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1-42 of 24,533 results for Anonymous, Italian, Bolognese, 18th century
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Design for a Ceiling, Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink and gray wash
Design for a Ceiling
Anonymous, Italian, Bolognese, 18th century
18th century
Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)
Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60
Designs for an Overdoor Decoration (recto); Various Sketches (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); black chalk (verso)
Designs for an Overdoor Decoration (recto); Various Sketches (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60
Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)
Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60
Girl with Book, Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, washed, on gray paper
Girl with Book
Anonymous, Italian, Bolognese, 18th century
18th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century Italian, Opaque watercolor on parchment
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century
1779
Cassetta frame, Poplar. Gilt; dull orange-brown bole., Italian, Bolognese
Cassetta frame
Italian, Bolognese
early 17th century
Study for a Ceiling Panel, Anonymous, Italian, Roman-Bolognese, 18th century, Pen and brown ink over black chalk on cream paper; framing outlines in pen and brown ink
Study for a Ceiling Panel
Anonymous, Italian, Roman-Bolognese, 18th century
18th century
Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite
Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700
Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink
Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century
The Battle of Tunis, Giovanni Bernardi da Castel Bolognese Italian, Rock crystal, gold enamel, Italian, Faenza
The Battle of Tunis
Giovanni Bernardi da Castel Bolognese
ca. 1544
The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century French, Hand-colored etching and engraving
The Destruction of the Royal Statue at New York on July 9, 1776
Multiple artists/makers
ca. 1776
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century French, Hand-colored etching and engraving
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Multiple artists/makers
ca. 1778
Two shillings and six pence revenue stamp, Anonymous, British, 18th century British, Embossed stamp on blue-gray paper with metal staple on vellum (recto); engraved cypher (verso)
Two shillings and six pence revenue stamp
Anonymous, British, 18th century
1765–66
Fan design with Republican assignats (French revolutionary money), Anonymous, French, 18th century French, Etching, a small portion printed in red
Fan design with Republican assignats (French revolutionary money)
Anonymous, French, 18th century
ca. 1795
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes
Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century Italian
Cartouche due disegno differenti da Baldachino da Processioni
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century
Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Design for Title-Page
Multiple artists/makers
18th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Design for an altar, Anonymous, German, 18th century German, Graphite
Design for an altar
Multiple artists/makers
early 18th century
Head of a Young Man, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink
Head of a Young Man
Anonymous, Italian, Bolognese, 17th century
Carracci School
1560–1609
Europa and the Bull, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk
Europa and the Bull
Anonymous, Italian, Bolognese, 17th century
17th century
Veronica's Veil Held by Two Angels and God the Father(?), Anonymous, Italian, Bolognese, 17th century Italian, Charcoal, pen and ink on paper
Veronica's Veil Held by Two Angels and God the Father(?)
Anonymous, Italian, Bolognese, 17th century
17th century
Saint Peter Released from Prison, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk over black chalk on cream paper. Drawing for an engraving; framing lines in red chalk
Saint Peter Released from Prison
Anonymous, Italian, Bolognese, 17th century
17th century
Mythological Scene, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on cream paper
Mythological Scene
Anonymous, Italian, Bolognese, 17th century
17th century
Saint Catherine Flanked by a Male and a Female Saint, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk on light brown paper; framing lines on left, bottom and right edges in black chalk and pen and brown ink
Saint Catherine Flanked by a Male and a Female Saint
Anonymous, Italian, Bolognese, 17th century
17th century
Landscape with the Baptism of Christ, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink over traces of black chalk on light brown paper
Landscape with the Baptism of Christ
Anonymous, Italian, Bolognese, 17th century
17th century
Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso), Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on light brown paper; framing lines in pen and brown ink
Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso)
Anonymous, Italian, Bolognese, 17th century
17th century
Pietà, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over traces of charcoal on light brown paper
Pietà
Anonymous, Italian, Bolognese, 17th century
17th century
Three Studies of Seated Nude Male with Raised Arm, Seen from Below, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk, on light brown paper; partly reworked with red crayon
Three Studies of Seated Nude Male with Raised Arm, Seen from Below
Anonymous, Italian, Bolognese, 17th century
17th century
Seated Nude Male in Profile View Facing Left with Arm Raised; Fragment of Study of Right Hand, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on light brown paper. Partly reworked with red crayon
Seated Nude Male in Profile View Facing Left with Arm Raised; Fragment of Study of Right Hand
Anonymous, Italian, Bolognese, 17th century
17th century
Allegorical Figures, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and gray wash, over faint traces of black chalk on light brown paper
Allegorical Figures
Anonymous, Italian, Bolognese, 17th century
17th century
Landscape With Shepherds, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink on light brown laid paper. Faint ruled line along upper edge in black chalk and brown ink
Landscape With Shepherds
Anonymous, Italian, Bolognese, 17th century
Carracci School
1600–1650
Bust-Length Study for the Head of Saint Francis in Near Profile Facing Right, Anonymous, Italian, Bolognese, 17th century Italian, Black and red chalk, traces of white chalk, on blue paper
Bust-Length Study for the Head of Saint Francis in Near Profile Facing Right
Anonymous, Italian, Bolognese, 17th century
17th century
Figure of Christ, Anonymous, Italian, Bolognese Italian, Bistre, pen and wash
Figure of Christ
Anonymous, Italian, Bolognese
16th century
Le triomphe de la coquetterie, Anonymous, French, 18th century French, Etching and engraving
Le triomphe de la coquetterie
Anonymous, French, 18th century
Anonymous, British, 18th century
18th century
Design for a Settee, Anonymous, German, 18th century German, Graphite
Design for a Settee
Anonymous, German, 18th century
Anonymous, British, 18th century
18th century
Design for a confessional, Anonymous, Flemish, 18th century (?) Flemish, Pen and gray ink
Design for a confessional
Anonymous, Flemish, 18th century
Anonymous, French, 18th century
ca. 1750
Studies for four urns with a walking stick and hat, Anonymous, German, 18th century (?) German, Pen and black ink, traces of black chalk
Studies for four urns with a walking stick and hat
Anonymous, German, 18th century
Anonymous, French, 18th century
18th century