintings set inside frames, one depicting an emblem the other the fall of Icarus; to the left in a roundel, the personification of Fortitude holding a pillar and caressing a lion; from the Galeriae Farnesianae Icones

Pietro Aquila

ca. 1674

Vegetable Vendor, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 24

Giuseppe Maria Mitelli

printed 1740

Plate 25: Joseph telling his brothers about his dream, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Cesare Fantetti

1675

Plate 14: Three winged women represneting Victories, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie

Pietro Santi Bartoli

1650–77

Plate 11: Giuliano de'Medici enters Florence to open arms with a river god at right, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel

Pietro Santi Bartoli

1650–75

An apostle and four semi-nude youths, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni

1642

Martyrdom of St. Stephen, after Pietro da Cortona

F. de Louvement

ca. 1668–90

Apollo as a young man, naked and reclining holding a lyre, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence

Cornelis Bloemaert

ca. 1677

Plate 25: A youth rides an ichthyocentaur who holda a club and fights against a Triton, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie

Pietro Santi Bartoli

1650–77

Death of the Virgin, lying on a chair at center, surrounded by Apostles, inside a temple

Jean Le Clerc

1619

Admiranda romananum antiquitatum ac veteris sculpturae vestigia

Pietro Santi Bartoli

1693

Plate 3: Saint Joseph and other saints with a lute-playing angel, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome

Carlo Cesi

1680

Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right

Pietro Testa

ca. 1631–37

Crispus fleeing Fausta who is seated on a bed at right, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence

François Spierre

ca. 1677

Plate 39: Joshua stopping the sun and the moon, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Pietro Aquila

1675

Torso of a man, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 13

Oliviero Gatti

1619

Cheese Vendor, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 3

Giuseppe Maria Mitelli

printed 1740

Bust of a young man in profile, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 12

Oliviero Gatti

1619

A procession of men, women and children carrying bags, buckets and barrels, a man sounding a buccina at left, after Polidoro da Caravaggio

Pietro Santi Bartoli

1650–91

Man Subduing a Harpy, With His Arms Bearing Down on the Harpy's Shoulders, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII

Giuseppe Maria Mitelli

1663

Plate 21: Jacob asleep, arm resting on a rock, as God and angels descend a staircase in the distance, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Cesare Fantetti

1675

Cesi's dedication of the series to Prince Camillo Pamphili, plate 16 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi

ca. 1661

Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague

Pietro Testa

ca. 1630–31

Series of Cartouche Designs and Coats of Arms

Agostino (Stanzani) Mitelli

ca. 1650–99

Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia

Pietro Santi Bartoli

1650–77

Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center

Pietro Aquila

1675

Plate 8: Israelites Collecting Manna, from Exodus 15 and 16, after a lost fresco in the basamento of Bay 8 of the Vatican Loggia

Pietro Santi Bartoli

1650–77

Frontispiece: Dedication to Francesco Maria Phoebeo, Bishop of Tarsus; at center the personification of art painting a portrait of the patron, surrounded by classical gods; from the Galeriae Farnesianae Icones

Pietro Aquila

ca. 1674

Water Carrier, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 23

Giuseppe Maria Mitelli

1660

Antiochus in bed at right while his doctor Erasistratur checks his pulse, Stratonice and Seleucus look on from the left, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence

Lambert de Visscher

ca. 1677

Allegory of Winter

Pietro Testa

1644

Palazzo Barberini (floor plan)

Pietro Ferrerio

1655

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