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Perseus and the Origin of Coral, Claude Lorrain (Claude Gellée) French, Black chalk, sepia and black ink, sepia and gray wash heightened with white — Perseus and the Origin of Coral
Claude Lorrain (Claude Gellée)
ca. 1671

Head of a woman, Sepia on ivory, and brass, possibly German — Head of a woman
possibly German
19th century

Plaque, Charles Nicolas Cochin II French, Sepia transfer print on enameled copper — Plaque
Charles Nicolas Cochin II
1770–90

Ground System, Dennis Oppenheim American, Sepia line print — Ground System
Dennis Oppenheim
1968

Ground Cover, Dennis Oppenheim American, Sepia line print — Ground Cover
Dennis Oppenheim
1968

Ground Cover, Dennis Oppenheim American, Sepia line print — Ground Cover
Dennis Oppenheim
1968

Ground Cover, Dennis Oppenheim American, Sepia line print — Ground Cover
Dennis Oppenheim
1968

Ground Cover, Dennis Oppenheim American, Sepia line print — Ground Cover
Dennis Oppenheim
1968

Ground Cover, Dennis Oppenheim American, Sepia line print — Ground Cover
Dennis Oppenheim
1968

Ground System, Dennis Oppenheim American, Sepia line print — Ground System
Dennis Oppenheim
1968

Ground System, Dennis Oppenheim American, Sepia line print — Ground System
Dennis Oppenheim
1968

Ground Cover, Dennis Oppenheim American, Sepia line print — Ground Cover
Dennis Oppenheim
1968

Ground Cover in Application to Unbordered Forms, Dennis Oppenheim American, Sepia line print — Ground Cover in Application to Unbordered Forms
Dennis Oppenheim
1968

Ground Cover, Dennis Oppenheim American, Sepia line print — Ground Cover
Dennis Oppenheim
1968

Ground Cover, Dennis Oppenheim American, Sepia line print — Ground Cover
Dennis Oppenheim
1968

Ground Cover, Dennis Oppenheim American, Sepia line print — Ground Cover
Dennis Oppenheim
1968

Dead Furrow, Dennis Oppenheim American, Sepia line print — Dead Furrow
Dennis Oppenheim
1967

The Adoration of the Magi, Linen and cotton plain weave underlaid with linen plain weave and embroidered with silk and gilt-metal-strip-wrapped silk in bullion, split, and stem stitches, laid work, couching, and couching padded with cotton (couched with linen). Underdrawing and wash in sepia ink. Edging: hemp plain weave, Italian — The Adoration of the Magi
Italian
late 14th century

The Hangman's Tree, Jacques Callot French, Pen and sepia ink., French — The Hangman's Tree
Jacques Callot
after 1633

Landscape with Sheep, Claude Lorrain (Claude Gellée) French, Black chalk, sepia ink and wash, heightened with white gouache. — Landscape with Sheep
Claude Lorrain (Claude Gellée)
ca. 1648

Roman Landscape, Claude Lorrain (Claude Gellée) (?) French, Sepia ink and wash — Roman Landscape
Claude Lorrain (Claude Gellée)
mid to late 17th century

Trees, Giovanni Francesco Grimaldi Italian, Pen, sepia ink and wash with white gouache heightening on blue paper — Trees
Giovanni Francesco Grimaldi
Claude Lorrain (Claude Gellée)
ca. 1650

Virgin and Child Enthroned between Saints Cecilia and Catherine of Alexandria, Francesco Morone Veronese, Tempera on parchment; Underdrawing in sepia ink — Virgin and Child Enthroned between Saints Cecilia and Catherine of Alexandria
Francesco Morone
ca. 1510–15

Landscape with Road and Monument, Jean Honoré Fragonard French, Pencil and pale sepia wash — Landscape with Road and Monument
Jean Honoré Fragonard
mid-18th century–early 19th century

View of the Garden Terrace of the Villa d'Este at Tivoli, Israel Silvestre French, Pencil, black ink, sepia and gray wash, pale green watercolor. — View of the Garden Terrace of the Villa d'Este at Tivoli
Israel Silvestre
1643–44

The Dreamer, Jean Honoré Fragonard French, Pencil and sepia wash — The Dreamer
Jean Honoré Fragonard
late 1770s