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Madonna and Child with Saint John the Evangelist, Rosso Fiorentino Italian, Oil on canvas, laid down on wood
Madonna and Child with Saint John the Evangelist
Rosso Fiorentino
1512/13
Dish with Diana, the Nymph of Fontainebleau, Bernard Palissy French, Lead-glazed earthenware, French
Dish with Diana, the Nymph of Fontainebleau
Multiple artists/makers
late 16th–early 17th century
Burning of a corpse, Antonio Fantuzzi Italian, Etching
Burning of a corpse
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
The Sacrifice, Antonio Fantuzzi Italian, Etching
The Sacrifice
Antonio Fantuzzi
After Rosso Fiorentino
1542
Ignorance Defeated, Antonio Fantuzzi Italian, Etching
Ignorance Defeated
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Ignorance Defeated, Antonio Fantuzzi Italian, Etching, in red ink
Ignorance Defeated
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Royal Elephant, Antonio Fantuzzi Italian, Etching
Royal Elephant
Antonio Fantuzzi
After Rosso Fiorentino
1542–45
Fortune Making a Prince Drink, Antonio Fantuzzi Italian, Etching in red ink
Fortune Making a Prince Drink
Antonio Fantuzzi
After Rosso Fiorentino
ca. 1543
Contest between Athena and Poseidon, Antonio Fantuzzi Italian, Etching
Contest between Athena and Poseidon
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Frame of Ignorance Defeated, Antonio Fantuzzi Italian, Etching
Frame of Ignorance Defeated
Antonio Fantuzzi
After Rosso Fiorentino
1543
Landscape from "Venus Pushing Cupid" frame, Antonio Fantuzzi Italian, Etching
Landscape from "Venus Pushing Cupid" frame
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Landscape with Ornamental Frame, Antonio Fantuzzi Italian, Etching
Landscape with Ornamental Frame
Antonio Fantuzzi
Style of Rosso Fiorentino
ca. 1543
Pietà, Antonio Fantuzzi Italian, Etching
Pietà
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Hercules and Cacus, Antonio Fantuzzi Italian, Etching
Hercules and Cacus
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Religious Allegory, Antonio Fantuzzi Italian, Etching
Religious Allegory
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Meleager Bringing the Boar's Head to Atalanta, Antonio Fantuzzi Italian, Etching
Meleager Bringing the Boar's Head to Atalanta
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Revenge of Nauplius, Antonio Fantuzzi Italian, Etching
Revenge of Nauplius
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Figural Studies for a Scene (The Birth of the Virgin or Saint John the Baptist?), Rosso Fiorentino , circle of Italian, Red chalk
Figural Studies for a Scene (The Birth of the Virgin or Saint John the Baptist?)
Rosso Fiorentino
1520–30
Bust of a Woman with an Elaborate Coiffure, Rosso Fiorentino Italian, Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash.
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
1530–37
Studies for a Costume, Rosso Fiorentino Italian, Pen and brown ink, brush and brown wash
Studies for a Costume
circle of Rosso Fiorentino
1494–1540
Bust Of an Old Woman in Profile to Right, Rosso Fiorentino Italian, Black chalk, highlighted with white, on beige paper. Figure roughly silhouetted and background tinted in opaque gray wash
Bust Of an Old Woman in Profile to Right
Rosso Fiorentino
1494–1540
Two Figures in an Architectural Setting: A Female Nude Seated in a Profile View and a Seated Male Nude in a Three-Quarter View with the Left Leg Bent, Rosso Fiorentino Italian, Pen and brown ink, red and black chalk.
Two Figures in an Architectural Setting: A Female Nude Seated in a Profile View and a Seated Male Nude in a Three-Quarter View with the Left Leg Bent
circle of Rosso Fiorentino
ca. 1550
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso), Giovanni Battista Naldini Italian, Red chalk (recto); black chalk (verso)
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso)
Giovanni Battista Naldini
After Michelangelo Buonarroti
After Rosso Fiorentino
1537–91
Skeletons, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
Skeletons
Agostino Veneziano (Agostino dei Musi)
After Rosso Fiorentino
1518
Design for a Wall Decoration, Rosso Fiorentino Italian, Pen and brown ink, brush and gray wash
Design for a Wall Decoration
Attributed to Rosso Fiorentino
Formerly attributed to Anonymous, French, School of Fontainebleau, 16th century
16th century
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects", Giovanni Jacopo Caraglio Italian, Engraving
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
ca. 1526–27
Busts of Two Women Wearing Fantastical Head-dresses, René Boyvin French, Engraving; second state of two
Busts of Two Women Wearing Fantastical Head-dresses
René Boyvin
After Rosso Fiorentino
n.d.
Two Groups of Three Putti, Anonymous, French, School of Fontainebleau, 16th century French, Engraving
Two Groups of Three Putti
Anonymous, French, School of Fontainebleau, 16th century
After Rosso Fiorentino
Former Attribution Formerly attributed to René Boyvin
1535 or 1536
Plate 1: Saturn in a niche devouring his son, standing before a scythe, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 1: Saturn in a niche devouring his son, standing before a scythe, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
Publisher Antonio Salamanca
1526
Plate 2: Ops standing in a niche with her hands at her breasts, looking to her left, with animals behind her, from "Mythological Gods and Goddesses" , Giovanni Jacopo Caraglio Italian, Engraving; third state of three (TIB)

Plate 2: Ops standing in a niche with her hands at her breasts, looking to her left, with animals behind her, from "Mythological Gods and Goddesses"

Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 3: Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from "Mythological Gods and Goddesses" , Giovanni Jacopo Caraglio Italian, Engraving

Plate 3: Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from "Mythological Gods and Goddesses"

Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 4: Juno standing in a niche, viewed from behind, stroking a peacock to her right, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 4: Juno standing in a niche, viewed from behind, stroking a peacock to her right, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 5: Neptune standing in a niche holding a trident, with a hippocampus (sea-horse) behind him, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 5: Neptune standing in a niche holding a trident, with a hippocampus (sea-horse) behind him, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 6: Thetis standing in a niche with a shell and sea creature, pouring water out of a vase, looking to her left, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 6: Thetis standing in a niche with a shell and sea creature, pouring water out of a vase, looking to her left, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 8: Proserpina, standing in a niche, turning to the right while holding mantle in both hands and flowers in her right hand, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 8: Proserpina, standing in a niche, turning to the right while holding mantle in both hands and flowers in her right hand, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 9: Mars in a niche, holding a sword above his head with his right arm, and a shield on his left arm, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 9: Mars in a niche, holding a sword above his head with his right arm, and a shield on his left arm, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 10: Venus in a niche, standing on a conch shell, with Cupid to her right, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 10: Venus in a niche, standing on a conch shell, with Cupid to her right, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 11: Apollo riding his chariot in a niche, facing right, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 11: Apollo riding his chariot in a niche, facing right, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from "Mythological Gods and Goddesses" , Giovanni Jacopo Caraglio Italian, Engraving

Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from "Mythological Gods and Goddesses"

Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 14: Ceres in a niche, facing right, standing over a two-headed snake and holding a half-moon sickle in her right hand and a torch in her left hand, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 14: Ceres in a niche, facing right, standing over a two-headed snake and holding a half-moon sickle in her right hand and a torch in her left hand, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526

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