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Rolltop desk, David Roentgen German, Oak, cherry, pine, mahogany, veneered with maple, burl woods, holly, hornbeam (all partially stained), tulipwood, mahogany, and other woods; mother-of-pearl; partially gilded and tooled leather; gilt bronze, iron, steel, brass, partially gold-lacquered brass, German, Neuwied am Rhein
Rolltop desk
David Roentgen
Designer Drawer pulls after a design by Thomas Chippendale
Designer Marquetry panel after a design by Januarius Zick
ca. 1776–79
The Gentleman and Cabinet-maker's Director: Being a Large Collection of . . . Designs of Household Furniture in the Gothic, Chinese and Modern Taste . . ., Thomas Chippendale British, London: Thomas Chippendale, 1754
The Gentleman and Cabinet-maker's Director: Being a Large Collection of . . . Designs of Household Furniture in the Gothic, Chinese and Modern Taste . . .
Author Thomas Chippendale
1754
Side chair (one of a pair), Thomas Chippendale British, Mahogany; tent stitch embroidery on canvas, British
Side chair (one of a pair)
Designer After a design by Thomas Chippendale
ca. 1755–60
China table, Thomas Chippendale British, Mahogany, British
China table
Designer After a design by Thomas Chippendale
ca. 1755
Cheval fire screen, Thomas Chippendale British, Mahogany, wool knotted-pile panel (not original to the screen), British, London
Cheval fire screen
Designer After Thomas Chippendale
Panel attributed to Thomas Moore
ca. 1755–60
Longcase clock, Hermann Achenbach German, Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel, German, Neuwied am Rhein
Longcase clock
Multiple artists/makers
ca. 1774–75
Side Chair (one of a pair), Thomas Chippendale British, Mahogany; tent stitch embroidery on canvas, British
Side Chair (one of a pair)
Designer After a design by Thomas Chippendale
ca. 1755–60
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Pair of tripod candlestands or torchères, Thomas Chippendale , after a manuscript design British, Carved and gilded wood (pine?), British
Pair of tripod candlestands or torchères
Designer Thomas Chippendale
ca. 1760
Desk (bonheur du jour), Thomas Chippendale British, Harewood, rosewood, ebony, boxwood, satiné, purple-heart, mahogany, British
Desk (bonheur du jour)
Probably Thomas Chippendale
ca. 1770–80
Armchair, Thomas Chippendale British, Mahogany, needlework, British
Armchair
Designer After a design by Thomas Chippendale
ca. 1755
Writing table, Thomas Chippendale British, Mahogany, leather, gilt bronze, British
Writing table
Designer After a design by Thomas Chippendale
ca. 1760
Set of fourteen side chairs, Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Set of fourteen side chairs
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Robert Adam
Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Thomas Chippendale British, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Thomas Chippendale
Designer Robert Adam
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British
Side chair (one of a set of fourteen)
Designer Robert Adam
Thomas Chippendale
ca. 1772
Chippendale Drawings, Vol. I, Thomas Chippendale British, Pen and black ink, brush and gray wash
Chippendale Drawings, Vol. I
Thomas Chippendale
1753–70
Chippendale Drawings, Vol. II, Thomas Chippendale British, Pen and black ink, brush and gray wash
Chippendale Drawings, Vol. II
Thomas Chippendale
ca. 1753–70
The Gentleman and Cabinet-Maker's Director. Being a Large Collection of the Most Elegant and Useful Designs of Household Furniture in the Gothic, Chinese and Modern Taste, Thomas Chippendale British, Illustrations:engraving; graphite on the verso of some pages
The Gentleman and Cabinet-Maker's Director. Being a Large Collection of the Most Elegant and Useful Designs of Household Furniture in the Gothic, Chinese and Modern Taste
Multiple artists/makers
1754
Gentleman and Cabinet-Maker's Director, Thomas Chippendale British, Engraving
Gentleman and Cabinet-Maker's Director
Multiple artists/makers
1755
The Gentleman and Cabinet-Maker's Director, Thomas Chippendale British, Illustrations: etching and engraving
The Gentleman and Cabinet-Maker's Director
Multiple artists/makers
1762
Ribband Back Chairs, Thomas Chippendale British, Pen and black ink, brush and gray wash
Ribband Back Chairs
Thomas Chippendale
1754
The General Proportion of the Tuscan Order, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Black ink and gray wash
The General Proportion of the Tuscan Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
1753
The General Proportion of the Doric Order, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Black ink and gray wash
The General Proportion of the Doric Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
1753
The General Proportion of the Ionick [Ionic] Order, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Pen and black ink, brush and gray wash
The General Proportion of the Ionick [Ionic] Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
1753
The General Proportions of the Corinthian Order, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Black ink and gray wash
The General Proportions of the Corinthian Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
1753
The General Proportions of the Composite Order, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Pen and black ink, brush and gray wash
The General Proportions of the Composite Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
1753
Rule for Drawing the Spiral Lines of the Volute of the Ionic Order, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Black and brown ink, graphite
Rule for Drawing the Spiral Lines of the Volute of the Ionic Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
1753
Bases and Caps of the Pedestals of Each Order, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Black and brown ink
Bases and Caps of the Pedestals of Each Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
1753
The Bases of the Columns, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Black and brown ink
The Bases of the Columns, in Chippendale Drawings, Vol. I
Thomas Chippendale
1753
Sofa, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Pen and brown and black ink, brush and gray wash
Sofa, in Chippendale Drawings, Vol. I
Thomas Chippendale
1760
Sofa, in Chippendale Drawings, Vol. I, Thomas Chippendale British, Black ink and gray wash
Sofa, in Chippendale Drawings, Vol. I
Thomas Chippendale
1759

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