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Strip

Italian

16th century

Virginia

Childe Hassam

April 23,1918

The old shepherd lying in a landscape, buildings behind, a goat and a sheep to the left

Giulio Campagnola

ca. 1500–1515

Staff Weapon

Italian

ca. 1520

Virgin and Child Enthroned with St. Jerome, St. Francis of Assisi and Three Other Saints

Anonymous, Italian, 16th to 17th century

16th–17th century

Perseus with the Head of Medusa

Antonio Canova

1804–6

Leotard

Romeo Gigli

ca. 1989

Suit

Gianni Versace

1980–98

Textile with Lions, Gazelles and Foliage

Italian

14th century

Front view of St. Lawrence Gateway, Rome, from "Speculum Romanae Magnificentiae"

Anonymous

1566

Medusa

Italian, Rome

ca. 1860–70

Evening coat

Fortuny

ca. 1922

A man kneeling and placing a laurel branch upon a pile of burning books

Marco Dente

ca. 1515–27

The Virgin in prayer, seen in profile facing left, in an oval frame, from "Christ, the Virgin, and Thirteen Apostles"

Anonymous, 17th century

1600–40

Cassetta frame

Italian, Bolognese

early 17th century

Title page depicting a two-handled base with dancing nymphs, from "Antique Vases" (Vasa a Polidoro Caravagino)

Aegidius Sadeler II

1605

Border

Italian, Sicily

17th century

M. Vitruvii De architectura libri decem nuper maxima diligentia castigati atq; excusi, additis, Iulij Frontini De aqueductibus libri propter materiæ affinitatem.

Marcus Pollio Vitruvius

1522

Two satyrs leading Silenus to King Midas, who stands at left with two male attendants, a mule trails behind the satyrs

Giulio Bonasone

ca. 1550–80

A Polish valet, seen from behind, holding the bridle of a horse to right, a Polish horseman in profile to left in the background

Stefano della Bella

ca. 1662

Plate 13:Jupiter and Callisto (Calisto a Iove comprimitur), from Ovid's 'Metamorphoses'

Antonio Tempesta

1606

Geminiano Caldarostaro (chestnut seller)

Francesco Villamena

ca. 1600 (after)

Pair of tassels

Italian

17th century

Reconstruction of some of the details of the façade of the principal entrance of the Portico of Octavia, tome 4, tavola 42 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi

published 1756–57

Wild Boar

Giovanni Francesco Susini

late 17th century

Bacchus or Autumn: he empties his cup; he gazes with delight; a Satyr is by the God of the harvest (Bacchus ou l'Automne: il vide la coupe; il la contemple avec délices; un Satyre est auprés du Dieu des vendeges), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli, faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 4

Tommaso Piroli

1807

Constantine defeating the tyrant Maxentius, angels carrying swords fly above

Giulio Bonasone

1544

Panel

Italian, Sicily

17th century

Chimneypiece: A cameo flanked by two helmeted heads at the center of the lintel and draped figures on the jambs, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)

Giovanni Battista Piranesi

1769

Holy Ghost in rays

Italian, Naples

second half 18th century

Cheese Vendor, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 3

Giuseppe Maria Mitelli

1660

Yantra 23

Ettore Sottsass

1969

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 51 (verso)

Federico de Vinciolo

1603

Fringe

Italian

late 18th century

Le scene del nouvo teatro del Verzaro di Perugia

Baldassare Orsini

1785

Curb Bit

North Italian

second half 16th century; 19th century

Hercules and the Hydra of Lerna

Marco Angolo del Moro

Handkerchief

Italian

third quarter 19th century

Diana

Benigno Bossi

1772

Bust of a Roman

Italian

17th century

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