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1-42 of 32,660 results for Anonymous, Italian, 18th or early 19th century
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Man in Venetian costume standing before a large fireplace, right arm outstretched, Anonymous, Italian, 18th or early 19th century Italian, Etching and aquatint
Man in Venetian costume standing before a large fireplace, right arm outstretched
Anonymous, Italian, 18th or early 19th century
ca. 1770–1800
Architectural Study of a Renaissance Palace, Anonymous, Italian, 18th or early 19th century Italian, Pen and gray ink, light gray and black wash, addition of blue paper on the four sides
Architectural Study of a Renaissance Palace
Anonymous, Italian, 18th or early 19th century
1750–1820
Design for a Ceiling, Anonymous, Italian, 18th or early 19th century Italian, Brush with brown, gray, and pale red wash, over graphite
Design for a Ceiling
Anonymous, Italian, 18th or early 19th century
1750–1810
Elevation for a Portico of Doric Order, Anonymous, Italian, 18th or early 19th century , possibly Venetian Italian, Pen and brown ink, brush and brown and gray wash, over graphite
Elevation for a Portico of Doric Order
Anonymous, Italian, 18th or early 19th century
late 18th–early 19th century
Design for a Liturgical Object with Statues of a Kneeling Saint and the Risen Christ (recto); Design for a Sepulcher (?) and Drawing of a Putto (verso), Anonymous, Italian, 18th or early 19th century Italian, Pen and brown ink with brown wash
Design for a Liturgical Object with Statues of a Kneeling Saint and the Risen Christ (recto); Design for a Sepulcher (?) and Drawing of a Putto (verso)
Anonymous, Italian, 18th or early 19th century
18th–early 19th century
Designs for Chinoiserie Furniture: Three Tables and a Chair, Anonymous, Italian, 18th or early 19th century Italian, Leadpoint
Designs for Chinoiserie Furniture: Three Tables and a Chair
Anonymous, Italian, 18th or early 19th century
Sir William Chambers
ca. 1800
Fireworks for a Naval Victory, Anonymous, Italian, 18th or early 19th century Italian, Pen and ink, wash and brown and red ink wash, leadpoint
Fireworks for a Naval Victory
Anonymous, Italian, 18th or early 19th century
ca. 1800
Arch of Septimus Severus
Anonymous, Italian, 18th or early 19th century
18th or early 19th century
Virgin Mary, hands together in prayer
Anonymous, Italian, 18th or early 19th century
19th century (?)
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Fan leaf decorated with caricatures and reversible heads, Anonymous, French, early 19th century French, Etching on prepared green paper
Fan leaf decorated with caricatures and reversible heads
Anonymous, French, early 19th century
early 19th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century Italian, Opaque watercolor on parchment
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century
1779
Portrait of a Military Family, early 19th century painter, Oil on canvas
Portrait of a Military Family
early 19th century painter
Jean Jacques Hauer
ca. 1789–90
Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century Italian
Cartouche due disegno differenti da Baldachino da Processioni
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century
Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century French, Terracotta, French
Sketch of an Allegory of the Abolition of Slavery
Anonymous, French School, 19th Century
ca. 1848
Nude Man Standing with One Arm Raised, Anonymous, Italian, early 19th century Italian, Pen and brown ink, over black chalk
Nude Man Standing with One Arm Raised
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century
Design for a Candelabra, Anonymous, Italian, early 19th century Italian, Pen, ink, and wash
Design for a Candelabra
Anonymous, Italian, early 19th century
early 19th century
Sketch of a Standing Male Figure Wearing a Cape, Anonymous, Italian, early 19th century Italian, Black chalk and pen and sepia
Sketch of a Standing Male Figure Wearing a Cape
Anonymous, Italian, early 19th century
1800–1900
Design for an Interior with a Window into a Garden, Anonymous, Italian, early 19th century Italian, Watercolor
Design for an Interior with a Window into a Garden
Anonymous, Italian, early 19th century
1800–1850
Design for an Urn with Four Putti in Central Cartouche, Anonymous, Italian, early 19th century Italian, Pen and ink with brown and reddish wash
Design for an Urn with Four Putti in Central Cartouche
Anonymous, Italian, early 19th century
ca. 1810
Nude Man Reclining (recto); Man Facing Left with Out-stretched Arms (verso), Anonymous, Italian, early 19th century Italian, Pen and brown ink
Nude Man Reclining (recto); Man Facing Left with Out-stretched Arms (verso)
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper
Nude Study
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper
Nude Study
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century
Standing Male Nude, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper
Standing Male Nude
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper
Nude Study
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink
Nude Study
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century
Four Studies of Nude Men, Anonymous, Italian, early 19th century Italian, Pen and brown ink
Four Studies of Nude Men
Anonymous, Italian, early 19th century
Antonio Canova
1757–1822
Elaborately Framed Roundel of Christ Washing the Feel of the Apostles, Anonymous, German, 19th century German, Watercolor over black crayon
Elaborately Framed Roundel of Christ Washing the Feel of the Apostles
Anonymous, German, 19th century
Anonymous, Italian, 18th century
after 1800 (?)
Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American
Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5
Design for an Empire Daybed, Anonymous, Italian, 19th century Italian, Pen and ink with brown, red, yellow and green wash
Design for an Empire Daybed
Anonymous, Italian, 19th century
Anonymous, French, 19th century
1800–1820
Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink
Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century
Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite
Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700
Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation, Anonymous, British, late 18th–early 19th century British, Pen and ink and watercolor
Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation
Anonymous, British, late 18th–early 19th century
ca. 1800
Northeast Transept of Canterbury Cathedral (recto); Architectural Details (verso), Anonymous, British, late 18th–early 19th century British, Graphite
Northeast Transept of Canterbury Cathedral (recto); Architectural Details (verso)
Anonymous, British, late 18th–early 19th century
ca. 1800
A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso), Anonymous, British, late 18th–early 19th century British, Recto: pen and ink, brush and gray wash<br/>Verso: graphite
A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso)
Anonymous, British, late 18th–early 19th century
18th–19th century
Scene with Banditti, Anonymous, British, late 18th–early 19th century British, Pen and black ink, brush and wash
Scene with Banditti
Anonymous, British, late 18th–early 19th century
mid-18th–early 19th century
Head of Apollo in Glory, Anonymous, British, late 18th–early 19th century British, Pen and brown ink over graphite
Head of Apollo in Glory
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London, Anonymous, British, late 18th–early 19th century British, Pen and ink
A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London
Anonymous, British, late 18th–early 19th century
ca. 1800
Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox, Anonymous, British, late 18th–early 19th century British, Graphite, brush and gray and pink wash
Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown), Anonymous, British, late 18th–early 19th century British, Pen and black ink, brush and gray wash
Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown)
Anonymous, British, late 18th–early 19th century
late 18th–mid-19th century
A Duet, Anonymous, British, late 18th–early 19th century British, Hand-colored etching
A Duet
Multiple artists/makers
1785 (?)