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Showing 2,201 results for Alexander CozensTook 36ms
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Coastal Landscape, Alexander Cozens British, Graphite, brush and gray wash; laid down on original paper mount with gray wash
Coastal Landscape
Alexander Cozens
ca. 1770
Landscape with Riverbed and Mountains, Alexander Cozens British, Brush and gray and yellow wash; laid down on original paper mount with gray wash
Landscape with Riverbed and Mountains
Alexander Cozens
1770–86
A blot-lake with boat, surrounded by trees, Alexander Cozens British, Graphite, brush and black ink
A blot-lake with boat, surrounded by trees
Alexander Cozens
1750–86
Ruined Castle and Trees, Alexander Cozens British, Graphite, brush and black ink, gray and brown wash; laid down on original paper mount with gray wash
Ruined Castle and Trees
Alexander Cozens
ca. 1762
The Fallen Tree, Alexander Cozens British, Aquatint with additions in brush and gray wash and graphite
The Fallen Tree
Alexander Cozens
ca. 1785
Figure in a classical landscape, Alexander Cozens British, Brush and brown inks; laid down on original paper mount with double border line in black ink
Figure in a classical landscape
Alexander Cozens
1755–65
A New Method of Assisting the Invention in Drawing Original Compositions of Landscape, Plates 1-8
Alexander Cozens
1786
Principles of Beauty Relative to the Human Head
Multiple artists/makers
1778
The Shape, Skeleton and Foliage of Thirty-two Species of Trees for the Use of Painting and Drawing
Alexander Cozens
1771
The Cheerful Beauty (Beauté Gaie), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
Twelve Noses and Six Mouths, from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
Types of Lines and Thirteen Eyes, from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Sensible, or Wise Beauty (Beauté Spirituelle), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Steady Beauty (Beauté Déterminée), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Spirited Beauty (Beauté Vive), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Haughty Beauty (Beauté Fière), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Melancholy Beauty (Beauté Mélancholique), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Tender Beauty (Beauté Sensible), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Modest Beauty (Beauté Timide), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Languid, or Delicate Beauty (Beauté Languissante), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Penetrating Beauty (Beauté Intelligente), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Engaging Beauty (Beauté Prévenante), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Good Natured Beauty (Beauté Douce), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Timid Beauty (Beauté Craintive), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
The Artful Beauty (Beauté Fine), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
Francesco Bartolozzi
April 10, 1777
Title page: The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing
Alexander Cozens
April 27, 1771
Aspin, Pollard-Aspin, Ash, and Abele or Poplar (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
Beach, Birch, Spanish Chestnut and Horse-Chestnut (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
Cedar, Cypress, Elm and Lopped-Elm (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
Elder, Larch-Fir, Scotch-Fir and Spruce or Norway Fir (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
Lime, Holly, Laburnum and Laurel (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
Oak, Pollard-Oak, Palm and Italian Pine (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
Sycamore, Thorn, Walnut and Willow (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
Pollard-Willow, Weeping-Willow, Pollard Weeping-Willow and Yew (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
A New Method of Assisting the Invention in Drawing Original Compositions of Landscape, Plates 9-18
Alexander Cozens
1786
A New Method of Assisting the Invention in Drawing Original Compositions of Landscape, Plates 19-37
Alexander Cozens
1786
A New Method of Assisting the Invention in Drawing Original Compositions of Landscape, Plates 38-43
Alexander Cozens
William Pether
1786
Fountains Abbey, Yorkshire, Thomas Sunderland British, Pen and ink, brush and blue and gray wash
Fountains Abbey, Yorkshire
Thomas Sunderland
Alexander Cozens
mid-18th–early 19th century
Storm Over A Lake, Joseph Barber British, Watercolor
Storm Over A Lake
Multiple artists/makers
1800–1811
Landscapes
Multiple artists/makers
before 1820