ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    API

    Public domain data for this object can also be accessed using the Met's Open Access API

  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 48 results
Sort by:
Marriage of the Virgin
Robert van Audenaerde
Plate 6: Jupiter embracing Juno from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Numismata Summorum Pontificum Templi Vaticani Fabricam Indicatia
Filippo Bonanni
1696
An Account of His Excellence Roger Earl of Castlemaine's Embassy, from . . . James the IId . . . . to His Holiness Innocent XI
John Michael Wright
1688
Pope Leo repulses Atilla from the gates of Rome and points to Saints Peter and Paul overhead
Giuseppe Maria Mitelli
1670–1718
Flight into Egypt
Robert van Audenaerde
Annunciation
Hieronymus Bölmann
ca. 1708
The sacrifice of Iphigenia
Arnold van Westerhout
1650–1700
Self portait as an artist, holding a drawing board and implement
Pietro Testa
ca. 1645
Holy Family
Johann Jakob Frey the Elder
1729
Perspectiva pictorum et architectorum
Andrea Pozzo
1693
Frontispiece: Suite de huit Marines
Stefano della Bella
1634
Presentation in the Temple
Cornelis Bloemaert
1625–84
David Playing the Harp and Dancing in front of the Ark of the Convenant
Pierre LeMaire
1678–87
An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca
Pietro Testa
1680–1700
View of the crane with which Pope Clement XI, in 1705, raised the column and base of the Apotheosis of the Emperor Antoninus Pius from the ruins of the Campus Martius, plate 31 from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London)
Arnold van Westerhout
1762
Ragguaglio della solenne comparsa, fatta in Roma . . MDCLXXXVII . . Conte di Castelmaine . . . di Giacomo Secondo . . .
John Michael Wright
1687
Il Greco in Troia...Festa..in Firenze per la Nozze De' Ferdinano III..di Toscana e Violante Beatrice ..di Baviera
Matteo Noris
1688
Repose in Egypt
Guillaume Vallet
1652–1704
Plate 8: Polyphemus throwing a rock at Acis and Galatea from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Saint Paul preaching at center, standing in a crowd in a columned interior, pointing upwards toward putti who hold a scroll
Arnold van Westerhout
1681–1725
Plate 26 female personification of Charity, seated holding two small babies; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Repose in Egypt
Johann Jakob Frey the Elder
1735
Titeplate to series of prints after Poloidoro
Giovanni Battista Galestruzzi
1658
Adoration of the Shepherds
Jean-Baptiste de Poilly
1685–1728
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648
Adoration of the Kings
Francois de Poilly
1640–93
Adoration of the Shepherds
Hubert Vincent
1700–1730
Plate 27: The female personification of Fortitude, holding a pillar and stroking a lion; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples
Pietro Testa
1648
The Nativity
Francesco Giovane
1630–69
Il Greco In Troia, Festa..in Firenze per le Nozze De'...Sposi Ferdinando Terzo, Principe di Toscana, E Voilante Beatrice, Principessa di Baviera
Matteo Noris
1688
Plate 5: Hercules playing a tambourine, with Iole from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Abdon and Sennen carrying the early Christian martyrs off for burial
Guillaume Courtois
1650–60
Plate 27 female personification of Justice, seated holding a pair of scales and fasces; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Annunciation
Nicolas Henry Tardieu
1694–1749
Plate 7: Polyphemus playing the pipes for the Nereid Galatea from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Presentation in the Temple
Carlo Maratti
1650–1713
Li Giardini di Roma
Giovanni Battista Manelli
after 1677
Presentation in the Temple
F. de Louvement
17th century