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1-42 of 398 results for Andrés Campillo
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A song sheet cover for 'El Talisman' composed by M. Eduardo Gavira and dedicated to D. Ramon Iglesias illustrated by a pensive girl leaning on a support, on the other side the sheet is a list of the printed music available from the Murguia publishing house
Andrés Campillo
Manuel Murguía
ca. 1850–1900
Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales, Manuel Murguía Mexican, Letterpress, lithographs
Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales
Multiple artists/makers
1854–55
Pair of candlesticks, Andrés Goicoechea, Silver, Spanish, Zaragoza
Pair of candlesticks
Andrés Goicoechea
ca. 1750
Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux, Andrés de Melgar Spanish, Pen and brown ink, brush with gray wash, over metalpoint
Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux
Andrés de Melgar
ca. 1545–60
Grotesque ornament comprising a swag and a repeated band, Andrés de Melgar Spanish, Pen and brown ink
Grotesque ornament comprising a swag and a repeated band
Andrés de Melgar
ca. 1545–60
Studies for birds and grotesque masks (recto); candelabra grotesques, ewers and vases (verso), Andrés de Melgar Spanish, Pen and brown ink
Studies for birds and grotesque masks (recto); candelabra grotesques, ewers and vases (verso)
Andrés de Melgar
ca. 1545–60
Two scenes; a reclining warrior above, sleeping cupid below (recto); grotesque niche with standing warrior (verso), Andrés de Melgar Spanish, Pen and brown ink
Two scenes; a reclining warrior above, sleeping cupid below (recto); grotesque niche with standing warrior (verso)
Andrés de Melgar
ca. 1545–60
Fantastical creatures, birds, and strapwork cartouche (recto); grotesque mask and kneeling priest (verso), Andrés de Melgar Spanish, Pen and brown ink (recto); pen and brown ink with brush and brown wash; black chalk (verso)
Fantastical creatures, birds, and strapwork cartouche (recto); grotesque mask and kneeling priest (verso)
Andrés de Melgar
ca. 1545–60
Griffins, female grotesque, mask and figures (recto); two turtle-like creatures and a scene with figures (verso), Andrés de Melgar Spanish, Pen and brown ink
Griffins, female grotesque, mask and figures (recto); two turtle-like creatures and a scene with figures (verso)
Andrés de Melgar
ca. 1545–60
Female grotesque and harpy (recto); fantastical creatures and masks (verso), Andrés de Melgar Spanish, Pen and brown ink
Female grotesque and harpy (recto); fantastical creatures and masks (verso)
Andrés de Melgar
ca. 1545–60
Design for a Frieze with Grotesques, Andrés de Melgar Spanish, Pen and brown ink
Design for a Frieze with Grotesques
Andrés de Melgar
ca. 1545–60
Three sections; uppermost with a Term and garlands; middle section geometric band; bottom section grotesques and strapwork (recto); Term with a marine creature and putto (verso), Andrés de Melgar Spanish, Pen and gray-brown ink
Three sections; uppermost with a Term and garlands; middle section geometric band; bottom section grotesques and strapwork (recto); Term with a marine creature and putto (verso)
Andrés de Melgar
ca. 1545–60
Female Term, seated figure, and fantastical creature (recto); Satyr and study of a woman and child (verso), Andrés de Melgar Spanish, Pen and brown ink
Female Term, seated figure, and fantastical creature (recto); Satyr and study of a woman and child (verso)
Andrés de Melgar
ca. 1545–60
Satyr holding a fantastical creature (recto); Two candelabra grotesques (verso), Andrés de Melgar Spanish, Pen and brown ink
Satyr holding a fantastical creature (recto); Two candelabra grotesques (verso)
Andrés de Melgar
ca. 1545–60
Grotesque panel with satyrs, herms, and strapwork (recto); winged creatures and strapwork (verso), Andrés de Melgar Spanish, Pen and brown ink
Grotesque panel with satyrs, herms, and strapwork (recto); winged creatures and strapwork (verso)
Andrés de Melgar
ca. 1545–60
Term with snails and strapwork (recto); Candelabra grotesque with two figures (verso), Andrés de Melgar Spanish, Pen and brown ink
Term with snails and strapwork (recto); Candelabra grotesque with two figures (verso)
Andrés de Melgar
ca. 1545–60
Fragment of a Grotesque Decoration with a Term and Putto, Andrés de Melgar Spanish, Pen and dark brown ink, and some brush and brown wash (recto); pen and dark brown ink with brush and brown wash, over black chalk (verso)
Fragment of a Grotesque Decoration with a Term and Putto
Andrés de Melgar
ca. 1545–60
Satyr riding a fantastical creature, snail-like creatures, Andrés de Melgar Spanish, Pen and brown ink over black chalk
Satyr riding a fantastical creature, snail-like creatures
Andrés de Melgar
ca. 1545–60
Grotesque ornament with garlands and vase, Andrés de Melgar Spanish, Pen and brown ink
Grotesque ornament with garlands and vase
Andrés de Melgar
ca. 1545–60
Candelabra grotesque and studies of kneeling figures (recto); two sphinxes (verso), Andrés de Melgar Spanish, Pen and brown ink
Candelabra grotesque and studies of kneeling figures (recto); two sphinxes (verso)
Andrés de Melgar
ca. 1545–60
Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso), Andrés de Melgar Spanish, Pen and dark gray-brown ink (recto); pen and brown ink over black chalk (verso)
Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso)
Andrés de Melgar
ca. 1545–60
Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso), Andrés de Melgar Spanish, Pen and dark brown ink (recto); pen and gray-brown ink (verso)
Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso)
Andrés de Melgar
ca. 1545–60
Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso), Andrés de Melgar Spanish, Pen and dark brown ink (recto); pen and dark brown ink (verso)
Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso)
Andrés de Melgar
ca. 1545–60
Flemish Grotesque Creatures and a Candelabra Grotesque (recto); Candelabra Grotesques with Mask (verso), Andrés de Melgar Spanish, Pen and dark brown ink (recto); pen and dark brown ink; composition within ruled framing lines at left border of sheet, and at right side of composition (verso)
Flemish Grotesque Creatures and a Candelabra Grotesque (recto); Candelabra Grotesques with Mask (verso)
Andrés de Melgar
ca. 1545–60
Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto, Andrés de Melgar Spanish, Pen and brown ink with brown wash
Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto
Andrés de Melgar
ca. 1545–60
Candelabra Grotesque with a Cat, Andrés de Melgar Spanish, Pen and brown ink over black chalk; ruled line along right border of sheet
Candelabra Grotesque with a Cat
Andrés de Melgar
ca. 1545–60
Arte muy provechosa para aprender a escribir perfectamente
Multiple artists/makers
1612, reprint of 1929
Urbe: super-poema bolchevique en 5 cantos (Urbe: Bolshevik Super-poem in 5 Parts), Manuel Maples Arce Mexican, Woodcut illustrations
Urbe: super-poema bolchevique en 5 cantos (Urbe: Bolshevik Super-poem in 5 Parts)
Multiple artists/makers
1924
Mexico y sus Alrededores. Colección de monumentos, trajes y paisajes, Casimiro Castro Mexican, Lithographs and letterpress
Mexico y sus Alrededores. Colección de monumentos, trajes y paisajes
Multiple artists/makers
1855–56
Jalais Hill, Pontoise, Camille Pissarro French, Oil on canvas
Jalais Hill, Pontoise
Camille Pissarro
1867
Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot French, Oil on canvas
Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot
1836
Sibylle, Camille Corot French, Oil on canvas
Sibylle
Camille Corot
ca. 1870
Hagar in the Wilderness, Camille Corot French, Oil on canvas
Hagar in the Wilderness
Camille Corot
1835
La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3], Camillo Boito
La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3]
Camillo Boito
Ferdinando Ongania
1881
Mary Shelley (1797–1851), Camillo Pistrucci British, Marble, Italian
Mary Shelley (1797–1851)
Camillo Pistrucci
1843
Rimer Cardillo : a journey to Ombú Bellaumbra, Rimer Cardillo Uruguayan
Rimer Cardillo : a journey to Ombú Bellaumbra
Rimer Cardillo
2016
Dress, Lanvin-Castillo French, synthetic, metal, French
Dress
Lanvin-Castillo
Antonio del Castillo
1956
Fragment, Needle lace, punto avorio, Italian, Campello
Fragment
Italian, Campello
19th century
The Implorer (L'Implorante), Camille Claudel French, Bronze, French, Paris
The Implorer (L'Implorante)
Camille Claudel
Eugène Blot
modeled 1898, cast ca. 1905
Seated Peasant Woman with Goats, Camille Pissarro French, Gouache on wove paper
Seated Peasant Woman with Goats
Camille Pissarro
1885
Bacchante by the Sea, Camille Corot French, Oil on wood
Bacchante by the Sea
Camille Corot
1865
Honfleur: Calvary, Camille Corot French, Oil on wood
Honfleur: Calvary
Camille Corot
ca. 1830