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Stumping
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Marie Antoinette in a Park, Elisabeth Louise Vigée Le Brun  French, Black chalk, stumped, and white chalk; framing lines in black chalk
Elisabeth Louise Vigée Le Brun
Marie Antoinette, Queen of France
ca. 1780–81
Ruth Wittenberg, William Zorach  American, born Lithuania, Graphite with stumping on tracing paper
William Zorach
1933
Study of a Woman, Adolph Menzel  German, carpenter's pencil (?) with stumping on paper
Adolph Menzel
1888
Torso, Number 1, Hale Woodruff  American, Charcoal with stumping on paper
Hale Woodruff
1971
Christ Falls under the Cross, Girolamo Starace  Italian, Black chalk, stumped, pen and black ink, brush and gray wash. Framing lines in pen and black ink at top and sides of sheet
Girolamo Starace
1730–94
Portrait of Francesco Albani, Sempronio Subissati  Italian, Red chalk, stumped in the portrait medallion, over traces of black chalk
Sempronio Subissati
Francesco Albani
1680–1758
Mountain Landscape with a Castle and a Boatman, Thomas Gainsborough  British, Black and white chalk with stumping on blue wove paper
Thomas Gainsborough
mid-to-late 1780s
Mountain Landscape with Figures and Buildings, Thomas Gainsborough  British, Black and white chalk with stumping, on blue-gray paper
Thomas Gainsborough
mid-to-late 1780s
Madonna and Child Among the Clouds, Anonymous, Italian, 16th century  Italian, Red chalk, stumped and blended, brush and brown wash, with traces of white gouache (?) highlighting, on cream-colored paper
Anonymous, Italian, 16th century
16th century
Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), Isidore Pils  French, Black chalk, white chalk, on gray paper, stumped
Isidore Pils
19th century
Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), Isidore Pils  French, Red, black, and white chalk, stumped
Isidore Pils
19th century
Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858); verso:  Head of a Soldier (unrelated to Sainte-Clotilde decorations), Isidore Pils  French, Black chalk, stumped, heightened with white gouache, on gray paper (recto); black chalk (verso)
Isidore Pils
19th century
Drapery Study for Figure Holding Crown (middle register); study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858, Isidore Pils  French, Black chalk, stumped, heightened with white chalk, on gray paper
Isidore Pils
19th century
Study for Saint Remi (middle register); verso:  Study for Remi's Raised Arm (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), Isidore Pils  French, Red chalk, stumped, black chalk, heightened with white gouache, on gray paper (recto); red chalk (verso)
Isidore Pils
19th century
Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), Isidore Pils  French, Red chalk, stumped, heightened with white chalk, traces of black chalk, on light gray paper
Isidore Pils
19th century
Cleric with Joined Hands (lower register?); verso: (same figure); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), Isidore Pils  French, Black chalk, stumped, white chalk, on dark gray paper (recto); faint black chalk (verso)
Isidore Pils
19th century
Drapery Study for Sainte-Clotilde (upper register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), Isidore Pils  French, Red chalk, stumped, with traces of black chalk.  Scattered stains.
Isidore Pils
1830–75
A Girl Reading (with a Sketch of Seated Woman), Auguste Renoir  French, Charcoal, some stumping
Auguste Renoir
n.d.
The Abandoned, Auguste Rodin  French, Graphite with stumping
Auguste Rodin
ca. 1902
Hanako, Auguste Rodin  French, Graphite with stumping, pen and brown ink, red crayon, and gouache-wash
Auguste Rodin
ca. 1906–1907
Female nude reclining, Auguste Rodin  French, Graphite with stumping
Auguste Rodin
1909–1910
Head of a Young Woman in Profile to Left, Jacques Philippe Joseph de Saint Quentin  French, Red chalk, stumped, heightened with white; framing lines in pen and brown ink
Jacques Philippe Joseph de Saint Quentin
n.d.
Diana and Acteon, François André Vincent  French, Black chalk heightened with white, over stumped charcoal, on beige paper
François André Vincent
1778
Venus and Adonis, François André Vincent  French, Black chalk, heightened with white, over stumped charcoal, on beige paper
François André Vincent
1778
Two Nude Male Figures Struggling Together, Nicolas de Largillierre (or Largillière)  French, Charcoal, stumped, black and white chalk on brownish paper
Nicolas de Largillierre (or Largillière)
1709–10
Saint Agnes and a Female Saint, Anonymous, Italian, Roman-Bolognese, 17th century  Italian, Red chalk, stumped
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Standing Man, Eugène Leygue  French, Black chalk, stumped, heightened with white chalk, on beige paper; squared in red chalk
Eugène Leygue
1830–77
Bust of a Young Girl, Profile to Left, Carle (Charles André) Vanloo  French, Charcoal, stumped, heightened with white, on beige paper.
Carle (Charles André) Vanloo
18th century
A Shepherdess with Her Flock, Jean-François Millet  French, Conté crayon with stumping on laid paper
Jean-François Millet
ca. 1852
Sheepshearing Beneath a Tree, Jean-François Millet  French, Conté crayon with stumping, heightened with pen and brown ink and white gouache on wove paper
Jean-François Millet
ca. 1854
Woodcutter Trimming Faggots, Jean-François Millet  French, Conté crayon with stumping on beige laid paper
Jean-François Millet
1853–54
View in the Gardens of Arcueil, Jean-Baptiste Oudry  French, Charcoal, stumped, black chalk, heightened with white chalk, on blue-green paper
Jean-Baptiste Oudry
1744
Young Communards in Prison (Les Fédérés à la Conciergerie), Gustave Courbet  French, Black chalk, stumped
Gustave Courbet
1871
An Old Man on His Deathbed Tempted by Demons (recto); Back View of a Male Nude (verso), Aureliano Milani  Italian, Black chalk, stumped
Aureliano Milani
1675–1749
Portrait of a Man in a Monastic Habit, Bartolommeo Nazari (Nazzari)  Italian, Black chalk, stumped, highlighted with white, on gray-green paper
Bartolommeo Nazari (Nazzari)
1699–1758
Standing Woman Looking to Left Background, Francesco Vanni  Italian, Red chalk and brush and red wash with stumping
Francesco Vanni
1596–98
Portrait of John Poyntz, Hans Holbein the Younger  German, Black and red chalk (use of stumping), brush and brown wash and black ink
Hans Holbein the Younger
early 16th century
Alexander the Great Offering His Concubine Campaspe to the Painter Apelles, Gaetano Gandolfi  Italian, Black chalk (stumped), highlighted with white, on brownish paper
Gaetano Gandolfi
1793–97
Adoration of the Magi, Ercole Graziani the Younger  Italian, Black chalk, stumped, highlighted with white, on beige paper
Ercole Graziani the Younger
1688–1765
Study for Boreas Abducting Oreithyia, François André Vincent  French, Red, black and white chalk, with stumping
François André Vincent
ca. 1782