Tickets
English
DonateMembershipTickets

Search for Art

Search Tips
1-42 of 1,356 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
Object type / material
1
Match
 
Show results matching
selected filters.
Geographic location
1
Match
 
Show results matching
selected filters.
Department
Ten Commandments and Selections from the Gospel of John, Matthias Buchinger German, Pen and ink on vellum
On loan to The Met
Ten Commandments and Selections from the Gospel of John
Matthias Buchinger
Partial Elevation of the Facade of Strasbourg Cathedral (Drawing A'), Erwin von Steinbach German, Pen and brown ink on parchment
On loan to The Met
Partial Elevation of the Facade of Strasbourg Cathedral (Drawing A')
Attributed to Erwin von Steinbach
Partially after Master Rudolph the Elder
ca. 1260–70
Partial Elevation of the Facade of Strasbourg Cathedral with its North Tower (Drawing B'), Erwin von Steinbach German, Pen and black and brown ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Partial Elevation of the Facade of Strasbourg Cathedral with its North Tower (Drawing B')
After Erwin von Steinbach
ca. 1278–1300
Recto: Elevation for the Tower of Freiburg Minster; verso: Various Floor Plans and Elevations (Nuremberg Drawing), Erwin von Steinbach German, Pen and black ink, over partial blind ruling with stylus, guided by compass, on parchment
On loan to The Met
Recto: Elevation for the Tower of Freiburg Minster; verso: Various Floor Plans and Elevations (Nuremberg Drawing)
Circle of (?) Erwin von Steinbach
ca. 1300
Partial Elevation and Plan of the Facade of Strasbourg Cathedral, Michel de Fribourg German, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Partial Elevation and Plan of the Facade of Strasbourg Cathedral
Attributed to Michel de Fribourg
Attributed to Claus de Lohre
1380–1400
Design for the Entrance Portal of Regensburg Cathedral, Wenzel Roriczer German, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Design for the Entrance Portal of Regensburg Cathedral
Possibly by Wenzel Roriczer
ca. 1390–1410
Elevation of the Tower of the Dom (imperial cathedral) in Frankfurt am Main (Drawing A), Michael Kurtze German, Pen with brown and black ink, and reddish-brown wash on paper
On loan to The Met
Elevation of the Tower of the Dom (imperial cathedral) in Frankfurt am Main (Drawing A)
Michael Kurtze
possibly after Madern Gerthener
ca. 1434–38
Recto: Floor Plan of the Tower and Entrance Portal, Ulm Minster; verso: Floor Plan of the Octagonal Tower, Strasbourg Cathedral (Drawing IIIC), Matthäus Ensinger, Pen with black and gray-brown ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Recto: Floor Plan of the Tower and Entrance Portal, Ulm Minster; verso: Floor Plan of the Octagonal Tower, Strasbourg Cathedral (Drawing IIIC)
Attributed to Matthäus Ensinger
Attributed to Hans Hammer
ca. 1450–60 (recto); 1480–90 (verso)
King Herod Receiving the Three Magi, Martin Schongauer German, Pen and brown ink retouched with brush and gray ink, touches of white, and pen and black ink
King Herod Receiving the Three Magi
Circle of Martin Schongauer
Former Attribution Formerly attributed to Israhel van Meckenem
second half 15th century
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso), Germany, Middle Rhine German, Middle Rhine, Pen and carbon black ink, traces of black chalk underdrawing, on paper prepared with sanguine wash, Germany, Middle Rhine
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso)
Germany, Middle Rhine
ca. 1460–70
The Flagellation of Christ, Pen and dark brown ink and red and yellowish brown watercolor., Eastern Germany
The Flagellation of Christ
Eastern Germany
ca. 1460–70
St. Matthew, Martin Schongauer German, Pen and brown ink
St. Matthew
Style of Martin Schongauer
second half of the 15th century
Bust of a Man in a Hat Gazing Upward, Martin Schongauer German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash.
Bust of a Man in a Hat Gazing Upward
Martin Schongauer
ca. 1480–90
The Holy Kinship, Master of the Drapery Studies German, Pen and brown ink
The Holy Kinship
Master of the Drapery Studies
ca. 1480
Design for an Altar with Angels, Master of the Drapery Studies German, Pen and brown ink, with white heightening, on paper
On loan to The Met
Design for an Altar with Angels
Attributed to Master of the Drapery Studies
ca. 1480–90
Christ in Gethsemane, Anonymous, German, 16th century German, Pen and brown ink
Christ in Gethsemane
Anonymous, German, 16th century
After Hans Pleydenwurff
Former Attribution Master of the Drapery Studies
ca. 1490
Landsknecht, Hans Schäufelein German, Pen and iron gall ink
Landsknecht
Hans Schäufelein
early 16th century
The Book of Chess, Jacobus de Cessolis Italian, Woodcuts with letterpress, touches of watercolor
The Book of Chess
Author Jacobus de Cessolis
Publisher Heinrich Knoblochtzer
1483
Elevation and Plans for the Pulpit of Strasbourg Cathedral, Hans Hammer German, Pen and reddish-brown ink, over partial blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Elevation and Plans for the Pulpit of Strasbourg Cathedral
Hans Hammer
1484
Christ Appearing to Mary Magdalen, Master of the Drapery Studies German, Pen and brown ink, brush and brown wash, and black chalk
Christ Appearing to Mary Magdalen
Master of the Drapery Studies
Former Attribution Formerly attributed to Anonymous, German
ca. 1490
Knight on Horseback and Landsknecht, Albrecht Dürer German, Pen and brown ink, touches of brush and brown wash; fully layed down on paper backing
Knight on Horseback and Landsknecht
Albrecht Dürer
1485–1528
Portrait of the Architect Mathes (Matthäus) Roriczer, Hans Holbein the Elder German, Silverpoint on gray-white prepared paper, later partially covered with gray body color and dark gray-brown ink
On loan to The Met
Portrait of the Architect Mathes (Matthäus) Roriczer
Hans Holbein the Elder
Sitter Matthes (Matthäus) Roriczer
ca. 1490–93
Elevation of the Tower of the Dom (imperial cathedral) in Frankfurt am Main (Drawing C), Nikolaus Quecke German, Pen and brown ink, over blind ruling with stylus, guided by compass and straightedge
On loan to The Met
Elevation of the Tower of the Dom (imperial cathedral) in Frankfurt am Main (Drawing C)
Nikolaus Quecke
ca. 1494–97
Saint Catherine, Lucas Cranach the Elder German, Silverpoint, brush and brown ink, and indigo wash on vellum, pricked for transfer along brush lines
Saint Catherine
Lucas Cranach the Elder
Workshop of Lucas Cranach the Elder
late 15th–mid-16th century
Saint Catherine of Alexandria, Albrecht Dürer German, Pen and brown ink
Saint Catherine of Alexandria
Albrecht Dürer
1490–1528
Landsknecht Carrying a Barrel, Georg Lemberger German, Brush and black ink, gray wash, heightened with white
Landsknecht Carrying a Barrel
Attributed to Georg Lemberger
late 15th–mid-16th century
Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso), Albrecht Dürer German, Pen and brown ink
Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso)
Albrecht Dürer
1493
Floor Plan of the Sacrament House in Esslingen, Lorenz Lechler German, Pen and brown ink, over blind ruling with stylus, guided by compass and straightedge, on paper
On loan to The Met
Floor Plan of the Sacrament House in Esslingen
After Lorenz Lechler
ca. 1500
Ideal Floor Plan of the Sacrament House in Esslingen, from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger the Elder, Pen and brown ink, over blind ruling with stylus, guided by compass, on paper
On loan to The Met
Ideal Floor Plan of the Sacrament House in Esslingen, from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Attributed to Jörg Schweiger the Elder
After Lorenz Lechler
ca. 1500–1510
Agony in the Garden, German , Franconia, Pen and brush and grayish black ink., German, Franconia
Agony in the Garden
German
ca. 1500
Kneeling Female Figure, Master MZ German, Pen and black ink
Kneeling Female Figure
Master MZ
late 15th–early 16th century
Fortuna in a Niche, Albrecht Dürer German, Pen and greenish brown ink
Fortuna in a Niche
Albrecht Dürer
1498
Saint Catherine Leaning on a Sword, Hans Baldung (called Hans Baldung Grien) German, Pen and brown ink
Saint Catherine Leaning on a Sword
Hans Baldung (called Hans Baldung Grien)
Former Attribution Formerly attributed to Hans Schäufelein
ca. 1503–4
Virgin and Child with a Cleric, Hans Burgkmair German, Pen and brown ink
Virgin and Child with a Cleric
Hans Burgkmair
ca. 1503–05
Design for a Doorway, Monogrammist HT German, Pen and black ink with white heightening
Design for a Doorway
Monogrammist HT
Former Attribution Formerly attributed to Anonymous, German, 16th century
Former Attribution Formerly attributed to Hans Baldung (called Hans Baldung Grien)
16th century
Bust of a Young Woman, Hans Baldung (called Hans Baldung Grien) German, Charcoal
Bust of a Young Woman
Attributed to Hans Baldung (called Hans Baldung Grien)
Former Attribution Formerly attributed to Albrecht Dürer
1500–1545
Design for a Powder Flask, Anonymous, German, 16th century ? German, Pen and brown ink, blue-green and pale brown wash
Design for a Powder Flask
Anonymous, German, 16th century
Former Attribution Formerly attributed to Wendel Dietterlin, the Elder
ca. 1540–90
The Vision of Saint Eustace, Anonymous, German, 16th century (?) German, Pen and brown and black ink, over traces of black chalk.
The Vision of Saint Eustace
Anonymous, German, 16th century
After Albrecht Dürer
16th century
Design for a Table Fountain, Anonymous, German, 16th century (Munich?) German, Pen and brown ink and brown wash over black chalk
Design for a Table Fountain
Anonymous, German, 16th century
Former Attribution Formerly attributed to Anonymous, German, 16th century
Former Attribution Formerly attributed to Hans Holbein the Younger
16th century
Christ Carrying the Cross, Wolfgang Huber German, Pen and brown ink
Christ Carrying the Cross
Circle of (?) Wolfgang Huber
16th century
The Sense of Hearing, Joseph Heintz the Elder Swiss, Pen and brown ink, brush and brown wash. Touches of gray wash. Framing lines in pen and brown.
The Sense of Hearing
Circle of Joseph Heintz the Elder
Former Attribution Formerly attributed to Hans von Aachen
16th century
Anamorphic Drawing of a Stag, Anonymous, German, 16th century (?) German, Black chalk, on light-brown paper
Anamorphic Drawing of a Stag
Anonymous, German, 16th century
Former Attribution Circle of Hans Holbein the Younger
16th century (?)

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.