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Pine
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Sofa, John Henry Belter  American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American
John Henry Belter
J. H. Belter & Co.
1850–60
Cabinet, Daniel Pabst  American, born Germany, Walnut, maple, white pine, glass, American
Daniel Pabst
Frank Furness
ca. 1873–76
Revolving Chair, United Society of Believers in Christ’s Second Appearing (“Shakers”)  American, Maple, white oak, pine, birch, American, Shaker
United Society of Believers in Christ’s Second Appearing (“Shakers”)
1840–70
Room from the Hart House, Ipswich, Massachusetts, Wood, oak, pine, American
American
1680
Desk and bookcase, Mahogany, chestnut, white pine, yellow pine, yellow poplar, cedar; brass, American
American
1760–90
High chest of drawers, Japanned maple, japanned white pine, white pine, japanned birch; brass, American
American
1740–60
Pipe Organ, Thomas Appleton  American, Mahogany veneer, rosewood veneer, pine, gilt, ivory, ebony, maple, walnut, chestnut, metal, American
Thomas Appleton
1830
Card table, Charles-Honoré Lannuier  American, Mahogany veneer, white pine, yellow poplar, gilded gesso, vert antique, and gilded brass, American
Charles-Honoré Lannuier
1817
The Backgammon Players, Philip Webb  British, Painted pine, oil paint on leather, brass, copper, British
Multiple artists/makers
1861
Rolltop desk, David Roentgen  German, Oak, cherry, pine, mahogany, veneered with maple, burl woods, holly, hornbeam (all partially stained), tulipwood, mahogany, and other woods; mother-of-pearl; partially gilded and tooled leather; gilt bronze, iron, steel, brass, partially gold-lacquered brass, German, Neuwied am Rhein
Multiple artists/makers
ca. 1776–79
Commode à vantaux, David Roentgen  German, Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass, German, Neuwied am Rhein
Multiple artists/makers
ca. 1775–79 with later alterations
Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt  Dutch, Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel, French, Paris
Alexandre-Jean Oppenordt
Jean Berain
ca. 1685
Tapestry Room from Croome Court, Robert Adam  British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry
Multiple artists/makers
1763–71
Double Virginal, Lodewijck Grouwels  Flemish, active The Netherlands, Pine, spruce, paint, gilding, ivory, Flemish
Lodewijck Grouwels
1600
Cabinet on Base, Charlotte Perriand  French, Aluminum, pine and walnut
Charlotte Perriand
ca. 1939
Sansovino-style frame, Pine. Carved, gilt; dark mauve bole, thin gesso, dragon's blood and think green glazes., Florence
Florence
mid-16th century
Saint Peter as the First Pope, Pine partially covered with canvas, gesso, and paint, Catalan
Catalan
before 1348
Tabernacle frame, Pine. Gold-orange bole., Italian, Siena
Italian, Siena
second quarter 14th century
Commode, Léonard Boudin , and French, Oak and pine veneered with stained maple, tulipwood, amaranth, and holly stringing, with marquetry of stained, shaded, and engraved maple, mahogany, amaranth, barberry and other marquetry woods; gilt-bronze mounts; marble top; brass rollers.
Léonard Boudin
Pierre-Antoine Foullet
ca. 1765–70
Louis XIII style Ovolo frame (for Ingres's Portrait of the Princesse de Broglie), Pine; plaster ornament.  Gilt; pink-orange bole., French (made United States)
French (made United States)
1950–60
Chair, Pine, walnut and lime, Italian
Italian
15th century
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Venetian
ca. 1570, adapted ca. 1960
Dresser (Dressoir aux harpies), Carved walnut with interior elements of oak, pine; iron locks and hinges., French (Ile-de-France or Burgundo-Lyonnais)
French (Ile-de-France or Burgundo-Lyonnais)
ca. 1570–90, and 19th century
Chest with Relief Figures of Saints Sebastian and Blaise, Pine, iron mounts, Italian
Italian
early 16th century
Panel Carved in the "Beveled Style" with Remains of Later Polychromy, Wood (black pine); carved, painted, and gilded
last quarter 10th century
Panel Carved in the "Beveled Style" with Remains of Later Polychromy, Wood (black pine); carved, painted, and gilded
last quarter 10th century
Ceiling, Tempera on pine, Spanish
Spanish
1450–1500
Ceiling, Red pine and paint, Austrian
Austrian
late 15th or early 16th century
Panel with an Ivory Crucifixion Scene, Silver-gilt with pseudo-filigree, glass & stone cabochons, cloisonné enamel, elephant ivory with traces of gilding on pine support, Spanish
Spanish
late 11th century
Side chair (set of four), Carved, painted, silvered, and gilded pine and beechwood, with printed cotton (not original), Southern German
Southern German
ca. 1750–60
Side chair (set of four), Carved, painted, silvered, and gilded pine and beechwood, with printed cotton (not original), Southern German
Southern German
ca. 1750–60
Cabinet with gold mounts and relief, Reinhold Vasters  German, Pine and walnut veneered with ebony; gold, enamel, diamonds, rubies, German, Aachen
Reinhold Vasters
ca. 1865–80
Wall mirror, Johann Michael Hoppenhaupt  German, Pine, lindenwood, painted and gilded, mirror glass, German, Potsdam or Berlin
Johann Michael Hoppenhaupt
ca. 1755–60
Kast, Painted yellow poplar, red oak, white pine, American
American
1690–1720
Kast, White pine, red oak, American
American
1690–1720
Kettle Stand, Duncan Phyfe  American, born Scotland, Mahogany, marble, tulip poplar, white pine, American
Duncan Phyfe
1810–20
Key Cupboard, Pine, American
American
ca. 1800
French press, Mahogany, mahogany veneer, gilded brass with yellow poplar, white pine, American
American
1810–15
Armchair, Mahogany, satinwood, birch, white pine, American
American
1800–1810
Looking Glass, Pine
1792–1800