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Dining room from Lansdowne House, Robert Adam  British, Scottish, Wood, plaster, stone, British
Multiple artists/makers
1766–69
Chandelier, Glass, probably Irish or possibly British
probably Irish or possibly British
ca. 1787
Side table, Robert Adam  British, Scottish, Mahogany, British
Designer In the style of Robert Adam
ca. 1780
Ceremonial scene with Abundance and Piping Pan, Adam Partnership  British, Oil on canvas, British
Adam Partnership
Designer Robert Adam
1765–66
Sconce (one of a pair), Gilded wood and gesso, gilded brass, British
British
ca. 1790
Pedestal with candleholder (one of a pair), Mahogany, brass, glass, British
British
ca. 1775
Candelabrum perfume burner (one of a pair), Matthew Boulton  British, Derbyshire spar, gilded bronze, wood, silvered copper, British, Soho near Birmingham
Matthew Boulton
and James Fothergill
ca. 1770
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Antonio Canova
Patron Commissioned by John Bligh, 4th Earl of Darnley
1819–24
Venus Italica, Antonio Canova  Italian, Carrara marble, Italian, Rome
Workshop of Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810
Sconce (one of a pair), Gilded wood and gesso, gilded brass, British
British
ca. 1790
Candelabrum perfume burner (one of a pair), Matthew Boulton  British, Derbyshire spar, gilded bronze, wood, silvered copper, British, Soho near Birmingham
Matthew Boulton
and James Fothergill
ca. 1770
Pedestal with candleholder (one of a pair), Mahogany, brass, glass, British
British
ca. 1775
Side chair (one of a set of fourteen), Robert Adam  British, Scottish, Mahogany, covered in modern red morocco leather, British
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772
Side chair (one of a set of fourteen), Robert Adam  British, Scottish, Mahogany, covered in modern red morocco leather, British
Designer Robert Adam
Supplied by Thomas Chippendale
ca. 1772

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.