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Side table, John Wildsmith, Carved and gilded pine; marbles, including rosso and nero antico, orange Veronese, yellow Siena, brown, gray, and white fleur de pêcher, black and gold Portor, orange and violet Spanish brocatello, and white Carrara, and hardstones, including gray and red granite, red and white jasper, pink quartz, porphyry, bloodstone, serpentine, golden and brown agate and onyx, and lapis lazuli, British, London — Side table
John Wildsmith
John Mayhew
table top 1759, base 1794

Commode, John Mayhew British, Pine carcase, veneered with satinwood, kingwood, holly, rosewood and other woods; gilt-bronze mounts; Siena marble slab, British — Commode
John Mayhew
William Ince
ca. 1770

Alexander the Great, Viktor Brodzki Polish, Head and base: white marble; cuirass and drapery: red Siena marble, Polish — Alexander the Great
Viktor Brodzki
19th century

Mantel, White marble, yellow Sienna marble, British — Mantel
British
ca. 1770

Ormolu-mounted urn on square base, Derbyshire spar "Blue John", gilt bronze; Sienna marble, British — Ormolu-mounted urn on square base
British
ca. 1790

Scholar’s rock with overhang and perforation

China

18th century

Untitled (Female nude study)

Reginald Marsh

ca. 1931

Untitled (Female nude study)

Reginald Marsh

ca. 1931

Untitled (Female nude study)

Reginald Marsh

ca. 1931

Untitled (Female nude study)

Reginald Marsh

ca. 1931

Untitled (Female nude study)

Reginald Marsh

ca. 1931

Untitled (Female nude study)

Reginald Marsh

ca. 1931

Ceramic Fragment

9th–10th century

Cabinet, Robert Hume British, Oak, ebony veneer, 'pietra dura' plaques, with lapis lazuli agate, Sicilian jasper, Siena marble columns, 'rosso antico' marble top, lacquered brass mounts, British — Cabinet
Robert Hume
ca. 1820–30

The Good Carpenter or Destiny, Emile Bernard French, Zincograph printed in sienna — The Good Carpenter or Destiny
Emile Bernard
1892