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Showing 9,998 results for Andrea Antonio Orazi
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Three angels carrying Gideon's fleece;  from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Orazi, Anne Claude Philippe de Tubières, comte de Caylus  French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Multiple artists/makers
ca. 1729–64
ex "Kurtz" Violin, Andrea Amati  Italian, Spruce, maple, ebony, paint, gilding, Italian (Cremona)
Andrea Amati
ca. 1560
The Adoration of the Shepherds, Andrea Mantegna  Italian, Tempera on canvas, transferred from wood
Andrea Mantegna
shortly after 1450
The Holy Family with the Young Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo)  Italian, Oil on wood
Andrea del Sarto (Andrea d'Agnolo)
ca. 1528
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo  Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Antonio Pollaiuolo
early to mid 1480s
"Antonius" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1693
Perseus with the Head of Medusa, Antonio Canova  Italian, Marble, Italian, Rome
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6
Madonna and Child with Angels, Antonio Rossellino  Italian, Marble with gilt details on halo and dress, Italian, Florence
Antonio Rossellino
ca. 1455–60
Virgin and Child, Andrea della Robbia  Italian, Glazed terracotta, Italian, Florence
Andrea della Robbia
ca. 1470–75
Standing boy, Andrea Mantegna  Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
Andrea Mantegna
Andrea del Verrocchio
late 15th–early 16th century
Rothschild lamp, Andrea Briosco, called Riccio  Italian, Bronze, on a later wood base, Italian, Padua
Andrea Briosco, called Riccio
ca. 1510–20
Striding Pan, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
1530–1539
I quattro libri dell'architettura di Andrea Palladio . . ., Andrea Palladio  Italian, Illustrated book, Venice: Domenico de'Franceschi, 1570
Andrea Palladio
1570
Saint Andrew, Andrea Bregno  Italian, Marble, Italian, Rome
Andrea Bregno
1491
The Holy Family with Saint Mary Magdalen, Andrea Mantegna  Italian, Distemper on canvas
Andrea Mantegna
ca. 1495–1500
Marcantonio Pasqualini (1614–1691) Crowned by Apollo, Andrea Sacchi  Italian, Oil on canvas
Andrea Sacchi
1641
Christ Blessing, Andrea Solario  Italian, Oil on wood
Andrea Solario
ca. 1524
Salome with the Head of Saint John the Baptist, Andrea Solario  Italian, Oil on wood
Andrea Solario
ca. 1507–9
Portrait of a Man, Andrea del Sarto (Andrea d'Agnolo)  Italian, Oil on canvas, transferred from wood
Andrea del Sarto (Andrea d'Agnolo)
1528–29
Piazza San Marco, Canaletto (Giovanni Antonio Canal)  Italian, Oil on canvas
Canaletto (Giovanni Antonio Canal)
late 1720s
Adonis, Antonio Corradini  Italian, Carrara marble, Italian, Venice
Antonio Corradini
ca. 1723–25
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola  Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar
Antonio Guisasola
Juan Navaro
dated 1796
Vase, Antonio Prieto  American, born Spain, Stoneware, American
Antonio Prieto
ca. 1950–55
Covered sweetmeat dish, Antonio Salviati  Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili".
Antonio Salviati
probably late 19th century
Cruet and Stopper, Antonio Salviati  Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts.
Antonio Salviati
late 19th century
Footed vessel (saltcellar?), Antonio Salviati  Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt.
Antonio Salviati
late 19th century
Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini  Italian, Marble, Italian, Genoa
Antonio Tamagnini
late 15th century
Tomb of Antonio Canova, Antonio Fabris  Italian, Bronze, Italian, Venice
Antonio Fabris
1827
Madonna and Child with Angels, Antonio Rossellino  Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence
Antonio Rossellino
third quarter 15th century
The crucified Christ, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century
Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio  Italian, Silver, Italian
Antonio Abondio
1575
Empress Maria (1520–1603), Antonio Abondio  Italian, Silver, Italian
Antonio Abondio
1575
Saint Jerome in the Wilderness, Antonio Rossellino  Italian, Marble, Italian, Florence
Antonio Rossellino
ca. 1470
Venus Italica, Antonio Canova  Italian, Carrara marble, Italian, Rome
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810
Paris, Antonio Canova  Italian, Marble, Italian, Rome
Antonio Canova
ca. 1822–23, original marble version completed November 1812
Footed vase, Antonio Salviati  Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt.
Antonio Salviati
late 19th–early 20th century
Vase, Antonio Salviati  Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed.
Antonio Salviati
late 19th century
Vase, Antonio Salviati  Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed.
Antonio Salviati
probably late 19th century