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More than 10,000 results for Anderson Király & Co.

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When Kossuth Rode Up Broadway

Ladies Home Journal

Anderson Király & Co.

1897

Ensemble, JW Anderson British, (a) wool, nylon, cashmere, metal, (b) leather (lambskin), metal, cotton, (c, d) leather (lambskin), metal, glass, British — Ensemble
JW Anderson
Jonathan Anderson
fall/winter 2020–21

Portrait of Frieseke, Karl Anderson American, Oil on canvas, American — Portrait of Frieseke
Karl Anderson
1910

Carro con buoi, Perugia, James Anderson British, Albumen silver print — Carro con buoi, Perugia
James Anderson
1880s

Sala delle Statue, James Anderson British, Albumen silver print from glass negative — Sala delle Statue
James Anderson
1850s–60s

Court coat, Anderson & Sheppard British, wool, silk, metal, British — Court coat
Anderson & Sheppard
1924

Tuxedo, Anderson & Sheppard British, a) wool, silk; b) cotton, faux abalone; c) wool, silk, cotton, plastic, British — Tuxedo
Anderson & Sheppard
2006

Suit, Richard Anderson British, (a) wool, synthetic, wood; (b) wool, synthetic, metal, British — Suit
Richard Anderson
2006

Jacquard-woven Picture, Anderson Brothers American, Silk, woven, American — Jacquard-woven Picture
Anderson Brothers
ca. 1890

Jacquard-woven Picture, Anderson Brothers American, Silk, woven, American — Jacquard-woven Picture
Anderson Brothers
ca. 1893

Wedding dress, L. Anderson American, silk, American — Wedding dress
L. Anderson
1903

Untitled (Kit the Swordsman), Anderson & Low British, Inkjet print — Untitled (Kit the Swordsman)
Anderson & Low
2009, printed 2012

Can't, Doug Anderson American, Acrylic and oil on canvas — Can't
Doug Anderson
1985

No Idling (Study), Hurvin Anderson British, Acrylic paint with tape, over pencil on drafting film (synthetic polymer sheet) — No Idling (Study)
Hurvin Anderson
2021

The Sacred and the Profane, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — The Sacred and the Profane
Laura Anderson Barbata
1989

The Sacred and the Profane, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — The Sacred and the Profane
Laura Anderson Barbata
1989

From the Series "Origin", Number 9, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — From the Series "Origin", Number 9
Laura Anderson Barbata
1988

Drawing, Number 26, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — Drawing, Number 26
Laura Anderson Barbata
1989

Drawing, Number 29, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — Drawing, Number 29
Laura Anderson Barbata
1989

The Sacred and the Profane, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — The Sacred and the Profane
Laura Anderson Barbata
1989

The Bryant Vase, Tiffany & Co., Silver and gold, American — The Bryant Vase
Multiple artists/makers
1876

The Magnolia Vase, Tiffany & Co., Silver, enamel, gold, and opals, American — The Magnolia Vase
Tiffany & Co.
1893

Chocolate Pot, Tiffany & Co., Silver, patinated copper, gold, and ivory, American — Chocolate Pot
Tiffany & Co.
Charles Osborne
1879

Pair of Candelabra, Tiffany & Co., Silver, American — Pair of Candelabra
Tiffany & Co.
1884

The Little Review, Vol. IV, No. 3 (July 1917)

Margaret Anderson

T. S. Eliot

1917

The Little Review, Vol. IV, No. 8 (December 1917)

Margaret Anderson

Hart Crane

1917

The Little Review, Vol. IV, No. 11 (March 1918)

Margaret Anderson

James Joyce

1918

The Little Review, Vol. V, No. 1 (May 1918)

Margaret Anderson

James Joyce

1919

The Little Review, Vol. VI, No. 3 (July 1919)

Margaret Anderson

James Joyce

1919

The Little Review (undated fragment)

Margaret Anderson

1917–19

[Temple of Sibilla, Tivoli, through Rock Archway]

James Anderson

ca. 1860

Costume Design for Third Ballet Girl (Italian), from the play "Captain Jinks of the Horse Marines", Percy Anderson British, Watercolor over graphite — Costume Design for Third Ballet Girl (Italian), from the play "Captain Jinks of the Horse Marines"
Percy Anderson
1901

Costume Design for Fourth Ballet Girl (Fraülein Hochspitz) (in long beige gown), from the play "Captain Jinks of the Horse Marines", Percy Anderson British, Watercolor over graphite — Costume Design for Fourth Ballet Girl (Fraülein Hochspitz) (in long beige gown), from the play "Captain Jinks of the Horse Marines"
Percy Anderson
1901

Costume Design for Fifth Ballet Girl (Short White Dress), from the play "Captain Jinks of the Horse Marines", Percy Anderson British, Watercolor over graphite — Costume Design for Fifth Ballet Girl (Short White Dress), from the play "Captain Jinks of the Horse Marines"
Percy Anderson
1901

Without a Cloud, Sophie Anderson British, born France, Mixed method engraving — Without a Cloud
Sophie Anderson
James John Chant
after 1870

Costume Design for Miss Merriam, Act I, from the play "Captain Jinks of the Horse Marines", Percy Anderson British, Watercolor over graphite — Costume Design for Miss Merriam, Act I, from the play "Captain Jinks of the Horse Marines"
Percy Anderson
1901

Costume Design for the Widow's Daughter, from the play "Captain Jinks of the Horse Marines", Percy Anderson British, Watercolor over graphite — Costume Design for the Widow's Daughter, from the play "Captain Jinks of the Horse Marines"
Percy Anderson
1901

Costume Design for Second Ballet Girl, from the play "Captain Jinks of the Horse Marines", Percy Anderson British, Watercolor over graphite — Costume Design for Second Ballet Girl, from the play "Captain Jinks of the Horse Marines"
Percy Anderson
1901

Costume Design for Sixth Ballet Girl, from the play "Captain Jinks of the Horse Marines", Percy Anderson British, Watercolor over graphite — Costume Design for Sixth Ballet Girl, from the play "Captain Jinks of the Horse Marines"
Percy Anderson
1901

Costume Design for Seventh Ballet Girl (French) Aged 60, from the play "Captain Jinks of the Horse Marines", Percy Anderson British, Watercolor over graphite — Costume Design for Seventh Ballet Girl (French) Aged 60, from the play "Captain Jinks of the Horse Marines"
Percy Anderson
1901