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Madonna and Child with Saint John the Evangelist, Rosso Fiorentino Italian, Oil on canvas, laid down on wood
Madonna and Child with Saint John the Evangelist
Rosso Fiorentino
1512/13
Dish with Diana, the Nymph of Fontainebleau, Bernard Palissy French, Lead-glazed earthenware, French
Dish with Diana, the Nymph of Fontainebleau
Multiple artists/makers
late 16th–early 17th century
Skeletons, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
Skeletons
Agostino Veneziano (Agostino dei Musi)
After Rosso Fiorentino
1518
Studies for a Costume, Rosso Fiorentino Italian, Pen and brown ink, brush and brown wash
Studies for a Costume
circle of Rosso Fiorentino
1494–1540
Bust Of an Old Woman in Profile to Right, Rosso Fiorentino Italian, Black chalk, highlighted with white, on beige paper. Figure roughly silhouetted and background tinted in opaque gray wash
Bust Of an Old Woman in Profile to Right
Rosso Fiorentino
1494–1540
Bust of a Woman with an Elaborate Coiffure, Rosso Fiorentino Italian, Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash.
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
1530–37
Two Figures in an Architectural Setting: A Female Nude Seated in a Profile View and a Seated Male Nude in a Three-Quarter View with the Left Leg Bent, Rosso Fiorentino Italian, Pen and brown ink, red and black chalk.
Two Figures in an Architectural Setting: A Female Nude Seated in a Profile View and a Seated Male Nude in a Three-Quarter View with the Left Leg Bent
circle of Rosso Fiorentino
ca. 1550
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso), Giovanni Battista Naldini Italian, Red chalk (recto); black chalk (verso)
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso)
Giovanni Battista Naldini
After Michelangelo Buonarroti
After Rosso Fiorentino
1537–91
Figural Studies for a Scene (The Birth of the Virgin or Saint John the Baptist?), Rosso Fiorentino , circle of Italian, Red chalk
Figural Studies for a Scene (The Birth of the Virgin or Saint John the Baptist?)
Rosso Fiorentino
1520–30
Landscape from "Venus Pushing Cupid" frame, Antonio Fantuzzi Italian, Etching
Landscape from "Venus Pushing Cupid" frame
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Landscape with Ornamental Frame, Antonio Fantuzzi Italian, Etching
Landscape with Ornamental Frame
Antonio Fantuzzi
Style of Rosso Fiorentino
ca. 1543
Meleager Bringing the Boar's Head to Atalanta, Antonio Fantuzzi Italian, Etching
Meleager Bringing the Boar's Head to Atalanta
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Fortune Making a Prince Drink, Antonio Fantuzzi Italian, Etching in red ink
Fortune Making a Prince Drink
Antonio Fantuzzi
After Rosso Fiorentino
ca. 1543
Contest between Athena and Poseidon, Antonio Fantuzzi Italian, Etching
Contest between Athena and Poseidon
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Frame of Ignorance Defeated, Antonio Fantuzzi Italian, Etching
Frame of Ignorance Defeated
Antonio Fantuzzi
After Rosso Fiorentino
1543
Religious Allegory, Antonio Fantuzzi Italian, Etching
Religious Allegory
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Revenge of Nauplius, Antonio Fantuzzi Italian, Etching
Revenge of Nauplius
Antonio Fantuzzi
After Rosso Fiorentino
1540–45
Two Groups of Three Putti, Anonymous, French, School of Fontainebleau, 16th century French, Engraving
Two Groups of Three Putti
Anonymous, French, School of Fontainebleau, 16th century
After Rosso Fiorentino
Former Attribution Formerly attributed to René Boyvin
1535 or 1536
Busts of Two Women Wearing Fantastical Head-dresses, René Boyvin French, Engraving; second state of two
Busts of Two Women Wearing Fantastical Head-dresses
René Boyvin
After Rosso Fiorentino
n.d.
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects", Giovanni Jacopo Caraglio Italian, Engraving
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
ca. 1526–27
Design for a Wall Decoration, Rosso Fiorentino Italian, Pen and brown ink, brush and gray wash
Design for a Wall Decoration
Attributed to Rosso Fiorentino
Formerly attributed to Anonymous, French, School of Fontainebleau, 16th century
16th century
Vase with Dancing Women and Satyrs, René Boyvin French, Engraving
Vase with Dancing Women and Satyrs
Multiple artists/makers
17th century (late)
Vase with Two Winged Figures Draping a Term, René Boyvin French, Engraving
Vase with Two Winged Figures Draping a Term
Multiple artists/makers
17th century (late)
Vase with the Veneration of a Bull, René Boyvin French, Engraving
Vase with the Veneration of a Bull
Multiple artists/makers
17th century (late)
Vase with Helios or Phaeton on the Chariot of the Sun, René Boyvin French, Engraving
Vase with Helios or Phaeton on the Chariot of the Sun
Multiple artists/makers
17th century (late)
Vase with Dancing Putti, René Boyvin French, Engraving
Vase with Dancing Putti
Multiple artists/makers
17th century (late)
Vase with a Mask, Garlands and Two Crabs, René Boyvin French, Engraving
Vase with a Mask, Garlands and Two Crabs
Multiple artists/makers
17th century (late)
Vase with a Sacrificial Scene, René Boyvin French, Engraving
Vase with a Sacrificial Scene
Multiple artists/makers
17th century (late)
Vase with a River God in an Oval Medallion, René Boyvin French, Engraving
Vase with a River God in an Oval Medallion
Multiple artists/makers
17th century (late)
Vase with Two Winged Satyrs, René Boyvin French, Engraving
Vase with Two Winged Satyrs
Multiple artists/makers
17th century (late)
Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand, Giovanni Jacopo Caraglio Italian, Engraving
Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand
Giovanni Jacopo Caraglio
After Rosso Fiorentino
ca. 1520–39
Plate 17: Bacchus standing in a niche, holding grapes over a plate, accompanied by an infant satyr, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 17: Bacchus standing in a niche, holding grapes over a plate, accompanied by an infant satyr, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 16: Hebe in a niche with her hands in the air, running to the left while looking to the right, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 16: Hebe in a niche with her hands in the air, running to the left while looking to the right, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Etching
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
Publisher Carlo Losi
1526
Vase with Two Winged Figures Draping a Term, René Boyvin French, Engraving
Vase with Two Winged Figures Draping a Term
Multiple artists/makers
17th century
Empedocles, standing frontally with his head turned in three-quarter view, directs his gaze toward a flame (the crater of Mount Aetna?) emerging from a horizontal ground line, a walking stick leans toward the right margin, René Boyvin French, Engraving
Empedocles, standing frontally with his head turned in three-quarter view, directs his gaze toward a flame (the crater of Mount Aetna?) emerging from a horizontal ground line, a walking stick leans toward the right margin
René Boyvin
After Rosso Fiorentino
ca. 1545–63
Vase with a River God in an Oval Medallion, René Boyvin French, Engraving
Vase with a River God in an Oval Medallion
Multiple artists/makers
17th century
Vase with Two Winged Satyrs, René Boyvin French, Engraving
Vase with Two Winged Satyrs
Multiple artists/makers
17th century
Vase with a Sacrificial Scene, René Boyvin French, Engraving
Vase with a Sacrificial Scene
Multiple artists/makers
17th century