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Vendor of Chicken Dung, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 30
Giuseppe Maria Mitelli
1660
Plate 2: Cardinal Giovanni de' Medici at right entering Florence, a river God at the left
Pietro Santi Bartoli
ca. 1655–76
Six Eye Studies, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing
Oliviero Gatti
1619
The Abduction of Helen; battle scene on shore with two men pulling Helen into a boat at center
Marco Dente
ca. 1515–27, published by Rossi in 1649
Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
A triumphal procession of a Roman emperor, riding in a carriage at center, with captive kings at right
Giovanni Lanfranco
ca. 1640
Plate 16: Two draped female fiugures approaching an altar, the one on the right holds a lyre and arrows, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Plate 4: Abraham and Isaac with saints seated on a cloud, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
1680
Le Fontane di Roma nelle Piazze e Luoghi publici della Citta (...)
Giovanni Battista Falda
1665–69
Plate 29: Pharaoh's daughter and her attendants find baby Moses in a basket at the riverbank; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Cesare Fantetti
1675
Catafalque for Cardinal Alessandro Farnese; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'
Girolamo Rainaldi
1589
Plate 22: A nymph holding a serpent, riding an ichthyocentaur, who fights against a dragon, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Altra Veduta della Fontana in Piazza Navona [Fontana dei Quattro Fiumi], from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)"
Giovanni Battista Falda
1691 or after
The prophet Isaiah seated, holding a scroll; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Cesare Fantetti
1675
Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Barend de Bailliu
ca. 1677
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
The Genius of Castiglione
Giovanni Benedetto Castiglione (Il Grechetto)
ca. 1645–47 (published 1648)
Plate 4: Hercules resting, wrapped in the hide of the Nemean lion; to the left is the Erymanthian wild boar, the three-headed dog Cerberus, the hind of Ceryneia, and a harpy seated on a pedestal; from Imagines Farnesiani Cubiculi Cum ipsarum monocromatibus et ornamentis
Pietro Aquila
1670–92
Mason, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 10
Giuseppe Maria Mitelli
printed 1740
Plate 36: The Battle between the Greeks and the Amazons, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
The Nativity
Francesco Giovane
1630–69
Vendor of Biscuits, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 17
Giuseppe Maria Mitelli
1660
Plate 8: The conspirators punished by the Medici
Pietro Santi Bartoli
ca. 1655–76
Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels
Philippe Thomassin
1611–12
Knife Grinder, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 40
Giuseppe Maria Mitelli
printed 1740
A bearded old man with his head turned to the left, from a series of twenty engravings after Guercino's Libro dei disegni
Francesco Curti
1635–40
Martyrdom of St. Stephen, after Pietro da Cortona
F. de Louvement
ca. 1668–90
Knife Grinder, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 40
Giuseppe Maria Mitelli
1660
Collegio Romano
Pietro Ferrerio
1655
Two Well Cleaners, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 27
Giuseppe Maria Mitelli
printed 1740
Palazzo Spada
Pietro Ferrerio
1655
Plate 14: God announcing to Abraham his posterity; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Cesare Fantetti
1675
Plate 2: God the Father separating the light from the darkness; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Cesare Fantetti
1675
Christ appearing to Saint Peter after the Resurrection (Domine Quo Vadis), after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
1650–70
Plate 35: Cupid standing in front of Venus, holding a bow, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Plate 10: The Deluge, men attempting to save women and children from the flood, as others take cover under the trees in the background; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Cesare Fantetti
1675
Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Charles Delahaye
ca. 1677
Plate 16: Lot leaving Sodom with his wife and daughters; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Cesare Fantetti
1675
Title page of a series of nine plates, after the Assembly of the Gods ceiling fresco (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Pietro Aquila
ca. 1670–91
Allegorical representation of papal authority flanked by Prudence on the left and Glory on the right; to the far left are Vulcan and a Cyclops, plate 3 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677