Mary Shelley (1797–1851)

Camillo Pistrucci British

On view at The Met Fifth Avenue in Gallery 516

“Singularly bold, somewhat imperious, and active of mind.” This is how the radical philosopher William Godwin described his daughter, the Romantic novelist Mary Shelley, who achieved fame and infamy for her groundbreaking Gothic fiction Frankenstein (1818), written at the remarkable age of twenty-one.

Here, the Italian neoclassicist Camillo Pistrucci uses the imposing genre of the white marble portrait bust to present Shelley in the grand manner of a virtuoso. Balancing the rhythmic forms of the face and drapery with the dazzling details of her sweeping Victorian hairstyle, Pistrucci achieves a precision and finesse that betrays the influence of his father, Benedetto, the unrivaled cameo carver. The artist carved the bust in Rome in the year of Shelley’s Italian sojourn.

#420. The Bust of Mary Shelley and the Martin Brothers Bird Jar

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Mary Shelley (1797–1851), Camillo Pistrucci (Italian, 1811–1854), Marble, Italian

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Mary Shelley (1797–1851), Camillo Pistrucci (Italian, 1811–1854), Marble, Italian
Mary Shelley (1797–1851), Camillo Pistrucci (Italian, 1811–1854), Marble, Italian
Mary Shelley (1797–1851), Camillo Pistrucci (Italian, 1811–1854), Marble, Italian
Mary Shelley (1797–1851), Camillo Pistrucci (Italian, 1811–1854), Marble, Italian
Mary Shelley (1797–1851), Camillo Pistrucci (Italian, 1811–1854), Marble, Italian

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