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1-42 of 57,298 results for Anonymous, French, Austrian or German, second decade19th century
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Monsters, Monkeys, and Men, Anonymous, French, Austrian or German, second decade19th century ? French, Austrian or German, Lithograph on china paper
Anonymous, French, Austrian or German, second decade19th century
ca. 1820
A Giant Monkey in Uniform Holding up Pierrot and a Man with a Whip, Anonymous, French, Austrian or German, second decade19th century ? French, Austrian or German, Lithograph touched with pen and brown ink and graphite
Anonymous, French, Austrian or German, second decade19th century
after 1825
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Standing Virgin and Child, Niclaus Gerhaert von Leyden  North Netherlandish, Boxwood, tinted lips and eyes, Austrian
Niclaus Gerhaert von Leyden
ca. 1470
Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century  French, Terracotta, French
Anonymous, French School, 19th Century
ca. 1848
Breastplate, Steel, German or Austrian
German or Austrian
ca. 1475–85
Head of a Hunting Spear, Steel, copper alloy, German or Austrian
German or Austrian
1425–50
Mitten Gauntlet for the Left Hand, Steel, German or Austrian
German or Austrian
ca. 1500
Reliquary vitrine, Wood (pine?), gilded and polychromed and glass, German or Austrian
German or Austrian
mid-18th century
Grisaille Roundel, Pot-metal glass, colorless glass, and vitreous paint, German or Austrian (?)
German or Austrian (?)
mid-14th century
Grisaille Roundel, Pot-metal glass, colorless glass, and vitreous paint, German or Austrian (?)
German or Austrian (?)
mid-14th century
Ewer, Glass: latticino, German, French or Austrian
German, French or Austrian
16th century
Ecce Homo, Anonymous, German, 17th century  German, Silver, silver gilt, rosewood, German, Augsburg
Anonymous, German, 17th century
late 16th–early 17th century
Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century)  French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855
Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Multiple artists/makers
18th century
Adoration of the Magi, Southern Germany or Austria  Southern Germany or Austria, Tempera and gold and silver leaf on parchment, Southern German or Austrian
Southern Germany or Austria
ca. 1235–50
Saint Mark, Linden wood, gilded and polychromed, Southern German or Austrian
Johann Georg Libigo
late 17th–early 18th century
German Gothic Gauntlet for the Left Hand, Steel, South German or Austrian
South German or Austrian
ca. 1480
Saint Matthew, Johann Georg Libigo, Linden wood, gilded and polychromed, Southern German or Austrian
Johann Georg Libigo
late 17th–early 18th century
Chancel lamp, Pewter, Southern German or Austrian
Southern German or Austrian
second half 18th century
Saint George and the Dragon, Hans Klocker (under the influence of Michael Pacher) Austrian, Wood, painted and gilt, Austrian or South German
Hans Klocker
ca. 1475
Hercules and Achelous, Master of the Martyrdom of St. Sebastian  Austrian, Ivory, probably Austrian
Master of the Martyrdom of St. Sebastian
probably mid-17th century
Portrait of a Woman, Netherlandish or French  Netherlandish or French, Oil on oak panel, Franco-Flemish
Netherlandish or French
ca. 1470–80
Grand Piano, Ferdinand Hofmann  Austrian, Cherry wood, brass, enamel, ebony, bone, Austrian
Ferdinand Hofmann
ca. 1790
German or Austrian
ca. 1475–85
Revolving Chair, United Society of Believers in Christ’s Second Appearing (“Shakers”)  American, Maple, white oak, pine, birch, American, Shaker
United Society of Believers in Christ’s Second Appearing (“Shakers”)
1840–70
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century  French, Woodcut with pochoir (stencil) and hand coloring
Multiple artists/makers
ca. 1560–80
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Adoration of the Magi, German , Middle Rhine(?), active ca. 1470-90, Oil and gold on beech panel, German, Middle Rhine(?)
German
ca. 1470–90
Pendant in the form of a mermaid, Reinhold Vasters  German, Baroque pearl with enameled gold mounts set with diamonds and with pendant pearls, German or French
Reinhold Vasters
ca. 1870–95
Window Armature, Wrought iron, French or German
French or German
15th century style
Tracery Light, Pot-metal, colorless glass, and vitreous paint, Austrian or British
Austrian or British
late 14th century
Faith, Hope and Charity, Balthasar Ferdinand Moll  Austrian, Walnut, dark-stained ivory, Austrian
Balthasar Ferdinand Moll
ca. 1739–40
Hercules and Achelous (in the form of a bull), Master of the Martyrdom of St. Sebastian  Austrian, Ivory, Austrian
Master of the Martyrdom of St. Sebastian
ca. 1670
Secretary (sécretaire à abattant), Walnut, parcel-ebonized and mounted with gilt bronze; leather, glass, brass, Austrian
Austrian
ca. 1815–20 with later additions