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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 221 results
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Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
Goya (Francisco de Goya y Lucientes)
1816
The Large Stone Bridge
Jean Jacques de Boissieu
1799
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar)
Goya (Francisco de Goya y Lucientes)
1810–20, published 1863
Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
Goya (Francisco de Goya y Lucientes)
1816
Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)
Goya (Francisco de Goya y Lucientes)
1799
Late Caprichos of Goya
Goya (Francisco de Goya y Lucientes)
ca. 1824–28
Jan Asselijn, Painter (Krabbetje)
Rembrandt (Rembrandt van Rijn)
ca. 1646
Soldier Beating a Drum and Sentinel
Stefano della Bella
1641
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
Goya (Francisco de Goya y Lucientes)
1799
Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)
Goya (Francisco de Goya y Lucientes)
1810
Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
1645
Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)
Goya (Francisco de Goya y Lucientes)
1799
Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
1645
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull
Goya (Francisco de Goya y Lucientes)
1816
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)
Goya (Francisco de Goya y Lucientes)
1810
The garroted man (El agarrotado)
Goya (Francisco de Goya y Lucientes)
ca. 1775–78 (published 1868)
Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)
Goya (Francisco de Goya y Lucientes)
1810
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)
Goya (Francisco de Goya y Lucientes)
1810
Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)
Goya (Francisco de Goya y Lucientes)
1799
Self-Portrait Etching at a Window
Rembrandt (Rembrandt van Rijn)
1648
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1863)
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Goya (Francisco de Goya y Lucientes)
1816
Les Pères du désert
Jean Jacques de Boissieu
1797
Marriage at Cana (from Jeremy Taylor, "The great Exemplar of Sanctity and Holy life according to the Christian institution," London, 1653)
Wenceslaus Hollar
1653
Pllate 60 from "Los Caprichos": Trials (Ensayos)
Goya (Francisco de Goya y Lucientes)
1799
Plate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró sin remedio)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Personage
Robert Motherwell
1944
Beggars Receiving Alms at the Door of a House
Rembrandt (Rembrandt van Rijn)
1648
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
Goya (Francisco de Goya y Lucientes)
1816