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More than 10,000 results for Anonymous, Italian, Bolognese, 18th century

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Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso) — Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60

Designs for an Overdoor Decoration (recto); Various Sketches (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); black chalk (verso) — Designs for an Overdoor Decoration (recto); Various Sketches (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60

Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso) — Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60

Girl with Book, Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, washed, on gray paper — Girl with Book
Anonymous, Italian, Bolognese, 18th century
18th century

Design for a Ceiling, Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink and gray wash — Design for a Ceiling
Anonymous, Italian, Bolognese, 18th century
18th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Cassetta frame, Poplar. Gilt; dull orange-brown bole., Italian, Bolognese — Cassetta frame
Italian, Bolognese
early 17th century

Study for a Ceiling Panel, Anonymous, Italian, Roman-Bolognese, 18th century, Pen and brown ink over black chalk on cream paper; framing outlines in pen and brown ink — Study for a Ceiling Panel
Anonymous, Italian, Roman-Bolognese, 18th century
18th century

Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite — Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700

Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink — Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century

The Battle of Tunis, Giovanni Bernardi da Castel Bolognese Italian, Rock crystal, gold enamel, Italian, Faenza — The Battle of Tunis
Giovanni Bernardi da Castel Bolognese
ca. 1544

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century

Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes — Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60

Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century Italian — Cartouche due disegno differenti da Baldachino da Processioni
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink — Design for Title-Page
Multiple artists/makers
18th century

Design for an altar, Anonymous, German, 18th century German, Graphite — Design for an altar
Multiple artists/makers
early 18th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Saint Peter Released from Prison, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk over black chalk on cream paper. Drawing for an engraving; framing lines in red chalk — Saint Peter Released from Prison
Anonymous, Italian, Bolognese, 17th century
17th century

Mythological Scene, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on cream paper — Mythological Scene
Anonymous, Italian, Bolognese, 17th century
17th century

Saint Catherine Flanked by a Male and a Female Saint, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk on light brown paper; framing lines on left, bottom and right edges in black chalk and pen and brown ink — Saint Catherine Flanked by a Male and a Female Saint
Anonymous, Italian, Bolognese, 17th century
17th century

Landscape with the Baptism of Christ, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink over traces of black chalk on light brown paper — Landscape with the Baptism of Christ
Anonymous, Italian, Bolognese, 17th century
17th century

Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso), Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on light brown paper; framing lines in pen and brown ink — Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso)
Anonymous, Italian, Bolognese, 17th century
17th century

Pietà, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over traces of charcoal on light brown paper — Pietà
Anonymous, Italian, Bolognese, 17th century
17th century

Three Studies of Seated Nude Male with Raised Arm, Seen from Below, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk, on light brown paper; partly reworked with red crayon — Three Studies of Seated Nude Male with Raised Arm, Seen from Below
Anonymous, Italian, Bolognese, 17th century
17th century

Allegorical Figures, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and gray wash, over faint traces of black chalk on light brown paper — Allegorical Figures
Anonymous, Italian, Bolognese, 17th century
17th century

Landscape With Shepherds, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink on light brown laid paper. Faint ruled line along upper edge in black chalk and brown ink — Landscape With Shepherds
Anonymous, Italian, Bolognese, 17th century
Carracci School
1600–1650

Veronica's Veil Held by Two Angels and God the Father(?), Anonymous, Italian, Bolognese, 17th century Italian, Charcoal, pen and ink on paper — Veronica's Veil Held by Two Angels and God the Father(?)
Anonymous, Italian, Bolognese, 17th century
17th century

Head of a Young Man, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink — Head of a Young Man
Anonymous, Italian, Bolognese, 17th century
Carracci School
1560–1609

Seated Nude Male in Profile View Facing Left with Arm Raised; Fragment of Study of Right Hand

Anonymous, Italian, Bolognese, 17th century

17th century

Bust-Length Study for the Head of Saint Francis in Near Profile Facing Right

Anonymous, Italian, Bolognese, 17th century

17th century

Europa and the Bull, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk — Europa and the Bull
Anonymous, Italian, Bolognese, 17th century
17th century

Figure of Christ, Anonymous, Italian, Bolognese Italian, Bistre, pen and wash — Figure of Christ
Anonymous, Italian, Bolognese
16th century

Design for a Settee, Anonymous, German, 18th century German, Graphite — Design for a Settee
Anonymous, German, 18th century
Anonymous, British, 18th century
18th century

Le triomphe de la coquetterie, Anonymous, French, 18th century French, Etching and engraving — Le triomphe de la coquetterie
Anonymous, French, 18th century
Anonymous, British, 18th century
18th century

Studies for four urns with a walking stick and hat, Anonymous, German, 18th century (?) German, Pen and black ink, traces of black chalk — Studies for four urns with a walking stick and hat
Anonymous, German, 18th century
Anonymous, French, 18th century
18th century

Design for a confessional, Anonymous, Flemish, 18th century (?) Flemish, Pen and gray ink — Design for a confessional
Anonymous, Flemish, 18th century
Anonymous, French, 18th century
ca. 1750

Design for a Gondola Decorated for a Festive Occassion, Anonymous, Italian, 18th century Italian, Brown pen and ink, watercolor — Design for a Gondola Decorated for a Festive Occassion
Anonymous, Italian, 18th century
ca. 1750–80

Archangel Holding a Lily in a Landscape with Clouds Bearing Putti (Fragment of a Scene of the Annunciation), Anonymous, Italian, 18th century Italian, Pen and brown ink; traces of framing outlines in pen and brown ink from the old mount on drawing surface — Archangel Holding a Lily in a Landscape with Clouds Bearing Putti (Fragment of a Scene of the Annunciation)
Anonymous, Italian, 18th century
18th century

Design for a Carriage, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk — Design for a Carriage
Anonymous, Italian, 18th century
18th century