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1-42 of 330 results for Andrea Mantegna
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The Adoration of the Shepherds, Andrea Mantegna  Italian, Tempera on canvas, transferred from wood
Andrea Mantegna
shortly after 1450
Standing boy, Andrea Mantegna  Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
After a model by Andrea Mantegna
Former Attribution Workshop of Andrea del Verrocchio
late 15th–early 16th century
The Holy Family with Saint Mary Magdalen, Andrea Mantegna  Italian, Distemper on canvas
Andrea Mantegna
ca. 1495–1500
Bacchanal with a Wine Vat, Andrea Mantegna  Italian, Engraving and drypoint
Andrea Mantegna
Before 1475
Madonna and Child with Seraphim and Cherubim, Andrea Mantegna  Italian, Tempera and gold on wood
Andrea Mantegna
ca. 1454
Rodolfo Gonzaga (1451–1495), Andrea Mantegna  Italian, Tempera on wood
Style of Andrea Mantegna
Judith with the Head of Holofernes, Andrea Mantegna  Italian, Tempera on wood
Style of Andrea Mantegna
15th century style, made at a later unknown date
The Descent into Limbo, Andrea Mantegna  Italian, Pen and brown ink, brown wash
Circle of Andrea Mantegna
mid-15th century
The Holy Family with Saint Elizabeth and the Infant John the Baptist, Andrea Mantegna  Italian, Pen and brown ink, brush and greenish gray and brown wash, gray wash applied to the background, probably by a later hand., Italian
Follower of Andrea Mantegna
early 16th century
Design of Rinceaux, Andrea Mantegna (?) Italian, Pen and brown ink, over traces of construction lines in black chalk or leadpoint
Ascribed to Circle of Andrea Mantegna
1470–1510
Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso), Andrea Mantegna  Italian, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso)
Circle of Andrea Mantegna
1484–1500
Triumph of Julius Caesar, Andrea Mantegna  Italian, Engraving with pen and brown ink
After Andrea Mantegna
Possibly late 15th or 16th century
Battle of the Sea Gods (right portion of frieze), Andrea Mantegna  Italian, Engraving
Andrea Mantegna
before 1481
The Battle of the Sea Gods (left portion of  frieze), Andrea Mantegna  Italian, Engraving
Andrea Mantegna
before 1481
Battle of the Sea-Gods (right portion of frieze), Andrea Mantegna  Italian, Engraving
Andrea Mantegna
ca. 1485–88
Bacchanal with Silenus, Andrea Mantegna  Italian, Engraving with drypoint
Andrea Mantegna
before 1475
The Entombment of Christ, Andrea Mantegna  Italian, Engraving and drypoint; second state of two
Andrea Mantegna
before 1475
Triumph of Caesar: Soldiers carrying Trophies, Andrea Mantegna  Italian, Engraving
School of Andrea Mantegna
ca. 1490
The Risen Christ between Saints Andrew and Longinus, Andrea Mantegna  Italian, Engraving
Andrea Mantegna
Perhaps with Gian Marco Cavalli
ca. 1475
The Adoration of the Magi, Andrea Mantegna  Italian, Engraving (centre of composition completed, rest in outline)
School of Andrea Mantegna
ca. 1475–80
Bacchanal with Wine Vat, Andrea Mantegna  Italian, Engraving (late, re-worked impression)
Andrea Mantegna
ca. 1475
The Virgin and Child, Andrea Mantegna  Italian, Engraving
Andrea Mantegna
ca. 1480–85
Hercules and the Hydra, Andrea Mantegna  Italian, Engraving
School of Andrea Mantegna
n.d.
Bacchanal with Wine Vat, Andrea Mantegna  Italian, Engraving
Andrea Mantegna
before 1475
School of Andrea Mantegna
ca. 1490
Circle of Andrea Mantegna
ca. 1465
School of Andrea Mantegna
Ca. 1490
After Andrea Mantegna
Late 18th or early 19th century
After Andrea Mantegna
Late 18th or 19th century ?
?After Andrea Mantegna
16th century ?
Andrea Mantegna
before 1475
School of Andrea Mantegna
ca. 1490
Andrea Mantegna
before 1475
After Andrea Mantegna
Publisher Charles Amand-Durand
after 1869
After Andrea Mantegna
Publisher Charles Amand-Durand
after 1869
After Andrea Mantegna
Ca 1850–1920
After Andrea Mantegna
After Andrea Mantegna
after 1481
After Andrea Mantegna
ca. 1500–10
Standing Male Figure with a Scroll, Circle of Andrea Mantegna, Pen and dark brown ink
Circle of Andrea Mantegna
1500–06
The Entombment, after Mantegna, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink, brush and brown wash, over red chalk, heightened with white
School of Rembrandt (Rembrandt van Rijn)
After Andrea Mantegna
Former Attribution Rembrandt (Rembrandt van Rijn)
17th century
The Martyrdom of Saint Christopher, "Secondo Quadro", Giovanni David  Italian, Etching; second state
Giovanni David
After school of Andrea Mantegna
1776

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