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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

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Costume Armor in the Classical Style, Hallé French, Helmet: linen, papier-mâché, bole, gold leaf, graphite; tunic: silk, cotton, metal coils and spangles, metallic yarn, French, Paris — Costume Armor in the Classical Style
Hallé
ca. 1788–90

"Cyclone", House of Lanvin French, silk, spangles, French — "Cyclone"
House of Lanvin
Jeanne Lanvin
1939

"Venus", House of Dior French, silk, sequins, rhinestones, simulated pearls, French — "Venus"
House of Dior
Christian Dior
fall/winter 1949–50 haute couture

Street Story Quilt, Faith Ringgold American, Cotton canvas, acrylic paint, ink marker, dyed and printed cotton, and sequins, sewn to a cotton flannel backing — Street Story Quilt
Faith Ringgold
1985

Valance with Chigi coat of arms, Red silk cut velvet appliqued with linen and silk rep weave outlined with couched gilt and cotton cording ending in tassels., Italian — Valance with Chigi coat of arms
Italian
mid-17th century

Valance with Chigi coat of arms, Red silk cut velvet appliqued with linen and silk rep weave outlined with couched gilt and cotton cording ending in tassels., Italian — Valance with Chigi coat of arms
Italian
mid-17th century

The Good Shepherd, Haly workshop, Figures of lampworked glass (opaque white, pink, black, blue, green, waxlike colorless, and transparent amethyst), papier-mâché, wood, mirror plate, paper, composition material, paint, metal sequins, metal wire. Assembled., probably French (Nevers) — The Good Shepherd
Haly workshop
last half 18th century

Towel, Linen, silk, metal-wrapped thread, and tinsel; plain-weave, supplementary warp loops in the central panel (terry cloth), and embroidery — Towel
19th century

Sash, Linen, silk, metal-wrapped thread, and tinsel; plain-weave and embroidery — Sash
19th century

Pair of Ankle Shoes, Leather (sole), wood (heal), silk velvet, metal wrapped thread, twisted wire, spiral wire, and metallic sequins, wool (elastic band); embroidered — Pair of Ankle Shoes
late 19th century–early 20th century

Still Life—Flowers and Fruit in White and Pink Bowl, Oil on glass, tinsel, American — Still Life—Flowers and Fruit in White and Pink Bowl
American
1840–60

Folding stool (pliant) (one of a pair), Carved and gilded walnut; silk velvet with gold trim (not original), French, Paris — Folding stool (pliant) (one of a pair)
French, Paris
ca. 1735–39

Folding stool (pliant) (one of a pair), Carved and gilded walnut; silk velvet with gold trim (not original), French, Paris — Folding stool (pliant) (one of a pair)
French, Paris
ca. 1735–39

Coif, Linen embroidered with silk and silver-gilt wrapped thread and spangles, British — Coif
British
early 17th century

Fan with depiction of Spanish folk costumes, Hand-colored lithograph; hand-painted parchment; ivory, gold leaf, sequins, silver gilt, enamel, mother-of-pearl, silver luster paper, metal, Spanish — Fan with depiction of Spanish folk costumes
Spanish
early 19th century

Fan, Duvelleroy French, mother-of-pearl, silk, metal, sequins, French — Fan
Duvelleroy
ca. 1910

Saddle, Saddle Pad, Stirrups, Rein, Stirrup Straps, Bit and Bridle, Breaststrap, Tassel, and Crupper, Iron, gold, copper, turquoise, wood (fruitwood), leather (buckskin, doeskin), linen, silk, wool, hair (yak), Tibetan — Saddle, Saddle Pad, Stirrups, Rein, Stirrup Straps, Bit and Bridle, Breaststrap, Tassel, and Crupper
Tibetan
18th–19th century

Armchair (Fauteuil à la reine) for Louise-Élisabeth of Parma, Nicolas-Quinibert Foliot, Carved and gilded oak; original silk-velvet upholstery and gold trim, French, Paris and Italian, Parma — Armchair (Fauteuil à la reine) for Louise-Élisabeth of Parma
Nicolas-Quinibert Foliot
Pierre Contant d'Ivry
ca. 1749

Costume Armor and Sword in the Classical Style, Hallé French, Linen, papier-mâché, bole, gold leaf, graphite (helmet); silk, cotton, metal coils and spangles, metallic yarn (tunic); steel, wood, gesso, silver, gold leaf (sword), French, Paris — Costume Armor and Sword in the Classical Style
Hallé
ca. 1788–90

Folding Fan with a Representation of the 1806 Eruption of Mount Vesuvius, Gouache and watercolor on parchment; mother-of-pearl with spangles, Italian — Folding Fan with a Representation of the 1806 Eruption of Mount Vesuvius
Italian
ca. 1815

Limb with garment fringe, pleating, Indurated limestone — Limb with garment fringe, pleating
ca. 1353–1336 B.C.

Left forearm with garment fringe, pleating and Aten cartouche, Indurated limestone — Left forearm with garment fringe, pleating and Aten cartouche
ca. 1353–1336 B.C.

Lower legs area with fringe of shawl, Indurated limestone — Lower legs area with fringe of shawl
ca. 1353–1336 B.C.

Breast (?) with pleating and shawl fringe, Indurated limestone — Breast (?) with pleating and shawl fringe
ca. 1353–1336 B.C.

Body with garment, shawl pleating, fringe, Indurated limestone — Body with garment, shawl pleating, fringe
ca. 1353–1336 B.C.

Inlaid box for cosmetic vessels of Sithathoryunet, Ebony, inlaid with ivory and red wood (restored), gold trim — Inlaid box for cosmetic vessels of Sithathoryunet
ca. 1887–1813 B.C.

Red-Dyed Length of Linen, Linen, hematite — Red-Dyed Length of Linen
ca. 1981–1975 B.C.

Braid of Hair and Linen, Hair (probably human), linen — Braid of Hair and Linen
ca. 1492–1473 B.C.

Sample of Fringed Cloth, Linen — Sample of Fringed Cloth
ca. 818–700 B.C.

Linen sheet or shawl, Wah, Linen — Linen sheet or shawl, Wah
ca. 1981–1975 B.C.

Apothecary Cabinet, Nicolaus I Kolb German, Veneer: ebonized pearwood (Pyrus communis), ebony, partially gilded silver; carcass: conifer; interior: protective quilted cushion covered in red silk, drawers and chest lined with red silk velvet; gold trimming; mounts and fittings: partially gilded brass; thirty-two (32) vessels and utensils: glass, partially gilded silver, low carbon steel, leather, German, Augsburg — Apothecary Cabinet
Nicolaus I Kolb
1617–18

Pall for Wah's Coffin

ca. 1981–1975 B.C.

Pall for Wah's Coffin

ca. 1981–1975 B.C.

Valance with Chigi coat of arms, Red silk cut velvet appliqued with linen and silk rep weave outlined with couched gilt and cotton cording ending in tassels., Italian — Valance with Chigi coat of arms
Italian
mid-17th century

Silver tassel, metal; silk., European — Silver tassel
European
17th–19th century

Armchair (chaise à bras), Walnut, carved and turned; upholstered with various fragments of silk and gilt-metal embroidered fragments, silk, and brocatelle and knotted silk fringe., French and Italian — Armchair (chaise à bras)
French and Italian
15th or 16th century (textiles) and 16th century, second half (woodwork)

Armchair, Walnut, carved and turned; dark red silk and satin cut velvet; gilt metal tape with fringe gilt-metal thread., Iberian or Flemish (woodwork); Italian (or Spanish?) (textiles) — Armchair
Iberian or Flemish (woodwork); Italian (or Spanish?) (textiles)
late 15th or 16th century (textiles); 16th century, second half (woodwork)

Cope with an Orphrey and a Hood, Cope: silk warp-float faced 4/1 satin weave with linen plain weave lining.<br/>Orphrey: linen plain weave with silk and gilt- and silvered- metal strip wrapped silk in satin and split stitches, laid work, couching, and padded couching. Fringe: silk, gilt-metal-strip-wrapped silk. Lining: cotton plain weave.<br/>Hood: linen plain weave embroidered with silk, gilt- and silvered- metal-strip-wrapped silk, and silvered-metal strips and coils , couching and couching padded with hemp; metal spangles. Fringe: silk plain weave. Lining: linen plain weave., Italian, German, Dutch, Spanish — Cope with an Orphrey and a Hood
Italian, German, Dutch, Spanish
15th–16th century

Tassel, metal; cotton; mica, European — Tassel
European
17th–19th century

Armchair back and seat, Walnut, carved and turned; silk cut-velvet braided tape with fringe of green silk and gilt-metal thread., Italian (?) or American (United States?) — Armchair back and seat
Italian (?) or American (United States?)
15th or 16th century (textiles); late 19th century (woodwork)