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Architecture arabe : ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826, Pascal Coste French, Etching — Architecture arabe : ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
Pascal Coste
Firmin Didot Freres
1839

Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching — Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760

Vase, C. Dorflinger and Sons American, Blown and etched glass, American — Vase
C. Dorflinger and Sons
1905–15

Bowl and plate, C. Dorflinger and Sons American, Blown and etched glass, American — Bowl and plate
C. Dorflinger and Sons
ca. 1908–12

Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris — Fan
Fernando Coustellier y Vital
Between 1816 and 1830

Hercules and the Nemean Lion, Bronze, with etched golden-brown surface, oxidized dark brown where rubbed, possibly French — Hercules and the Nemean Lion
possibly French
early 17th century

Partisan of the Polish Noble Guard of Friedrich August I of Saxony, who twice ruled as king of Poland (1697–1704 and 1709–1733), Steel, pierced, etched, and gilt; wood, German — Partisan of the Polish Noble Guard of Friedrich August I of Saxony, who twice ruled as king of Poland (1697–1704 and 1709–1733)
German
ca. 1720

Vase, New England Glass Company American, Blown, etched, and enameled Pomona glass, American — Vase
New England Glass Company
1885–88

The Arabic Alphabet, Hussein Madi Lebanese, Aquatint — The Arabic Alphabet
Hussein Madi
1973

New England Glass Company

ca. 1885–87

Mascarade à la Grecque; Suite des Vases; and [Cheminées], Ennemond Alexandre Petitot French, Etching — Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Multiple artists/makers
1771, 1764

Nocturne: Palaces, James McNeill Whistler American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper. — Nocturne: Palaces
James McNeill Whistler
1879–80

Mountain Valley with a Plateau, Hercules Segers Dutch, Line etching, drypoint, and metal punch printed in blue-green, on a yellow-green ground, colored with brush; second state of two — Mountain Valley with a Plateau
Hercules Segers
ca. 1625–30

The Entrance Hall of the Regensburg Synagogue, Albrecht Altdorfer German, Etching — The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
1519

Self-Portrait, from "The Iconography", Anthony van Dyck Flemish, Etching; first state of seven — Self-Portrait, from "The Iconography"
Anthony van Dyck
ca. 1640

Reclining Female Nude, Rembrandt (Rembrandt van Rijn) Dutch, Etching, drypoint, and engraving on Japanese paper; second of six states — Reclining Female Nude
Rembrandt (Rembrandt van Rijn)
1658

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison) — The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state — Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741

Landscape with a Double Spruce, Albrecht Altdorfer German, Etching — Landscape with a Double Spruce
Albrecht Altdorfer
ca. 1521–22

Woman Bathing (La Toilette), Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro) — Woman Bathing (La Toilette)
Mary Cassatt
Monsieur LeRoy
1890–91

The Frugal Repast, Pablo Picasso Spanish, Etching — The Frugal Repast
Multiple artists/makers
1904, printed 1913

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

The Genius of Castiglione, Giovanni Benedetto Castiglione (Il Grechetto) Italian, Etching — The Genius of Castiglione
Multiple artists/makers
ca. 1645–47 (published 1648)

Resurrection Story with Patrons, Kara Walker American, Etching with aquatint, sugar-lift, spit-bite and dry-point, Printed on Hahnemuhle Copperplate Bright White 400gsm paper — Resurrection Story with Patrons
Kara Walker
Gregory Burnet
2017

Cloth: Label 1, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 1
Multiple artists/makers
2002–05

City Hall, John Hill American, born England, Fragment of a black and white watercolor aquatint on off-white wove paper, American — City Hall
John Hill
1826

Brigandine, Etched steel with silver and gold, linen., Italian — Brigandine
Italian
ca. 1550

Helmet Reinforce from Armor Garniture of Maximilian II (1527–1576), Steel, etched and gilt, German, Augsburg — Helmet Reinforce from Armor Garniture of Maximilian II (1527–1576)
German, Augsburg
ca. 1550

The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection, William Marshall Craig British, Etching and engraving, British, London — The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection
Multiple artists/makers
1816

Oil Bottle, Clay with lines etched through; covered with a transparent glaze (Kiyomizu ware), Japan — Oil Bottle
Japan
19th century

Folding Fan with Representations of Musical Instruments, Musicians and a Fisherman in a Landscape, with calendar, Hand-colored etching on paper; ivory, metal; printed paper, Chinese with European sticks — Folding Fan with Representations of Musical Instruments, Musicians and a Fisherman in a Landscape, with calendar
Chinese with European sticks
ca. 1765

Fan, Hand-colored etching on paper, hand-colored parchment; mother-of-pearl, gilded, beads, French — Fan
French
ca. 1821

Shield, Etched and gilt steel, leather, Italian — Shield
Italian
ca. 1585–90

Aiden, Mark Beard American, Instant dye diffusion transfer prints, etching, hand-bound black leather book — Aiden
Mark Beard
1992

Stamp seal (ovoid) with cultic scene
, Neutral Chalcedony (Quartz), possibly etched or heated to produce white mottling, Assyro-Babylonian — Stamp seal (ovoid) with cultic scene
Assyro-Babylonian
late 8th–6th century BCE

Stamp seal (conoid) with cultic scene and divine beings
, Neutral Chalcedony (Quartz), possibly etched to produce white mottling, Assyro-Babylonian — Stamp seal (conoid) with cultic scene and divine beings
Assyro-Babylonian
late 8th–6th century BCE

Stamp seal (octagonal pyramid) with cultic scene
, Neutral Chalcedony (Quartz), possibly etched to produce yellow mottling, Assyro-Babylonian — Stamp seal (octagonal pyramid) with cultic scene
Assyro-Babylonian
7th–6th century BCE

Stamp seal (octagonal pyramid) with cultic scene
, Flawed and veined neutral Chalcedony (Quartz), possibly etched to produce mottling, Assyro-Babylonian — Stamp seal (octagonal pyramid) with cultic scene
Assyro-Babylonian
7th–6th century BCE

Stamp seal (octagonal pyramid) with cultic scene
, Neutral Chalcedony (Quartz), possibly etched to produce yellow mottling, Assyrian — Stamp seal (octagonal pyramid) with cultic scene
Assyrian
7th century BCE

Cylinder sea and modern impression: three figures
, Neutral Steatite, differentialy etched to produce coral veining, Elamite — Cylinder sea and modern impression: three figures
Elamite
late 2nd millennium or 10th–9th century BCE