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Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Two Pupils in Greek Dress, Thomas Eakins American, Platinum print — Two Pupils in Greek Dress
Thomas Eakins
1883

[Thomas Eakins and John Laurie Wallace on a Beach], Thomas Eakins American, Platinum print — [Thomas Eakins and John Laurie Wallace on a Beach]
Thomas Eakins
ca. 1883

Lumière, Jean-Marc Bustamante French, Silkscreen on acrylic resin — Lumière
Jean-Marc Bustamante
1991

[Abandoned House], Walker Evans American, Instant internal dye diffusion transfer print (Polaroid SX-70) — [Abandoned House]
Walker Evans
1973–74

Untitled, Andrew Bush American, Chromogenic prints — Untitled
Andrew Bush
1993

Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu Japanese, Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban), Japan — Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
ca. 1766

Collection Julien Gréau: verrerie antique, emaillerie et poterie appartenent à M. J. Pierpont Morgan, Wilhelm Froehner German, Hand-colored lithographs, printed texts, Paris: [privately printed], 1903 (edition of 90) — Collection Julien Gréau: verrerie antique, emaillerie et poterie appartenent à M. J. Pierpont Morgan
Wilhelm Froehner
1903

AIDSGATE, Silence = Death Project American, Color lithograph — AIDSGATE
Silence = Death Project
1987

Home is a Foreign Place, Zarina American, born India, Portfolio of 36 woodcut, printed chine collé with pen and black ink on paper — Home is a Foreign Place
Zarina
1999

Museum of Photography, Dayanita Singh Indian, 81 framed inkjet prints and wood — Museum of Photography
Dayanita Singh
2013

"Le lustre lumière" : [nouvel appareil electrique] breveté en France et à l'Étranger, Langlois et cie, Book with hinged plates, lithograph — "Le lustre lumière" : [nouvel appareil electrique] breveté en France et à l'Étranger
Langlois et cie
Hector Guimard
20th century

De la loi du contraste simultané des couleurs, et de l'assortiment des objets colorés, considéré d'après cette loi, Michel Eugène Chevreul French, Libary bound cover, colored in lithographs foldouts and single sheets — De la loi du contraste simultané des couleurs, et de l'assortiment des objets colorés, considéré d'après cette loi
Michel Eugène Chevreul
1839

Winter Landscape, George Seeley American, Gum bichromate and platinum print — Winter Landscape
George Seeley
1909

Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching — Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760

The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving — The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
Raphael (Raffaello Sanzio or Santi)
ca. 1510–20

Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French — Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855

Fan with depiction of Spanish folk costumes, Hand-colored lithograph; hand-painted parchment; ivory, gold leaf, sequins, silver gilt, enamel, mother-of-pearl, silver luster paper, metal, Spanish — Fan with depiction of Spanish folk costumes
Spanish
early 19th century

Desk (Secretary), Pine; carved, painted, gilded, and varnished linden wood decorated with colored decoupage prints; mirror glass; the inside of the fall front lined with silk not original to the secretary, Italian, Venice — Desk (Secretary)
Italian, Venice
ca. 1730–35

Proof guinea of George III, Richard Yeo British, Gold, British — Proof guinea of George III
Richard Yeo
1761

The Kawachiya Restaurant, Yanagi-bashi, Ryōgoku (Ryōgoku Yanagi-bashi, Kawachiya), from the series A Collection of Famous Restaurants of Edo (Edo Kōmei Kaitei Zukushi), Utagawa Hiroshige Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan — The Kawachiya Restaurant, Yanagi-bashi, Ryōgoku (Ryōgoku Yanagi-bashi, Kawachiya), from the series A Collection of Famous Restaurants of Edo (Edo Kōmei Kaitei Zukushi)
Utagawa Hiroshige
ca. 1838–40

The Kawachirō Restaurant, Shitaya Hirokōji (Shitaya Hirokōji, Kawachirō), from the series A Collection of Famous Restaurants of Edo (Edo Kōmei Kaitei Zukushi), Utagawa Hiroshige Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan — The Kawachirō Restaurant, Shitaya Hirokōji (Shitaya Hirokōji, Kawachirō), from the series A Collection of Famous Restaurants of Edo (Edo Kōmei Kaitei Zukushi)
Utagawa Hiroshige
ca. 1838–40

Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), Woodblock print (nishiki-e); ink and color on paper, Japan — Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)
Utagawa Hiroshige
1847–52

New Year picture of equestrian door god Mao Chao, Unidentified artist(s) , Chinese, early 20th century, Polychrome woodblock print; ink and color on paper, China — New Year picture of equestrian door god Mao Chao
Unidentified artist(s)
early 20th century

New Year picture of equestrian door god Ma Dai, Unidentified artist(s) , Chinese, early 20th century, Polychrome woodblock print; ink and color on paper, China — New Year picture of equestrian door god Ma Dai
Unidentified artist(s)
early 20th century

Two fans with auspicious crane and long-lived turtle (minogame) motifs, Teisai Hokuba Japanese, Woodblock print (surimono), Japan — Two fans with auspicious crane and long-lived turtle (minogame) motifs
Teisai Hokuba
ca. 1810s

New Year’s Sake and Sushi, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper; kokonotsugiriban, Japan — New Year’s Sake and Sushi
Ryūryūkyo Shinsai
ca. 1810

The Courtesan Konosumi, from the series Beauties of the Southern Quarter (Nangoku bijin awase), Kitagawa Utamaro Japanese, Woodblock print (nishiki-e) with mica on paper, Japan — The Courtesan Konosumi, from the series Beauties of the Southern Quarter (Nangoku bijin awase)
Kitagawa Utamaro
ca. 1793–94

The Mieidō Fan Shop, Utagawa Toyokuni I Japanese, Triptych of woodblock prints (nishiki-e); ink and color on paper, Japan — The Mieidō Fan Shop
Utagawa Toyokuni I
ca. 1785–93

Wisteria Maiden with an Ōtsu Demon Dressed as an Itinerant Monk, from the series Souvenir Paintings from Ōtsu, Stocked in Edo (Edo Shi-ire Ōtsu Miyage), Kitagawa Utamaro Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan — Wisteria Maiden with an Ōtsu Demon Dressed as an Itinerant Monk, from the series Souvenir Paintings from Ōtsu, Stocked in Edo (Edo Shi-ire Ōtsu Miyage)
Kitagawa Utamaro
ca. 1802–3

Chrysanthemums in Fan-shaped Design, Utagawa Hiroshige Japanese, Woodblock print (nishiki-e), Japan — Chrysanthemums in Fan-shaped Design
Utagawa Hiroshige
1840s

Sake Cups for a New Year’s Toast, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper, Japan — Sake Cups for a New Year’s Toast
Ryūryūkyo Shinsai
ca. 1820

Kiyomizu Komachi, from the series Futabagusa nana Komachi, Kitagawa Utamaro Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan — Kiyomizu Komachi, from the series Futabagusa nana Komachi
Kitagawa Utamaro
1790s

Fan Vendor, Kitagawa Utamaro Japanese, Woodblock print (nishiki-e), Japan — Fan Vendor
Kitagawa Utamaro
ca. 1797

Print Table, Frank Lloyd Wright American, White oak, American — Print Table
Frank Lloyd Wright
William E. Nemmers
1902–3

[Self-Portrait], Malick Sidibé Malian, Gelatin silver print; glass, paint, cardboard, tape, and string — [Self-Portrait]
Malick Sidibé
1956

Preface to the third edition_Acknowledgment (Coupe II)
, Walid Raad Lebanese-American, 3D print plaster composite, paint — Preface to the third edition_Acknowledgment (Coupe II)
Walid Raad
2014

Durga holding the infant Krishna (Deva Gostha), Chromolithograph on paper, India, Kolkata, West Bengal — Durga holding the infant Krishna (Deva Gostha)
India, Kolkata, West Bengal
ca. 1885–95

Shiva as Lord of the Universe in Benares (Kashi Vishvanatha) , Lithograph with watercolor on paper, India, Kolkata, West Bengal — Shiva as Lord of the Universe in Benares (Kashi Vishvanatha)
India, Kolkata, West Bengal
ca. 1880–1900

The Musashiya Restaurant, Ushijima (Ushijima, Musashiya), from the series A Collection of Famous Restaurants of Edo (Edo Kōmei Kaitei Zukushi), Utagawa Hiroshige Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan — The Musashiya Restaurant, Ushijima (Ushijima, Musashiya), from the series A Collection of Famous Restaurants of Edo (Edo Kōmei Kaitei Zukushi)
Utagawa Hiroshige
ca. 1838–40