ticketsMember | Make a donation

Search The Collection

Filter By

Burins
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    API

    Public domain data for this object can also be accessed using the Met's Open Access API

  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 221 results
Sort by:
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
The Large Stone Bridge
Jean Jacques de Boissieu
1799
Ephraim Bueno, Jewish Physician
Rembrandt (Rembrandt van Rijn)
1647
Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)
Goya (Francisco de Goya y Lucientes)
1799
Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)
Goya (Francisco de Goya y Lucientes)
1799
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Allegorical Subject: Nude Woman, Three Children and a Mousetrap (La Sourcière)
Claude Mellan
Entrance to the Village of Lentilly
Jean Jacques de Boissieu
1804
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)
Goya (Francisco de Goya y Lucientes)
ca. 1815; published ca. 1859
Plate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)
Goya (Francisco de Goya y Lucientes)
1799
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)
Goya (Francisco de Goya y Lucientes)
1810
Plate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)
Goya (Francisco de Goya y Lucientes)
1799
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
Goya (Francisco de Goya y Lucientes)
1816
Jan Asselijn, Painter (Krabbetje)
Rembrandt (Rembrandt van Rijn)
ca. 1646
Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from "Livre Nouveau de Fleurs Tres-Util"
Nicolas Cochin
1645
Plate 69 from "Los Caprichos": Blow (Sopla)
Goya (Francisco de Goya y Lucientes)
1799
Clement de Jonghe, printseller
Rembrandt (Rembrandt van Rijn)
1651
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
Goya (Francisco de Goya y Lucientes)
1816
Stonehenge C
Henry Moore
1972
Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.)
Goya (Francisco de Goya y Lucientes)
Ca. 1810
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)
Goya (Francisco de Goya y Lucientes)
ca. 1810
Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen)
Goya (Francisco de Goya y Lucientes)
1799
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Plate 64 from "Los Caprichos": Bon voyage (Buen Viage)
Goya (Francisco de Goya y Lucientes)
1799
Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from "Livre Nouveau de Fleurs Tres-Util"
Nicolas Cochin
1645
Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
Goya (Francisco de Goya y Lucientes)
1799
Plate C: The dogs let loose on the bull, from "Tauromaquia"
Goya (Francisco de Goya y Lucientes)
ca. 1816
Housing (folio) and title page for 'Los Proverbios. Coleccion de diez y ocho láminas inventadas y grabadas al agua fuerte por Don Francisco Goya
Goya (Francisco de Goya y Lucientes)
1864