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Department
View of the Campidoglio with the Statue of Marcus Aurelius, Hubert Robert French, Pen and black ink, brush and watercolor over red chalk counterproof.
View of the Campidoglio with the Statue of Marcus Aurelius
Hubert Robert
1762
Anatomical Studies of Legs, Eugène Delacroix French, Counterproof of a drawing in red and black chalk, with black chalk additions
Anatomical Studies of Legs
Eugène Delacroix
1820–1863
Landscape with Four Trees and a Church at Right (counterproof), Augustin Hirschvogel German, Etching; counterproof
Landscape with Four Trees and a Church at Right (counterproof)
Augustin Hirschvogel
1545 (?)
The Sense of Smell, Edme Bouchardon French, Red chalk; counterproof
The Sense of Smell
Edme Bouchardon
Farmyard, Charles Michel Ange Challe French, Black and white chalk, gray wash, over a black chalk counterproof
Farmyard
Charles Michel Ange Challe
mid-18th century
The Garden of Pomona, Léon Davent French, Engraving; counterproof
The Garden of Pomona
Léon Davent
After Francesco Primaticcio
ca. 1540–45
Peasants' Dance Outdoors, Karl Friedrich Wilhelm Richard German, Red chalk; counterproof
Peasants' Dance Outdoors
Karl Friedrich Wilhelm Richard
1745–70
Saint Celestine V Renouncing the Papacy, after Mattia Preti, Jean Honoré Fragonard French, Black chalk, over a black chalk counterproof
Saint Celestine V Renouncing the Papacy, after Mattia Preti
Jean Honoré Fragonard
After Mattia Preti (Il Cavalier Calabrese)
1761
Niccolò Paganini (1782–1840), Jean Auguste Dominique Ingres French, Counterproof or tracing strengthened with graphite and gouache on translucent paper
Niccolò Paganini (1782–1840)
Jean Auguste Dominique Ingres
Sitter Niccolò Paganini
ca. 1830
Prisoners Led Out of a Dungeon, Philippe Louis Parizeau French, Pen and brown ink, brown wash, over a red chalk counterproof, and traces of graphite
Prisoners Led Out of a Dungeon
Philippe Louis Parizeau
ca. 1786
Messenger at the Door of a Guardhouse, Philippe Louis Parizeau French, Pen and brown ink, brown wash, over a red chalk counterproof, and traces of graphite
Messenger at the Door of a Guardhouse
Philippe Louis Parizeau
1786
Saint Catherine of Alexandria, Peter Paul Rubens Flemish, Etching, counterproof of the first state of three, with corrections in pen and brown ink and black chalk
Saint Catherine of Alexandria
Peter Paul Rubens
ca. 1620
Entrance to the Grotto of Posillipo, Hubert Robert French, Brush and brown wash, over a red chalk counterproof with traces of black chalk; framing lines in pen and brown ink
Entrance to the Grotto of Posillipo
After Hubert Robert
Anonymous, French, 18th century
Former Attribution Formerly attributed to Anonymous, French, 19th century
n.d.
Young Women in a Landscape with Architectural Fragments, Hubert Robert French, Pen and brown ink, brush and brown, gray, and blue wash, over red chalk counterproof
Young Women in a Landscape with Architectural Fragments
Hubert Robert
ca. 1773
Caricature of Joseph-Benoît Suvée, François André Vincent French, Black chalk; counterproof
Caricature of Joseph-Benoît Suvée
François André Vincent
Subject Joseph Benoît Suvée
mid-18th–early 19th century
Head of a Woman, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk, traces of black chalk; reworked counterproof
Head of a Woman
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Madonna and Child, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk on cream paper, darkened to gray. Reworked counterproof?
Madonna and Child
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Distant Landscape with Tree in Foreground, Aureliano Milani Italian, Counterproof. Red chalk on cream paper. Framing outline in red chalk
Distant Landscape with Tree in Foreground
Attributed to Aureliano Milani
17th century
Head of Bearded Old Man Shown in Profile, Looking Up, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk on cream paper. Reworked counterproof?
Head of Bearded Old Man Shown in Profile, Looking Up
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
The Adoration of the Shepherds, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Black chalk; counterproof
The Adoration of the Shepherds
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Madonna, Child, and Saint John, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk; counterproof
Madonna, Child, and Saint John
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Landscape with Architectural Structure, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk highlighted with white gouache on light brown paper; reworked counterproof
Landscape with Architectural Structure
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Landscape, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Reworked counterproof; red chalk highlighted with white gouache on light brown paper
Landscape
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Architectural Drawing for a Chapel and Hospital, de la Maire French, Etching counterproof and wash
Architectural Drawing for a Chapel and Hospital
de la Maire
Destouches
Artist and architect Anonymous, French, 18th century
ca. 1767
The Mystic Marriage of Saint Catherine, Jean Honoré Fragonard French, Black chalk counterproof, re-worked in black chalk
The Mystic Marriage of Saint Catherine
Jean Honoré Fragonard
After Mattia Preti (Il Cavalier Calabrese)
ca. 1761
Cartouche with Duck and Nymphs, Stefano della Bella Italian, Etching, counterproof of first state
Cartouche with Duck and Nymphs
Stefano della Bella
1647
Ecorché: Two Studies of the Muscles of the Shoulder and of the Arm, Raised, Eugène Delacroix French, Counterproof of a drawing (Musée du Louvre RF 10672) in red and black chalk on laid paper
Ecorché: Two Studies of the Muscles of the Shoulder and of the Arm, Raised
Eugène Delacroix
1810–63
The Raising of the Youth of Naim, Georg Pecham German, Pen and black ink, gray wash, white bodycolour; on a counterproof of a pen drawing
The Raising of the Youth of Naim
Georg Pecham
late 16th–early 17th century
Adoration, François Chauveau French, Etching; counterproof
Adoration
François Chauveau
After Laurent de La Hyre
The Jobourg Church, Félix-Hilaire Buhot French, Etching, aquatint, lift ground, and spirit aquatint on laid paper; counterproof, first state of three
The Jobourg Church
Félix-Hilaire Buhot
1887
Design for a chandelier: detail of a swan holding a candlestick, Anonymous, German, 19th century German, Counterproof of a drawing in black chalk
Design for a chandelier: detail of a swan holding a candlestick
Anonymous, German, 19th century
early 19th century
Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink (recto); pen and brown ink, counterproof of a red chalk drawing (verso)
Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
The Holy Family with Saint Clare (counterproof), Guido Reni Italian, Etching; counterproof
The Holy Family with Saint Clare (counterproof)
Guido Reni
1590–1600
Six Apostles Looking Backwards, from "Prove di Vari Rami Inediti [...]", Francesco Rosaspina Italian, Etching; counterproof
Six Apostles Looking Backwards, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina
After Parmigianino (Girolamo Francesco Maria Mazzola)
19th century
The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body , Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and drypoint (counterproof)

The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body

Formerly attributed to Jusepe de Ribera (called Lo Spagnoletto)
1624
The Virgin holding the infant Christ, a circular composition, counterproof, Guido Reni Italian, Etching; counterproof
The Virgin holding the infant Christ, a circular composition, counterproof
Guido Reni
ca. 1600–40
The Virgin holding the infant Christ, an oval composition, counterproof, Guido Reni Italian, Etching; counterproof
The Virgin holding the infant Christ, an oval composition, counterproof
Guido Reni
ca. 1600–40
Saint Christopher walking with the infant Christ on his left shoulder, Guido Reni Italian, Etching; counterproof
Saint Christopher walking with the infant Christ on his left shoulder
Guido Reni
ca. 1600–40
The Virgin holding the infant Christ, after Reni, Johann Christoph Winkler German, Etching; counterproof
The Virgin holding the infant Christ, after Reni
Johann Christoph Winkler
After Guido Reni
ca. 1720–70
Saint Roch at right distributing alms to a group of people gathered around him, after Annibale Caracci, Francesco Brizio Italian, Etching; counterproof
Saint Roch at right distributing alms to a group of people gathered around him, after Annibale Caracci
Francesco Brizio
After Annibale Carracci
Publisher Pietro Stefanoni
1590–1610
New Modelbüch (Page 6v), Andreas Bretschneider German, Etching (counterproof)
New Modelbüch (Page 6v)
Designer Andreas Bretschneider
Printer Henning Gross the younger
1615
New Modelbüch (Page 7r), Andreas Bretschneider German, Etching (counterproof)
New Modelbüch (Page 7r)
Designer Andreas Bretschneider
Printer Henning Gross the younger
1615

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