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Dune Landscape with Oak Tree, Jacob van Ruisdael  Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink
Jacob van Ruisdael
1650–55
The Lake of Zug, Joseph Mallord William Turner  British, Watercolor and bodycolor (gouache) with reductive techniques over graphite
Joseph Mallord William Turner
1843
Lady Lilith, Dante Gabriel Rossetti  British, Watercolor and gouache (bodycolor)
Dante Gabriel Rossetti
Henry Treffry Dunn
1867
The Entombment, Sir Edward Burne-Jones  British, Green, blue, brown and touches of reddish bodycolor, heightened with white  gouache (bodycolor)
Sir Edward Burne-Jones
1879
The Connoisseur, Honoré Daumier  French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
Honoré Daumier
ca. 1860–65
Sabrina, Samuel Palmer  British, Watercolor and gouache (bodycolor) over graphite, with reductive techniques, shell gold and gum arabic
Samuel Palmer
1856
Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi)  Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35
Two Cottages, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink (gallnut ink, possibly only partially), corrected with white chalk and/or body color.
Rembrandt (Rembrandt van Rijn)
ca. 1636
Wooded Landscape with a Man Crossing a Bridge, Thomas Gainsborough  British, Black and white chalk, brush and gray ink, gray wash and with body color on tan paper
Thomas Gainsborough
early 1780s
Landscape (recto); Landscape (verso), Perugino (Pietro di Cristoforo Vannucci)  Italian, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso)
Perugino (Pietro di Cristoforo Vannucci)
1489–90
The Dance of Death, Anonymous, German, 16th century  German, Pen and brown ink, brush and brown ink, watercolor, gouache, gold paint
Anonymous, German, 16th century
16th century
Design for a Frieze with Two Griffins, Anonymous, Italian, 17th century  Italian, Pen and brown ink, brush and brown wash, over red chalk; highlighted with white gouache oxidized gray-black; framing line; verso may have been rubbed with black chalk
Anonymous, Italian, 17th century
1650–1700
Elevation of Nave, Chapelle des Catéchismes, Ste Clothilde, Paris, Jules-Edmond-Charles Lachaise  French, Pen and brown ink, brush and gray wash, watercolor, gouache, gilt, and graphite
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
second half 19th century
Ceiling Design for Bedroom of Duchesse de Newcastle, Hôtel of Madame Hope, Jules-Edmond-Charles Lachaise  French, Pen and gray ink, brush and gray wash, watercolor, gilt, gouache.
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
ca. 1867
Ceiling Design, Jules-Edmond-Charles Lachaise  French, Graphite, watercolor, gouache, and gilt
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
second half 19th century
The Presentation of Mary in the Temple, Anonymous, Netherlandish, 16th century  Netherlandish, Pen and gray ink, heightened with white gouache
Anonymous, Netherlandish, 16th century
Former Attribution Formerly attributed to Cornelis Engebrechtsz
ca. 1520
Study of Two Soldiers Swordfighting, Adam Frans van der Meulen  Flemish, Black and white chalk, heightened with cream-colored gouache, on blue paper
Adam Frans van der Meulen
17th century
Study of Two Soldiers and a Hand, Adam Frans van der Meulen  Flemish, Black and white chalk, heightened with cream-colored gouache, on blue paper
Adam Frans van der Meulen
17th century
Design for Domed Ceiling for Mme Païva's Chateau at Neudeck, Jules-Edmond-Charles Lachaise  French, Pen and black and gray ink, watercolor, gouache
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
ca. 1877–84
A Katydid, a Fly, a Bee, and a Fulgoroid, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, gray wash, gouache, and watercolor
Anonymous, Dutch, 17th century
Former Attribution Formerly attributed to Anonymous, Netherlandish, 16th century
Former Attribution Formerly attributed to Joris Hoefnagel
17th century (?)
Textile Design, Marcel Vertès  Hungarian, Gouache and black chalk on cardboard
Marcel Vertès
20th century
Textile Design with Kite Motif, Marcel Vertès  Hungarian, Black chalk and gouache on cardboard
Marcel Vertès
20th century
Design for a Ceiling with Swans and Cornucopias, Anonymous, French, 19th century  French, Graphite, gouache, pen and brown ink, with gold gilt
Anonymous, French, 19th century
19th century
Design for an Altar Chapel, Farnborough, England, Jules-Edmond-Charles Lachaise  French, Graphite, watercolor, gouache, and gilt on tissue paper
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
1880–86
Fifteen Sketches for Ceiling and Cove Designs, Hôtel Rothschild, Vienna, Jules-Edmond-Charles Lachaise  French, 15 sheets pasted down. 6 pounced. Media include graphite, pen and gray and black ink, and gouache
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
second half 19th century
Design for Coffered Ceiling, Mme Païva's Chateau at Neudeck, Jules-Edmond-Charles Lachaise  French, Pen and brown ink, watercolor, gouache, and gilt.
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
second half 19th century
Adoration of the Shepherds, Master of Liechtenstein  Netherlandish (?), Pen, black ink, gray wash, heightened with white gouache on off-white paper prepared with dark rose gouache; laid down
Master of Liechtenstein
1540–60
Design for a Scarf with Floral Motif, Marcel Vertès  Hungarian, Gouache on cardboard
Marcel Vertès
20th century
Design for a Scarf with Floral Motif, Marcel Vertès  Hungarian, Gouache, graphite, and gilt on cardboard
Marcel Vertès
20th century
Textile Design with Floral Motif, Marcel Vertès  Hungarian, Gouache and black chalk on paper pasted to cardboard
Marcel Vertès
20th century
Album with Designs for Art Nouveau Jewelry, Edgar Gilstrap Simpson  British, Graphite and gouache
Edgar Gilstrap Simpson
1899–1900