Search the collection

Filter By

Frames

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,175 results

Sort by:

Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice — Restello
Italian, Venice
early 16th century

Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian — Tabernacle frame
del Tasso
ca. 1530

Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez Mexican, Oil and gold on copper; tortoiseshell and silver frame, Mexican — Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez
ca. 1710

Table screen with landscape, Cloisonné enamel, wood frame and stand, China — Table screen with landscape
China
second half 15th century

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500

Frame, Louis C. Tiffany American, Gilt bronze, Favrile glass, American — Frame
Louis C. Tiffany
Tiffany Studios
ca. 1905–20

Still Life Fruit and Wine Glass, Severin Roesen American, Oil on board with gold leaf frame, American — Still Life Fruit and Wine Glass
Severin Roesen
1865–70

Still Life with Strawberries in a Compote, Severin Roesen American, Oil on board with gold leaf frame, American — Still Life with Strawberries in a Compote
Severin Roesen
1865–70

Frame, Mottled brown earthenware, American — Frame
American
1830–70

Frame, United States Pottery Company American, Mottled brown earthenware, American — Frame
United States Pottery Company
1853–58

Frame, United States Pottery Company American, Earthenware, American — Frame
United States Pottery Company
1849–58

Chest-on-frame, White oak, yellow pine, white pine, poplar, maple, American — Chest-on-frame
American
1670–1700

Desk-on-frame, Sweet gum, possibly mahogany veneer, yellow poplar, American — Desk-on-frame
American
1690–1720

Mirror frame, Jade (nephrite), India — Mirror frame
India
18th–19th century

Fragments of a cart or chariot, parts of rectangular frame, Bronze, Etruscan — Fragments of a cart or chariot, parts of rectangular frame
Etruscan
ca. 500–480 BCE

Mirror frame, Johann Valentin Gevers German, Silver gilt, German, Augsburg — Mirror frame
Johann Valentin Gevers
ca. 1743–45

Plaque depicting Bernard Palissy, Sèvres Manufactory French, Hard-paste porcelain decorated in polychrome enamels; gilt-bronze, polychrome enamel, biscuit-porcelain frame, French, Sèvres — Plaque depicting Bernard Palissy
Multiple artists/makers
1846

Small settee (Marquise) (part of a set), Georges Jacob French, Carved and gilded walnut; 18th-century embroidered silk-satin (not original to the frame), French — Small settee (Marquise) (part of a set)
Georges Jacob
Philippe de Lasalle
frame early 20th century, style of 18th century; upholstery fabric ca. 1785

Armchair (part of a set), Georges Jacob French, Carved and gilded walnut; 18th-century embroidered silk-satin (not original to the frame), French, Paris — Armchair (part of a set)
Georges Jacob
Philippe de Lasalle
ca. 1785

Adoration of the Shepherds and Adoration of the Magi, Basse-taille and painted enamel on silver; silver-gilt frame, Italian, Lombardy, Milan or Ferrara — Adoration of the Shepherds and Adoration of the Magi
Italian, Lombardy, Milan or Ferrara
probably ca. 1480–90, 19th century frame

Relief mounted as a mirror frame, Wenzel Jamnitzer German, Gilded silver, ebony, mirror plate (later), German, Nuremberg — Relief mounted as a mirror frame
Wenzel Jamnitzer
ca. 1568

The Flagellation of Christ, Gold, silver, partly enameled gold, gilt-silver frame, Italian, Milan — The Flagellation of Christ
Italian, Milan
ca. 1492–1503

Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona) Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice — Madonna and Child
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495

Overdoor cresting, Gilded and painted wood, Italian, Venice — Overdoor cresting
Italian, Venice
18th century

Bona Sforza (1493–1557), Queen of Poland, Giovanni Jacopo Caraglio Italian, Sardonyx, with inlaid gold and silver details; mounted in 19th century frame as a pendant in gold, with enamel, pearl and ruby, Polish, Krakow cameo with French frame — Bona Sforza (1493–1557), Queen of Poland
Giovanni Jacopo Caraglio
cameo ca. 1530–40, frame 19th century

Mirror clock, Master CR, Case: gilded brass and gilded copper; Dial: gilded brass; Movement: plated frame of iron, iron wheels, German, Nuremberg — Mirror clock
Multiple artists/makers
ca. 1565–70

Adoration of the Shepherds, Basse-taille and painted enamel on silver; gilt-silver frame mounted with silver and partly enameled gold, and set with emeralds and pearls, Italian, Lombardy, probably Milan — Adoration of the Shepherds
Italian, Lombardy, probably Milan
late 15th century

Armchair (part of a set), Georges Jacob French, Carved and gilded walnut; 18th-century embroidered silk-satin (not original to the frame), French, Paris — Armchair (part of a set)
Georges Jacob
Philippe de Lasalle
ca. 1785

Pair-case automaton watch, James Cox British, Outer case: gold, partly enameled and set with gemstones and paste jewels; Inner case: gold; Dial: white enamel, with frame set with paste jewels; Movement: with diamond endstone, British, London — Pair-case automaton watch
James Cox
Peter Mounier
ca. 1770

Cruet frame with later glass bottles, Richard Jarry, Silver, French, Paris — Cruet frame with later glass bottles
Richard Jarry
1717–22

November and December (part of a set illustrating the months of the year), Antoine Watteau French, Oil on panel; wood frame, painted yellow and gilded, French — November and December (part of a set illustrating the months of the year)
Antoine Watteau
second quarter 18th century

January and February (part of a set illustrating the months of the year), Antoine Watteau French, Oil on panel; wood frame, painted yellow and gilded, French — January and February (part of a set illustrating the months of the year)
Antoine Watteau
second quarter 18th century

Albertine, Baronne de Nivenheim, Jean-Baptiste Nini Italian, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, French, Chaumont-sur-Loire — Albertine, Baronne de Nivenheim
Jean-Baptiste Nini
1768

Fire screen (écran), Georges Jacob French, Carved, gilded and silvered beech; 18th-century silk brocade (not original to frame), French, Paris — Fire screen (écran)
Georges Jacob
Philippe de Lasalle
ca. 1786

Small settee (Marquise) (part of a set), Georges Jacob French, Carved and gilded walnut; 18th-century embroidered silk-satin (not original to the frame), French, Paris — Small settee (Marquise) (part of a set)
Georges Jacob
Philippe de Lasalle
ca. 1785

Pietra dura table top, Hardstones, alabaster, and marble (pietra dura); marble frame and walnut stand (replacement), Italian, Rome — Pietra dura table top
Italian, Rome
late 16th or early 17th century

Empress Maria Theresa (1717–1780), Jean-Baptiste Nini Italian, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, French, Chaumont-sur-Loire — Empress Maria Theresa (1717–1780)
Jean-Baptiste Nini
1769

Louis XV (1710–1774), Jean-Baptiste Nini Italian, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, French, Chaumont-sur-Loire — Louis XV (1710–1774)
Jean-Baptiste Nini
1770

Card table, Carved walnut frame; pine top with marquetry of walnut, figured walnut, boxwood, alder burl, birch, olive wood, plum, padauk wood, yew, green-stained poplar, and other marquetry woods; lined with modern velvet; iron fittings, German, Bamberg — Card table
German, Bamberg
ca. 1745–50

Nécessaire, James Cox British, Case: moss agate, mounted in gold and set with diamonds, rubies, and emeralds; silver; Dial: white enamel, with frame pavé-set with paste jewels, British, London — Nécessaire
James Cox
ca. 1770–72