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Bust of a Man in a Hat Gazing Upward, Martin Schongauer German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash.
Bust of a Man in a Hat Gazing Upward
Martin Schongauer
ca. 1480–90
Portrait of a Woman, Clara D. Davidson American, red chalk (sanguine), oil pastel and chalk on toned paper, American
Portrait of a Woman
Clara D. Davidson
ca. 1910
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso), Germany, Middle Rhine German, Middle Rhine, Pen and carbon black ink, traces of black chalk underdrawing, on paper prepared with sanguine wash, Germany, Middle Rhine
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso)
Germany, Middle Rhine
ca. 1460–70
Angel Supporting a Heraldic Shield, Glass, vitreous paint, sanguine, enamel, and silver stain, South Netherlandish
Angel Supporting a Heraldic Shield
South Netherlandish
1505–15
Design for Vase, Jacques François Joseph Saly French, Pen and black ink, brush and gray wash, brush and sanguine wash
Design for Vase
After Jacques François Joseph Saly
mid-18th century
Mademoiselle Lender and Baron, Henri de Toulouse-Lautrec French, Crayon, brush, and spatter lithograph printed in sanguine on wove paper; only state
Mademoiselle Lender and Baron
Henri de Toulouse-Lautrec
1893
An Exhibition, Philippe Jacques de Loutherbourg French, Etching and aquatint, printed in sanguine ink; second state
An Exhibition
Philippe Jacques de Loutherbourg
Publisher Victor Marie Picot
January 29, 1776
Satyrs and Nymphs; verso: partial counterproof of Heintz's "Studies for the Flight into Egypt" in The Courtauld Gallery, London, Joseph Heintz the Elder Swiss, Brush and black ink, red chalk, gray and sanguine washes, heightened with white gouache, over black chalk and graphite underdrawing, incised, on off-white paper prepared with yellow wash, laid down to another sheet of laid paper; verso of secondary support: partial offset of a drawing in black and red chalk
Satyrs and Nymphs; verso: partial counterproof of Heintz's "Studies for the Flight into Egypt" in The Courtauld Gallery, London
Joseph Heintz the Elder
ca. 1599
Luce Myrès (Front View), Henri de Toulouse-Lautrec French, Crayon and spatter lithograph printed in sanguine on wove paper; only state
Luce Myrès (Front View)
Henri de Toulouse-Lautrec
Publisher Edouard Kleinmann
1895
Serving Breakfast (Madame Baron and Mademoiselle Popo), from "Elles", Henri de Toulouse-Lautrec French, Crayon lithograph with scraper printed in sanguine on wove paper
Serving Breakfast (Madame Baron and Mademoiselle Popo), from "Elles"
Henri de Toulouse-Lautrec
Publisher Gustave Pellet
1896
The Virgin and child with two angels, Andrea Scacciati Italian, Etching with sanguine tone
The Virgin and child with two angels
Andrea Scacciati
After Correggio (Antonio Allegri)
1766
A Young Girl holding a Cat, Louis Marin Bonnet French, Crayon-manner engraving printed in sanguine ink; second state of two
A Young Girl holding a Cat
Louis Marin Bonnet
After François Boucher
1769
Figure studies mounted on an album page, Hubert Robert French, Red chalk and sanguine brûlée
Figure studies mounted on an album page
Hubert Robert
Jean Robert Ango
ca. 1762–65
Design for a trade card for an ornamental sculptor, Gabriel de Saint-Aubin French, Red chalk and sanguine wash over black chalk underdrawing
Design for a trade card for an ornamental sculptor
Gabriel de Saint-Aubin
1762
Recueil d'Ornemens: Complete Portfolio of Twelve Series of Architectural Ornaments, collected in Rome and France
Multiple artists/makers
ca. 1778–82
[X Cahier de principes d'ornement]
Designer André-Louis Caillouet
Etcher Jean-Baptiste Lucien
Publisher Chereau
18th century
Venus Rising from the Sea
Attributed to Francesco Bartolozzi
After James Barry
early 20th century
Premier Cahier de Vases
Multiple artists/makers
18th century
Marian
Bolton Brown
1923
Model Crouching
Bolton Brown
1924
Two men penitent in the wilderness
Marco Ricci
Publisher Carlo Orsolini
1723–30
Plates 1 and 2 from "Troisième Cahier du Recueil d'Ornemens [Guichets de Clagny]" (Designs for decorated wall panels from the Castle of Clagny)
Multiple artists/makers
ca. 1778–82
Quatrième Cahier du Recueil d'Ornemens: Ornements de la Colonne Trajane (Ornaments from Trajan's Column)
Multiple artists/makers
ca. 1778–82
Quatrième Cahier du Recueil d'Ornemens: Base qui est au Baptistaire de Constantine (Base of a Column at the Lateran Baptistery, Rome)
Multiple artists/makers
ca. 1778–82
Quatrième Cahier du Recueil d'Ornemens: Chapiteau Antique (Antique Capital)
Multiple artists/makers
ca. 1778–82
Huitième Cahier du Recueil d'Ornemens: Fragment antique de la Ville des Empereurs (Antique Fragment(s) from the Village of the Emperors [the Roman Forums])
Multiple artists/makers
ca. 1778–82
Douzième Cahier du Recueil d'Ornemens: Profil du Chapiteau Jonique de la Vigne Farnèse à Rome (Profile View of an Ionic Capital in the Farnese Vineyard in Rome)
Multiple artists/makers
ca. 1778–82
Douzième Cahier du Recueil d'Ornemens (Two Friezes from San Lorenzo fuori La Mura in Rome)
Multiple artists/makers
ca. 1778–82
Douzième Cahier du Recueil d'Ornemens: Frieze Antique Prise à St Laurent hors des Murs à Rome (Frieze(s) taken from San Lorenzo fuori La Mura in Rome)
Multiple artists/makers
ca. 1778–82
Receuil d'Ornemens: Chapiteau des quattre Colonnes du Milieu de la Salle des Thermes de Diocletien à Rome (Capital of the Four Columns in the Center of the Nave of the Baths of Diocletian in Rome)
Etcher Jean-Baptiste Lucien
Draftsman After André-Louis Caillouet
Publisher Jacques François Chereau
ca. 1778–82
Receuil d'Ornemens: Chapiteau Corinthièn Moderne vû sur l'angle (Modern Corinthian Capital seen at an angle)
Draftsman After André-Louis Caillouet
Etcher Jean-Baptiste Lucien
Publisher Jacques François Chereau
ca. 1778–82
Premier Cahier du Recueil d'Ornemens: Rosaces (Designs for Rosettes)
Multiple artists/makers
ca. 1778–82
Deuxième Cahier du Recueil d'Ornemens; Guichets des Croisées des Thuileries; Trophées (Roundels decorated with trophies from the Tuilerie Palace)
Multiple artists/makers
ca. 1778–82
Plates 3 and 4 from "Troisième Cahier du Recueil d'Ornemens [Guichets de Clagny]" (Designs for decorated wall panels from the Castle of Clagny)
Multiple artists/makers
ca. 1778–82
Quatrième Cahier du Recueil d'Ornemens; Frise qui est à la Vigne Medicis (Frieze from the Medicean vineyard [at the Villa Medici, Rome])
Multiple artists/makers
ca. 1778–82
Neuvième Cahier du Recueil d'Ornemens [Rosaces] (Rosettes)
Multiple artists/makers
ca. 1778–82
Dixième Cahier du Recueil d'Ornemens: Trophées du Bosquet des Domes, dans le Parc de Versailles (Designs for trophies taken from the marble balustrade in the Bosquet des Domes in the gardens of the Palace of Versailles)
Multiple artists/makers
ca. 1778–82
Plates 1 and 2 from "Onzième Cahier du Recueil d'Ornemens" (Friezes)
Multiple artists/makers
ca. 1778–82
Cinquième Cahier du Recueil d'Ornemens: Rosaces Antiques (Rosettes from Roman Antiquity)
Multiple artists/makers
ca. 1778–82
Sixième Cahier du Recueil d'Ornemens: Guichets des Croisées de Clagny; Trophées (Designs for trophies taken from decorated wall panels at the Castle of Clagny)
Multiple artists/makers
ca. 1778–82
Plates 1 and 2 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)
Multiple artists/makers
ca. 1778–82
Plates 3 and 4 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)
Multiple artists/makers
ca. 1778–82