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Funerary Figure (Kulap), Chalk, paint, Southern New Ireland
Funerary Figure (Kulap)
Southern New Ireland
late 19th century
The Burial of Punchinello, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown and yellow wash, over black chalk.
The Burial of Punchinello
Giovanni Domenico Tiepolo
ca. 1800
The Martyrdom of Saint Paul, Taddeo Zuccaro Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
The Martyrdom of Saint Paul
Taddeo Zuccaro
ca. 1557–58
Men Shoveling Chairs (Scupstoel), Vranke van der Stockt Netherlandish, Pen and brown ink over traces of black chalk.
Men Shoveling Chairs (Scupstoel)
Circle of Rogier van der Weyden, possibly Vranke van der Stockt
1444–50
Head of a Young Woman, Albrecht Dürer German, Black chalk highlighted with white chalk (abraded) on green prepared paper.
Head of a Young Woman
Albrecht Dürer
1522
Approach to a Mountain Village with Horsemen on the Road, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) Italian, Pen and brown ink, traces of black chalk; mounted on an album page
Approach to a Mountain Village with Horsemen on the Road
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
ca. 1501
The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn) Dutch, Red chalk
The Last Supper, after Leonardo da Vinci
Rembrandt (Rembrandt van Rijn)
1634–35
Bacchus and Ariadne, Giovanni Battista Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
Bacchus and Ariadne
Giovanni Battista Tiepolo
ca. 1740
The Betrothal of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
ca. 1770
Cottage near the Entrance to a Wood, Rembrandt (Rembrandt van Rijn) Dutch, Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Cottage near the Entrance to a Wood
Rembrandt (Rembrandt van Rijn)
1644
Ecstatic Christ, Hans Baldung (called Hans Baldung Grien) German, Pen and two shades of carbon black ink, traces of black chalk underdrawing
Ecstatic Christ
Hans Baldung (called Hans Baldung Grien)
ca. 1510–11
Perseus and the Origin of Coral, Claude Lorrain (Claude Gellée) French, Black chalk, sepia and black ink, sepia and gray wash heightened with white
Perseus and the Origin of Coral
Claude Lorrain (Claude Gellée)
ca. 1671
Seated Woman, Antoine Watteau French, Black, red and white chalk
Seated Woman
Antoine Watteau
1716–17
Road in Etten, Vincent van Gogh Dutch, Chalk, pencil, pastel, watercolor. Underdrawing in pen and brown ink.
Road in Etten
Vincent van Gogh
1881
Bust of Pseudo-Seneca, Peter Paul Rubens , and Assistant (?) Flemish, Pen and brown ink over black chalk heightened with white, with brush and gray ink
Bust of Pseudo-Seneca
Peter Paul Rubens
1600–1626
Bust of a Man in a Hat Gazing Upward, Martin Schongauer German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash.
Bust of a Man in a Hat Gazing Upward
Martin Schongauer
ca. 1480–90
Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Shooting the Rapids, Saguenay River, Winslow Homer American, Oil on canvas with chalk, American
Shooting the Rapids, Saguenay River
Winslow Homer
1905–10
The Dance Lesson, Edgar Degas French, Pastel and black chalk on three pieces of wove paper, joined together
The Dance Lesson
Edgar Degas
ca. 1879
Allegory of Fertility (Recto), Jacob Jordaens Flemish, Pen and brush and brown ink, watercolor, over traces of preliminary drawing in black chalk.<br/>Verso in black chalk.
Allegory of Fertility (Recto)
Jacob Jordaens
ca. 1640
François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795), Charles Antoine Coypel French, Pastel, black chalk, watercolor, and traces of black chalk underdrawing on four joined sheets of handmade blue laid paper, mounted on canvas and adhered to a keyed stretcher
François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795)
Charles Antoine Coypel
1743
Funerary Figure (Kulap), Chalk, paint, Southern New Ireland
Funerary Figure (Kulap)
Southern New Ireland
late 19th–early 20th century
Funerary Figure (Kulap), Chalk, paint, Southern New Ireland
Funerary Figure (Kulap)
Southern New Ireland
late 19th–early 20th century
Architectural Drawing, Pen and brown ink over black chalk on vellum, French
Architectural Drawing
French
1450–1500
Celia, John Graham American, Oil, casein, charcoal, chalk, graphite, and ink on Masonite
Celia
John Graham
ca. 1944
Scheveningen Fisherman, Willem van den Berg Dutch, Black and brown fabricated chalk on paper
Scheveningen Fisherman
Willem van den Berg
1932
Portrait of Charlotte Duchesne, Philippe de Champaigne French, Black chalk, heightened with white, with touches of red chalk
Portrait of Charlotte Duchesne
Philippe de Champaigne
ca. 1628
Queen Esther Approaching the Palace of Ahasuerus, Claude Lorrain (Claude Gellée) French, Pen and brown ink, brush and brown wash, heightened with white, over black chalk
Queen Esther Approaching the Palace of Ahasuerus
Claude Lorrain (Claude Gellée)
1658
Portrait of Emma Hamilton, Angelica Kauffmann Swiss, Black and white chalk, on gray prepared paper
Portrait of Emma Hamilton
Angelica Kauffmann
Sitter Lady Emma Hamilton
1791
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), Adélaïde Labille-Guiard French, Red, black, and white chalk on toned laid paper
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet)
Adélaïde Labille-Guiard
Sitter Marie Gabrielle Capet
1789
The Archangel Gabriel announcing the birth of Christ, Lucas van Leyden Netherlandish, Pen and brown ink; squared in black chalk; framing lines in pen and brown ink
The Archangel Gabriel announcing the birth of Christ
Lucas van Leyden
1520s
Study of Eleven Heads, Jacques de Gheyn II Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite
Study of Eleven Heads
Jacques de Gheyn II
late 16th–early 17th century
The Lictors Bringing Brutus the Bodies of his Sons, Jacques Louis David French, Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache
The Lictors Bringing Brutus the Bodies of his Sons
Jacques Louis David
1787
Amya Petitioning Faustus for the Custody of Saint Mamas, Jean Cousin the Elder French, Pen and brown ink, brush and gray wash, with white gouache, over black chalk
Amya Petitioning Faustus for the Custody of Saint Mamas
Jean Cousin the Elder
ca. 1543
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
Diana and Actaeon, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Diana and Actaeon
Bartholomeus Spranger
ca. 1580–85
Dune Landscape with Oak Tree, Jacob van Ruisdael Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink
Dune Landscape with Oak Tree
Jacob van Ruisdael
1650–55
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens Flemish, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
1617
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
ca. 1510–11
Bacchanal, Nicolas Poussin French, Pen and brown ink, brush and brown wash, over faint black chalk
Bacchanal
Nicolas Poussin
ca. 1635–36