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Saint John the Baptist Baptizing the Multitude
Pellegrino Tibaldi
1554–56
Plate 24: Ulysses's companions stealing the oxen sacred to Apollo
Bartolomeo Crivellari
1756
Plate 40: the division of the elect from the reprobate
Bartolomeo Crivellari
1756
Design of a fireplace
Giovanni Battista Brustolon
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Sebastiano Gamma
1756
Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins
Bartolomeo Crivellari
1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck
Bartolomeo Crivellari
1756
Three bearded men, one wearing fur
Bartolomeo Crivellari
1756
Plate 8: Ulysses receiving the winds in a leather bag from Aeolus
Bartolomeo Crivellari
1756
Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe
Bartolomeo Crivellari
1756
Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children
Bartolomeo Crivellari
1756
Plate 15: mythological figure wearing a helmet and holding a shield
Bartolomeo Crivellari
1756
Plate 25: a shipwreck
Bartolomeo Crivellari
1756
Plate 5: view of the ceiling with its ornaments and frescoed paintings
Bartolomeo Crivellari
1756
Plate 20: bearded figure, half clothed
Bartolomeo Crivellari
1756
Tobias and the Angel
Cherubino Alberti (Zaccaria Mattia)
1575
A standing man in a niche reaching forward with one arm
Bartolomeo Crivellari
1756
Plate 22: two nude figures wearing veils
Bartolomeo Crivellari
1756
Six Studies of Animal Heads and of a Cartouche
Pellegrino Tibaldi
1527–96
Plate 6: Ulysses driving a burning stake into Polyphemus' eye
Bartolomeo Crivellari
1756
A standing man in a niche with his elbow resting on a column
Bartolomeo Crivellari
1756
Study for the Figure of Aeolus
Pellegrino Tibaldi
1549–51
Plate 21: two nude figures wearing veils, seen from behind
Bartolomeo Crivellari
1756
Plate 17: two nude figures wearing veils
Bartolomeo Crivellari
1756
Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea
Bartolomeo Crivellari
1756
Plate 18: two nude figures wearing veils, seen from behind
Bartolomeo Crivellari
1756
Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters
Bartolomeo Crivellari
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Bartolomeo Crivellari
1756
A standing man in a niche looking toward the left
Bartolomeo Crivellari
1756
Minerva assisting Prometheus as he attempts to scale the heavens
Bartolomeo Crivellari
1756
A standing man in a niche holding an open book
Bartolomeo Crivellari
1756
Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century
ca. 1540–70
Seated satyr, with enlarged head of same (recto); Head of a woman (verso)
Pellegrino Tibaldi
1527–96
Plate 16: mythological figure holding a mirror
Bartolomeo Crivellari
1756
Plate 19: figure seen from behind with left hand raised
Bartolomeo Crivellari
1756
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1792–98
Juvenis ascultans seni de divinis admonenti (My Son attend unto my Wisdom, and bow thine Ear to my Understanding (Proverbs V)): Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98