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Madonna and Child with Saint John the Evangelist, Rosso Fiorentino Italian, Oil on canvas, laid down on wood
Madonna and Child with Saint John the Evangelist
Rosso Fiorentino
1512/13
Dish with Diana, the Nymph of Fontainebleau, Bernard Palissy French, Lead-glazed earthenware, French
Dish with Diana, the Nymph of Fontainebleau
Multiple artists/makers
late 16th–early 17th century
Ignorance Defeated, Antonio Fantuzzi Italian, Etching
Ignorance Defeated
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Royal Elephant, Antonio Fantuzzi Italian, Etching
Royal Elephant
Antonio Fantuzzi
After Rosso Fiorentino
1542–45
Landscape with Ornamental Frame, Antonio Fantuzzi Italian, Etching
Landscape with Ornamental Frame
Antonio Fantuzzi
Style of Rosso Fiorentino
ca. 1543
Pietà, Antonio Fantuzzi Italian, Etching
Pietà
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Revenge of Nauplius, Antonio Fantuzzi Italian, Etching
Revenge of Nauplius
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Ignorance Defeated, Antonio Fantuzzi Italian, Etching, in red ink
Ignorance Defeated
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Frame of Ignorance Defeated, Antonio Fantuzzi Italian, Etching
Frame of Ignorance Defeated
Antonio Fantuzzi
After Rosso Fiorentino
1543
Hercules and Cacus, Antonio Fantuzzi Italian, Etching
Hercules and Cacus
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Meleager Bringing the Boar's Head to Atalanta, Antonio Fantuzzi Italian, Etching
Meleager Bringing the Boar's Head to Atalanta
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Burning of a corpse, Antonio Fantuzzi Italian, Etching
Burning of a corpse
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Religious Allegory, Antonio Fantuzzi Italian, Etching
Religious Allegory
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
The Sacrifice, Antonio Fantuzzi Italian, Etching
The Sacrifice
Antonio Fantuzzi
After Rosso Fiorentino
1542
Contest between Athena and Poseidon, Antonio Fantuzzi Italian, Etching
Contest between Athena and Poseidon
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Landscape from "Venus Pushing Cupid" frame, Antonio Fantuzzi Italian, Etching
Landscape from "Venus Pushing Cupid" frame
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand, Giovanni Jacopo Caraglio Italian, Engraving
Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand
Giovanni Jacopo Caraglio
After Rosso Fiorentino
ca. 1520–39
Two Male Busts with Head-dresses for the Ballet, René Boyvin French, Engraving; second state of two
Two Male Busts with Head-dresses for the Ballet
René Boyvin
After Rosso Fiorentino
Bust of a Woman Wearing a Fantastic Head-dress and Mask, René Boyvin French, Etching
Bust of a Woman Wearing a Fantastic Head-dress and Mask
René Boyvin
After Rosso Fiorentino
Bust of a Man Wearing a Fantastic Head-dress and Mask, René Boyvin French, Etching
Bust of a Man Wearing a Fantastic Head-dress and Mask
René Boyvin
After Rosso Fiorentino
Vase with Two Winged Figures Draping a Term, René Boyvin French, Engraving
Vase with Two Winged Figures Draping a Term
Multiple artists/makers
17th century
Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 16: Hebe in a niche with her hands in the air, running to the left while looking to the right, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 16: Hebe in a niche with her hands in the air, running to the left while looking to the right, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 17: Bacchus standing in a niche, holding grapes over a plate, accompanied by an infant satyr, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 17: Bacchus standing in a niche, holding grapes over a plate, accompanied by an infant satyr, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Vase with Two Winged Satyrs, René Boyvin French, Engraving
Vase with Two Winged Satyrs
Multiple artists/makers
17th century
Bust of a Woman Wearing a Fantastic Head-dress and Mask, René Boyvin French, Etching
Bust of a Woman Wearing a Fantastic Head-dress and Mask
René Boyvin
After Rosso Fiorentino
Bust of a Woman Wearing a Fantastic Head-dress and Mask, René Boyvin French, Etching
Bust of a Woman Wearing a Fantastic Head-dress and Mask
René Boyvin
After Rosso Fiorentino
Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
Publisher Carlo Losi
1526
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Etching
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Torch Bearer, René Boyvin French, Engraving
Torch Bearer
René Boyvin
After Rosso Fiorentino
Fantastical Masked Masculine Heads, René Boyvin French, Engraving; second state of two
Fantastical Masked Masculine Heads
René Boyvin
After Rosso Fiorentino
Fantastical Masked Masculine Heads, Anonymous, 16th century, Engraving; reverse copy
Fantastical Masked Masculine Heads
Anonymous, 16th century
After René Boyvin
After Rosso Fiorentino
Venus and Mars with cupid and the Three Graces, Master HCB, Engraving
Venus and Mars with cupid and the Three Graces
Master HCB
Former Attribution Giovanni Jacopo Caraglio
After Rosso Fiorentino
1560–65
Venus and Mars with Cupid and the Three Graces, Master HCB, Engraving
Venus and Mars with Cupid and the Three Graces
Master HCB
After Rosso Fiorentino
Former Attribution Giovanni Jacopo Caraglio
1530–35
Allegory of the Christian Faith with Christ at center, holding the cross, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Allegory of the Christian Faith with Christ at center, holding the cross
Cherubino Alberti (Zaccaria Mattia)
After Rosso Fiorentino
1575
Burning of a Corpse, Antonio Fantuzzi Italian, Etching
Burning of a Corpse
Antonio Fantuzzi
After Rosso Fiorentino
ca. 1543
Studies for a Costume, Rosso Fiorentino Italian, Pen and brown ink, brush and brown wash
Studies for a Costume
circle of Rosso Fiorentino
1494–1540
Two Figures in an Architectural Setting: A Female Nude Seated in a Profile View and a Seated Male Nude in a Three-Quarter View with the Left Leg Bent, Rosso Fiorentino Italian, Pen and brown ink, red and black chalk.
Two Figures in an Architectural Setting: A Female Nude Seated in a Profile View and a Seated Male Nude in a Three-Quarter View with the Left Leg Bent
circle of Rosso Fiorentino
ca. 1550
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso), Giovanni Battista Naldini Italian, Red chalk (recto); black chalk (verso)
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso)
Giovanni Battista Naldini
After Michelangelo Buonarroti
After Rosso Fiorentino
1537–91
Bust of a Woman with an Elaborate Coiffure, Rosso Fiorentino Italian, Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash.
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
1530–37
Figural Studies for a Scene (The Birth of the Virgin or Saint John the Baptist?), Rosso Fiorentino , circle of Italian, Red chalk
Figural Studies for a Scene (The Birth of the Virgin or Saint John the Baptist?)
Rosso Fiorentino
1520–30