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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 158 results for Zenji Miyashita

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Vase, Zenji Miyashita Japanese, Stoneware — Vase
Zenji Miyashita
ca. 1990

Genesis, Miyashita Zenji Japanese, Stoneware with gradated colored clay (saidei), Japan — Genesis
Miyashita Zenji
2009

Vase, Miyashita Zenji Japanese, Stoneware with tinted blue clay bands, Japan — Vase
Miyashita Zenji
2001

Sawamura Yodogorō II and Bandō Zenji as Kawatsura Hōgen and Onisadobō in the Play "Koinyōbō Somewake Tazuna", Tōshūsai Sharaku Japanese, Woodblock print; ink, color, white mica on paper, Japan — Sawamura Yodogorō II and Bandō Zenji as Kawatsura Hōgen and Onisadobō in the Play "Koinyōbō Somewake Tazuna"
Tōshūsai Sharaku
1794

Surviving Paintings and Calligraphy of Sengai (Entsū Zenji iboku) 円通禅師遺墨, Sengai Gibon 仙厓義梵 Japanese, Woodblock printed book; ink on paper, Japan — Surviving Paintings and Calligraphy of Sengai (Entsū Zenji iboku) 円通禅師遺墨
Sengai Gibon 仙厓義梵
1894

Kabuki Actors Ichimura Uzaemon IX as Ko-kakeyama and Ōtani Hiroji III as Kōga Saburō

, Katsukawa Shunshō　勝川春章 Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan — Kabuki Actors Ichimura Uzaemon IX as Ko-kakeyama and Ōtani Hiroji III as Kōga Saburō
Katsukawa Shunshō　勝川春章
ca. 1771

Armored Form (Yorou-katachi) No. 9, Toki Kenji Japanese, Plastic and lacquer, Japan — Armored Form (Yorou-katachi) No. 9
Toki Kenji
2009

Triangular Octave Spinet, Girolamo Zenti Italian, Wood and various materials, Italian — Triangular Octave Spinet
Girolamo Zenti
before 1668

Harpsichord, Girolamo Zenti Italian, Cypress, boxwood, ebony, brass, leather, Italian — Harpsichord
Girolamo Zenti
1666

Genji-mon, Brown ink on paper, Japan — Genji-mon
Japan
ca. 1900

Banner (Penji?), Cotton, glass beads, Sumba Island — Banner (Penji?)
Sumba Island
ca. 1900

Ehon Genji Monogatari, Terai Shosen, Three volumes; ink on paper, Japan — Ehon Genji Monogatari
Terai Shosen
January 1751

Entry of Henri III, King of France and Poland, into Venice, Domenico Zenoi Italian, Etching — Entry of Henri III, King of France and Poland, into Venice
Domenico Zenoi
1574

Genji roku no hana, Utagawa Kunisada Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Genji roku no hana
Utagawa Kunisada
1854

The Tale of Genji (Genji Monogatari), Tosa Mitsusada Japanese, Set of twenty-four album leaves; ink, color, and gold on paper, Japan — The Tale of Genji (Genji Monogatari)
Tosa Mitsusada
Shōren'in Sonjun Shinnō
17th century

Miyanoshita (Name of One of the Hot Springs at Hakone), Torii Kiyonaga Japanese, Woodblock print; ink and color on paper, Japan — Miyanoshita (Name of One of the Hot Springs at Hakone)
Torii Kiyonaga
ca. 1779

Koto (箏), Various woods, ivory, metal, nylon, tortoiseshell, abalone, lacquerwork, Japanese — Koto (箏)
Japanese
20th century

Scenes from the Tale of Genji, Six-panel folding screen; ink, color, and gold on paper, Japan — Scenes from the Tale of Genji
Japan
17th century

Prince Genji and Three Young Women, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Prince Genji and Three Young Women
Chōbunsai Eishi

Scene from the Drama "Sazareishi Suehiro Genji", Torii Kiyomasu I Japanese, Urushi-e (lacquer) print, Japan — Scene from the Drama "Sazareishi Suehiro Genji"
Torii Kiyomasu I
12th month, 1743 or 1st month, 1744

Prince Genji Visits the Gankirō Tea House, Utagawa Kunisada Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Prince Genji Visits the Gankirō Tea House
Utagawa Kunisada
Utagawa Kunitoki
5th month, 1860

Twelve Scenes from The Tale of Genji, Unidentified artist (Sumiyoshi School), Album of twelve leaves; ink and color on gold-flecked paper, Japan — Twelve Scenes from The Tale of Genji
Unidentified artist
mid-17th century

"Heartvine" ("Aoi") chapter from The Tale of Genji (Genji monogatari), Handscroll; ink on paper, Japan — "Heartvine" ("Aoi") chapter from The Tale of Genji (Genji monogatari)
Japan
16th century

Ignorance Vanquished

Multiple artists/makers

Scene from A Boat upon the Waters, a Chapter from "The Tale of Genji", Gold makie (sprinkled) design on black lacquer, Japan — Scene from A Boat upon the Waters, a Chapter from "The Tale of Genji"
Japan
19th century

A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”
Chōbunsai Eishi
ca. 1794

Modern Genji – Firefly Viewing (Imayō genji shiken hotaru asobi), Toyohara Kunichika Japanese, Central sheet of a triptych; woodblock print, ink and color on paper, Japan — Modern Genji – Firefly Viewing (Imayō genji shiken hotaru asobi)
Toyohara Kunichika
1861

Scene From the Drama "Hatsu-tori Kuruma Genji", Torii Kiyomasu I Japanese, Woodblock print; ink and color on paper, Japan — Scene From the Drama "Hatsu-tori Kuruma Genji"
Torii Kiyomasu I
dated 1749

Eight Views of the Genji Story: Still Life, Yashima Gakutei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Eight Views of the Genji Story: Still Life
Yashima Gakutei
19th century

Plate with Japanese court woman and birds, Hard-paste porcelain painted with colored enamels over transparent glaze (Hizen ware; Imari type), Japanese, for European market — Plate with Japanese court woman and birds
Japanese, for European market
1710–30

The Third Princess and a Cat, from the "New Herbs I" (Wakana I)
chapter The Tale of Genji (Genji monogatari}, Matsuno Chikanobu Japanese, Hanging scroll; ink and color on paper, Japan — The Third Princess and a Cat, from the "New Herbs I" (Wakana I) chapter The Tale of Genji (Genji monogatari}
Matsuno Chikanobu
18th century

Scene from the Drama "Yuki-motsu-take Furisode Genji", Katsukawa Shunkō Japanese, Woodblock print; ink and color on paper, Japan — Scene from the Drama "Yuki-motsu-take Furisode Genji"
Katsukawa Shunkō
December 1785

Genji in Exile at Suma, from the series Genji in Fashionable Modern Guise (Fūryū yatsushi Genji: Suma), Chōbunsai Eishi Japanese, Left sheet of a triptych of woodblocks; ink and color on paper, Japan — Genji in Exile at Suma, from the series Genji in Fashionable Modern Guise (Fūryū yatsushi Genji: Suma)
Chōbunsai Eishi
ca. 1791–92

"Evening Faces" chapter from The Tale of Genji (Genji monogatari), Kawamata Tsunemasa Japanese, Hanging scroll; ink and color on paper, Japan — "Evening Faces" chapter from The Tale of Genji (Genji monogatari)
Kawamata Tsunemasa
18th century

Bellflowers (Asagao), from the series Genji in Fashionable Modern Guise (Fūryū yatsushi Genji: Asagao), Chōbunsai Eishi 鳥文斎栄之 Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Bellflowers (Asagao), from the series Genji in Fashionable Modern Guise (Fūryū yatsushi Genji: Asagao)
Chōbunsai Eishi 鳥文斎栄之
1789–92

“Leaves of Wild Ginger” (Aoi), from the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki), Handscroll; ink, color, and gold on paper, Japan — “Leaves of Wild Ginger” (Aoi), from the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki)
Japan
mid-17th century

Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao), Tosa School Japanese, Matted painting; ink and color on silk, Japan — Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao)
Tosa School
17th century

Prince Genji Returning to His Palace where His Wife Awaits Him, Rekisentei Eiri Japanese, Pentaptych of woodblock prints; ink and color on paper, Japan — Prince Genji Returning to His Palace where His Wife Awaits Him
Rekisentei Eiri
ca. 1797

“A Branch of Sacred Evergreen” (Sakaki), from the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki), Handscroll section mounted on
board; ink, color and gold on paper, Japan — “A Branch of Sacred Evergreen” (Sakaki), from the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki)
Japan
mid-17th century

Books and Cards, Reisai Japanese, Woodblock print (surimono); ink and color on paper, Japan — Books and Cards
Reisai
18th–19th century