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More than 10,000 results for Anonymous, Italian, 18th or early 19th century

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Design for a Ceiling, Anonymous, Italian, 18th or early 19th century Italian, Brush with brown, gray, and pale red wash, over graphite — Design for a Ceiling
Anonymous, Italian, 18th or early 19th century
1750–1810

Design for a Liturgical Object with Statues of a Kneeling Saint and the Risen Christ (recto); Design for a Sepulcher (?) and Drawing of a Putto (verso), Anonymous, Italian, 18th or early 19th century Italian, Pen and brown ink with brown wash — Design for a Liturgical Object with Statues of a Kneeling Saint and the Risen Christ (recto); Design for a Sepulcher (?) and Drawing of a Putto (verso)
Anonymous, Italian, 18th or early 19th century
18th–early 19th century

Designs for Chinoiserie Furniture: Three Tables and a Chair, Anonymous, Italian, 18th or early 19th century Italian, Leadpoint — Designs for Chinoiserie Furniture: Three Tables and a Chair
Anonymous, Italian, 18th or early 19th century
Sir William Chambers
ca. 1800

Fireworks for a Naval Victory, Anonymous, Italian, 18th or early 19th century Italian, Pen and ink, wash and brown and red ink wash, leadpoint — Fireworks for a Naval Victory
Anonymous, Italian, 18th or early 19th century
ca. 1800

Man in Venetian costume standing before a large fireplace, right arm outstretched, Anonymous, Italian, 18th or early 19th century Italian, Etching and aquatint — Man in Venetian costume standing before a large fireplace, right arm outstretched
Anonymous, Italian, 18th or early 19th century
ca. 1770–1800

Elevation for a Portico of Doric Order, Anonymous, Italian, 18th or early 19th century , possibly Venetian Italian, Pen and brown ink, brush and brown and gray wash, over graphite — Elevation for a Portico of Doric Order
Anonymous, Italian, 18th or early 19th century
late 18th–early 19th century

Architectural Study of a Renaissance Palace, Anonymous, Italian, 18th or early 19th century Italian, Pen and gray ink, light gray and black wash, addition of blue paper on the four sides — Architectural Study of a Renaissance Palace
Anonymous, Italian, 18th or early 19th century
1750–1820

Virgin Mary, hands together in prayer

Anonymous, Italian, 18th or early 19th century

19th century (?)

Arch of Septimus Severus

Anonymous, Italian, 18th or early 19th century

18th or early 19th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Portrait of a Military Family, early 19th century painter, Oil on canvas — Portrait of a Military Family
early 19th century painter
Jean Jacques Hauer
ca. 1789–90

Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century Italian — Cartouche due disegno differenti da Baldachino da Processioni
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century

Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century French, Terracotta, French — Sketch of an Allegory of the Abolition of Slavery
Anonymous, French School, 19th Century
ca. 1848

Sketch of a Standing Male Figure Wearing a Cape, Anonymous, Italian, early 19th century Italian, Black chalk and pen and sepia — Sketch of a Standing Male Figure Wearing a Cape
Anonymous, Italian, early 19th century
1800–1900

Design for an Interior with a Window into a Garden, Anonymous, Italian, early 19th century Italian, Watercolor — Design for an Interior with a Window into a Garden
Anonymous, Italian, early 19th century
1800–1850

Nude Man Standing with One Arm Raised, Anonymous, Italian, early 19th century Italian, Pen and brown ink, over black chalk — Nude Man Standing with One Arm Raised
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century

Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper — Nude Study
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century

Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink — Nude Study
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century

Four Studies of Nude Men, Anonymous, Italian, early 19th century Italian, Pen and brown ink — Four Studies of Nude Men
Anonymous, Italian, early 19th century
Antonio Canova
1757–1822

Nude Man Reclining (recto); Man Facing Left with Out-stretched Arms (verso), Anonymous, Italian, early 19th century Italian, Pen and brown ink — Nude Man Reclining (recto); Man Facing Left with Out-stretched Arms (verso)
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century

Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper — Nude Study
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century

Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper — Nude Study
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century

Standing Male Nude, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper — Standing Male Nude
Anonymous, Italian, early 19th century
Antonio Canova
early 19th century

Design for an Urn with Four Putti in Central Cartouche, Anonymous, Italian, early 19th century Italian, Pen and ink with brown and reddish wash — Design for an Urn with Four Putti in Central Cartouche
Anonymous, Italian, early 19th century
ca. 1810

Design for a Candelabra, Anonymous, Italian, early 19th century Italian, Pen, ink, and wash — Design for a Candelabra
Anonymous, Italian, early 19th century
early 19th century

Elaborately Framed Roundel of Christ Washing the Feel of the Apostles, Anonymous, German, 19th century German, Watercolor over black crayon — Elaborately Framed Roundel of Christ Washing the Feel of the Apostles
Anonymous, German, 19th century
Anonymous, Italian, 18th century
after 1800 (?)

Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American — Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5

Design for an Empire Daybed, Anonymous, Italian, 19th century Italian, Pen and ink with brown, red, yellow and green wash — Design for an Empire Daybed
Anonymous, Italian, 19th century
Anonymous, French, 19th century
1800–1820

Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite — Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700

Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink — Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century

Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown), Anonymous, British, late 18th–early 19th century British, Pen and black ink, brush and gray wash — Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown)
Anonymous, British, late 18th–early 19th century
late 18th–mid-19th century

Head of Apollo in Glory, Anonymous, British, late 18th–early 19th century British, Pen and brown ink over graphite — Head of Apollo in Glory
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century

Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation, Anonymous, British, late 18th–early 19th century British, Pen and ink and watercolor — Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation
Anonymous, British, late 18th–early 19th century
ca. 1800

A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso), Anonymous, British, late 18th–early 19th century British, Recto: pen and ink, brush and gray wash<br/>Verso: graphite — A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso)
Anonymous, British, late 18th–early 19th century
18th–19th century

Scene with Banditti, Anonymous, British, late 18th–early 19th century British, Pen and black ink, brush and wash — Scene with Banditti
Anonymous, British, late 18th–early 19th century
mid-18th–early 19th century

A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London, Anonymous, British, late 18th–early 19th century British, Pen and ink — A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London
Anonymous, British, late 18th–early 19th century
ca. 1800

Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox, Anonymous, British, late 18th–early 19th century British, Graphite, brush and gray and pink wash — Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century

Northeast Transept of Canterbury Cathedral (recto); Architectural Details (verso), Anonymous, British, late 18th–early 19th century British, Graphite — Northeast Transept of Canterbury Cathedral (recto); Architectural Details (verso)
Anonymous, British, late 18th–early 19th century
ca. 1800

Trade Card for Suffield, seal engraver, Anonymous, British, late 18th–early 19th century British, Engraving — Trade Card for Suffield, seal engraver
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century