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Bristol board
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A Forest Cascade at Hiram, Maine, Henry Hitchings  American, Watercolor, gouache, and graphite on off-white Bristol board, American
Henry Hitchings
1859
Trees by a Stream, John William Casilear  American, Graphite on off-white Bristol board, American
John William Casilear
Design for peacock feather, Louis C. Tiffany  American, Watercolor and graphite on smooth-surfaced off-white Bristol board, American
Louis C. Tiffany
Tiffany Studios
1902–10
Interior (from McGuire Scrapbook), Graphite on Bristol board, American
American
19th century
Woman Reading in a Bower (from Cropsey Album), Watercolor (or ink washes), graphite, and shell (liquid) gold on off-white Bristol board, American
American
Wooded Landscape with Lake and Mountains (from the Cropsey Album), Paul Weber  German, Graphite and sgraffito on prepared Bristol board, American
Paul Weber
1854
Holding it for a "Crack Shot!" (from Sketchbook), James McNeill Whistler  American, Graphite, red watercolor and ink on off-white Bristol board, American
James McNeill Whistler
1854–55
Sketches: Cows; Two Female Portraits, One Crossed Out (from McGuire Scrapbook), Emanuel Leutze  German American, Graphite, partially effaced with iron-gall ink, on off-white Bristol board, American
Emanuel Leutze
Indian Figure in Profile, Henry Kirke Brown  American, Watercolor and graphite on thin off-white gilt-edged Bristol board, American
Henry Kirke Brown
1851
Landscape with Two Cows and a Broken Fence; Three Standing Figures (from McGuire Scrapbook), Thomas F. Hoppin  American, Graphite on off-white Bristol board, American
Thomas F. Hoppin
1841
Mrs. Albert Bridges, Henry Inman  American, Watercolor on off-white Bristol board, American
Henry Inman
1840–42
View on Lake Superior (from McGuire Scrapbook), Henry Inman  American, Graphite on off-white wove paper, mounted on off-white Bristol board, American
Henry Inman
Design for architectural detail, Louis C. Tiffany  American, Watercolor and graphite on buff-colored wove paper mounted on light brown Bristol-type board, American
Louis C. Tiffany
Louis C. Tiffany & Co.
ca. 1883–85
The Beginning of Autumn (Monument Mountain near Stockbridge)(from McGuire Scrapbook), James Henry Moser  American, born Canada, Gouache on blue wove paper mounted on off-white Bristol board, American
James Henry Moser
1900
Study of Rocks, John William Casilear  American, Graphite on off-white Bristol board, American
John William Casilear
Study of Rocks, John William Casilear  American, Graphite on off-white Bristol board, American
John William Casilear
North Battery or "Red Fort", Paste, gouache, and fixative on off-white Bristol board prepared with pumice ("sand paper"), American
American
ca. 1835
Portrait of a Woman (from McGuire Scrapbook), Thomas F. Hoppin  American, Graphite and watercolor on off-white Bristol board, American
Thomas F. Hoppin
ca. 1841
View of David Hosack Estate, Hyde Park, New York, with a Sundial (from Hosack Album), Thomas Kelah Wharton  American, born England, Graphite on white wove Bristol board, American
Thomas Kelah Wharton
ca. 1832
View of a Castle [Warwick?] (from Hosack Album), Graphite on white wove Bristol board, American
American
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin Sends His Wife and Family before Him to the Church to Renew Their Wedding Vows, John Whetten Ehninger  American, Graphite and gray ink on Bristol board, American
John Whetten Ehninger
1857
Near Last Camp on Ross Fork, Snake River, Lander Wagon Road, Oregon, Henry Hitchings  American, Watercolor and graphite on off-white Bristol board, American
Henry Hitchings
1859
A Refuge from the Storm (Shadow from the Heat), David Pell Secor  American, Pen and India ink on Bristol board, American
David Pell Secor
Yellow Basket of Flowers, Watercolor and gum arabic on Bristol board, American
American
19th century
Young Woman in Pink Dress with a White Collar (from Cropsey Album), Watercolor and graphite on white laid paper, mounted on Bristol board, American
American
John C. Calhoun, Savinien Edme Dubourjal  French, Watercolor, lead-white gouache, and gum arabic on Bristol board, American
Savinien Edme Dubourjal
1846
Mountain Landscape, David Pell Secor  American, Ink washes on Bristol board, American
David Pell Secor
Plums, John William Hill  American, born England, Watercolor, graphite, and gouache on off-white Bristol board, American
John William Hill
1870
Still Life with Fruit, John William Hill  American, born England, Watercolor and gouache on off-white laminated paper board (possibly Bristol board), American
John William Hill
1876
Holy Eyes (from McGuire Scrapbook), Thomas Story Officer  American, Graphite on white wove Bristol board, American
Thomas Story Officer
1850
Battery Park, New York, Christian Gottlieb Cantzlier  Swedish, Watercolor, graphite, and sgraffito on off-white Bristol board, American
Christian Gottlieb Cantzlier
1849
Study of Rocks, John William Casilear  American, Graphite on off-white Bristol board, American
John William Casilear
ca. 1850–60
Village Square with Figures, Doune, Scotland (?) (from Cropsey Album), Jasper Francis Cropsey  American, Graphite on off-white Bristol board, American
Jasper Francis Cropsey
1847
Albert Bridges, Henry Inman  American, Watercolor on off-white Bristol board, American
Henry Inman
1840–42
Econen Woods, Graphite on off-white Bristol board, American
American
1861
Design for a rose window with armorial motifs, Louis C. Tiffany  American, Watercolor, gouache, pen and red ink, and graphite on off-white lightweight Bristol board cut into shapes: five vertical lights; one large rosette; and eight circles mounted on original grey paper-faced matt, American
Louis C. Tiffany
Tiffany Studios
1902-32
Girl with Rabbit (from McGuire Scrapbook), Emanuel Leutze  German American, Graphite on off-white Bristol board, American
Emanuel Leutze
F. Shaw Brothers Tannery, Maine, John Martin  American, Pen and black and red inks, graphite, watercolor, and white gouache on Bristol board, American
John Martin
1882–83
The Ship "Macon", Nivelet  American, Watercolor, gouache, gold paint, graphite, pen and black ink, and gum arabic on off-white Bristol board, American
Nivelet
1828–35
The Wept of the Wish-Ton-Wish, Felix Octavius Carr Darley  American, Steel engraving and black ink on off-white wove card (Bristol-type paper)
Felix Octavius Carr Darley