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1-42 of 23,565 results for Anonymous, British, 17th–18th century
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Object type / material
Geographic location
Department
Archbishop Cranmer
Multiple artists/makers
1680–1800
Elizabeth I with Peers Temporal and Spiritual (The Entrance of Queen Elizabeth)
Anonymous, British, 17th–18th century
Elizabeth I, Queen of England
mid 17th–mid 18th century
The Bishops' Council
Multiple artists/makers
1688–1700
The Seven Bishops
Multiple artists/makers
1688–1700
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Two shillings and six pence revenue stamp, Anonymous, British, 18th century British, Embossed stamp on blue-gray paper with metal staple on vellum (recto); engraved cypher (verso)
Two shillings and six pence revenue stamp
Anonymous, British, 18th century
1765–66
Le triomphe de la coquetterie, Anonymous, French, 18th century French, Etching and engraving
Le triomphe de la coquetterie
Anonymous, French, 18th century
Anonymous, British, 18th century
18th century
Design for a Settee, Anonymous, German, 18th century German, Graphite
Design for a Settee
Anonymous, German, 18th century
Anonymous, British, 18th century
18th century
Ecce Homo, Anonymous, German, 17th century German, Silver, silver gilt, rosewood, German, Augsburg
Ecce Homo
Anonymous, German, 17th century
late 16th–early 17th century
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes
Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Plan of a Hotel and Garden, Anonymous, French, 17th century French, Pen and black ink, brush and gray wash
Plan of a Hotel and Garden
Anonymous, French, 17th century
Anonymous, French, 18th century
late 17th–early 18th century
Design for an Altarpiece, Anonymous, French, 18th century French, Pen and brown ink, brush and brown and rose wash
Design for an Altarpiece
Anonymous, French, 18th century
Anonymous, French, 17th century
late 17th–early 18th century
Landscape with Windmill, Anonymous, Dutch, 18th century ? Dutch, Pen and brown ink, brush and gray and brown wash, over graphite; framing lines in pen and brown ink
Landscape with Windmill
Anonymous, Dutch, 18th century
Anonymous, Netherlandish, 17th century
18th century
Landscape, Anonymous, Dutch, 18th century Dutch, Black chalk; framing lines in pen and black ink
Landscape
Anonymous, Dutch, 18th century
Anonymous, Dutch, 17th century
18th century
Summer, Anonymous, German, 18th century (?) German, Pen and bistre washed with India ink and orange gouache
Summer
Anonymous, German, 18th century
Anonymous, Netherlandish, 17th century
18th century (?)
Autumn, Anonymous, German, 18th century (?) German, Pen and bistre washed with India ink and orange gouache
Autumn
Anonymous, German, 18th century
Anonymous, Netherlandish, 17th century
18th century (?)
Thatched Cottage by a Brook, Anonymous, Dutch, 18th century Dutch, Pen, brush, and black, gray and brown ink
Thatched Cottage by a Brook
Anonymous, Dutch, 18th century
Anonymous, Dutch, 17th century
18th century
Pietà, Anonymous, German, 17th century (?) German, Pen and brown ink, brush and gray wash over black chalk; laid down
Pietà
Multiple artists/makers
17th–18th century
The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century French, Hand-colored etching and engraving
The Destruction of the Royal Statue at New York on July 9, 1776
Multiple artists/makers
ca. 1776
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century French, Hand-colored etching and engraving
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Multiple artists/makers
ca. 1778
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century Italian, Opaque watercolor on parchment
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century
1779
Fan design with Republican assignats (French revolutionary money), Anonymous, French, 18th century French, Etching, a small portion printed in red
Fan design with Republican assignats (French revolutionary money)
Anonymous, French, 18th century
ca. 1795
Apollo Slaying the Python, Anonymous, 17th century ?, Pen and brown ink, brush and brown wash with pink
Apollo Slaying the Python
Multiple artists/makers
17th century
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century Italian, Pen and brown ink
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century German, Pen and black ink with gray wash
Panel of Shutter Decoration of Two Putti with Garlands
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)
Venus Discovering the Death of Adonis, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and brown wash, heightened with white bodycolour, over a sketch in black chalk; framing lines in pen and brown ink
Venus Discovering the Death of Adonis
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
17th century
Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink
Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century
Ornamental design with Orpheus and Eurydice, Anonymous, Dutch, 17th century (c) Dutch, Pen and red ink, brush and red wash, oval
Ornamental design with Orpheus and Eurydice
Anonymous, Dutch, 17th century
Anonymous, Flemish, 17th century
17th century
Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, brush and brown and gray wash, over graphite
Design for a Ceiling with the Allegory of Dawn
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century Italian, Pen and brown ink
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Landscape, Anonymous, Dutch, 17th century ? Dutch, Pen and brown ink, brush and gray and dark gray wash; framing lines in pen and black ink
Landscape
Anonymous, Dutch, 17th century
Anonymous, German, 17th century
late 17th century
Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Design for Title-Page
Multiple artists/makers
18th century
His Royal Highness James Duke of Yorke and Albany, Knight of the most noble order of the Garter, and sole brother to his sacred Majesty King CHarles the 2d, Anonymous, British, 17th century British, Engraving
His Royal Highness James Duke of Yorke and Albany, Knight of the most noble order of the Garter, and sole brother to his sacred Majesty King CHarles the 2d
Anonymous, British, 17th century
1680–85
Trade Card for Sir Robert Peake, printer and publsiher, Anonymous, British, 17th century British, Engraving
Trade Card for Sir Robert Peake, printer and publsiher
Anonymous, British, 17th century
ca. 1635–67
Design for a Carved Mirror Frame (right side only), Anonymous, British, 17th century British, Pen and ink, brush and wash
Design for a Carved Mirror Frame (right side only)
Anonymous, British, 17th century
Grinling Gibbons
ca. 1675–85
Design for a doorway for a chapel, Anonymous, British, 17th century British, Pen and ink, brush and wash
Design for a doorway for a chapel
Anonymous, British, 17th century
17th century
Design for Two Chimneypieces, Anonymous, British, 17th century British, Pen and brown ink, brush and wash
Design for Two Chimneypieces
Anonymous, British, 17th century
Jean Barbet
ca. 1660–75
Design for a Triumphal Arch in Perspectival Rendering, Anonymous, British, 17th century British, Pen and brown ink, brush and brown wash
Design for a Triumphal Arch in Perspectival Rendering
Anonymous, British, 17th century
Inigo Jones
ca. 1600–1630
Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite
Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700
Design for a confessional, Anonymous, Flemish, 18th century (?) Flemish, Pen and gray ink
Design for a confessional
Anonymous, Flemish, 18th century
Anonymous, French, 18th century
ca. 1750
Studies for four urns with a walking stick and hat, Anonymous, German, 18th century (?) German, Pen and black ink, traces of black chalk
Studies for four urns with a walking stick and hat
Anonymous, German, 18th century
Anonymous, French, 18th century
18th century