ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 644 results
Sort By:
Il Palazzo Papale a Monte Cavallo (Quirinale Palace)
Giovanni Giacomo De Rossi
1620s–ca. 1648
Plate 6: Jacob Wrestling with the Angel, from Genesis 32, after a lost fresco in the basamento of Bay 6 of the Vatican Loggia
Pietro Santi Bartoli
1650–77
Plate 3: Two female figures dancing together, holding right hands, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Two hands with one holding a balance and a scale, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 6
Oliviero Gatti
1619
Plate 37: Orestes holding a dagger and standing before of one of the Erinyes, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Plate 14: Three winged women represneting Victories, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Angel holding a basket of flowers, turned to the right and looking upward, from a series of twenty engravings after Guercino's Libro dei disegni
Francesco Curti
1635–40
Title page to "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Vine Dresser, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 8
Giuseppe Maria Mitelli
printed 1740
Woodcutter, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 29
Giuseppe Maria Mitelli
printed 1740
Effigies insignia nomina cognomina patriae et dies promotionis ac obitus summorum pontificum et S.R.E. Cardinalium Defunctorum ab anno 1658
Albertus Clouwet
1676 or later
Man in profile with his right arm extended, from a series of twenty engravings after Guercino's Libro dei disegni
Francesco Curti
1635–40
Vendor of Grain Sifters, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 26
Giuseppe Maria Mitelli
1660
Plate 20: A nymph riding an ichthyocentaur, holding two serpents and facing a Triton, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
The Tomb of Pietro and Giovanni de' Medici from the Tombs of the Medici
Cornelis Cort
1570
Moses defending the daughters of Jethro, women at left retrieving water from a well for the sheep, Moses at right fending off shepherds with a large stick
Pietro Aquila
ca. 1670–90
Assembly of the Gods at Olympus; Jupiter at center with Venus to his left, introducing Aeneas at far left, plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Fontana in Piazza Navona [Fontana del Moro], from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)"
Giovanni Battista Falda
1691 or after
The Raising of Lazarus
Giovanni Battista Pasqualini
1621
View of the Villa Medici
Giovanni Battista Falda
after 1677
The prophet Isaiah seated, holding a scroll; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Cesare Fantetti
1675
Christ saving Saint Peter, at left summoning Peter to walk towards him across the waves, the fishing boat sinking in the background, after the altarpiece by Giovanni Lanfranco (1627-28) in Saint Peter's Basilica
Francesco Faraone Aquila
1690
Frontispiece depicting two lions above a scroll facing the Medici coat of arms with ribbons and branches terminating in male figures on either side, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel
Pietro Santi Bartoli
1650–70
Series of Cartouche Designs and Coats of Arms
Agostino (Stanzani) Mitelli
ca. 1650–99
Catafalque for Pope Sixtus V; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'
Giovanni Maggi
1591
Battle scene depicting the victory of Alexander over Darius
Pietro Aquila
ca. 1650–92
Plate 9: Aurora abducting Cephalus; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Polyphemus Pursuing Aeneas's Fleet, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Plate 6: The defeat of the Holy League against the French in Ravenna
Pietro Santi Bartoli
ca. 1655–76
The group to the right of the Assumption, with Eve and other saints accompanied by putti and angels, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Le Fontane del Giardino Estense in Tivoli con li Loro Prospetti, e Vedute della Cascata del Fiume Aniene
Giovanni Francesco Venturini
1691 or after
Plate 7: Giuliano de' Medici escapes captivity in France
Pietro Santi Bartoli
ca. 1655–76
Plate 21: Four rows of details from the Farnese gallery; across the top, four small paintings illustrating Hercules and the hydra, Minerva and Prometheus, Arion riding a dolphin, and Hercules and Prometheus; below, two roundels at each side with the personifications of Charity and Justice, at center two paintings depicting Peleus and Thetis and two tritons fighting; below, three busts, and along the bottom, four classical sculptures standing; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Vendor of Chairs, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 6
Giuseppe Maria Mitelli
printed 1740
Hat Vendor, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 33
Giuseppe Maria Mitelli
printed 1740
Plate 19: A satyr rides an ichthyocentaur, who holds a stag's head and faces a Triton, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
The Genius of Castiglione
Giovanni Benedetto Castiglione (Il Grechetto)
ca. 1645–47 (published 1648)
Friezes with Birds, Flowers and Meandering Wreaths and Scrolls
Theodor Bang
17th century
Temperance, at top with a feather in her left hand, a camel at right and putti on both sides, below a woman with a unicorn, after frescoed pendentives of the Cardinal Virtues (1627–30) by Domenichino in the church of San Carlo ai Catinari, Rome
Pietro del Po
ca. 1650–92