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More than 10,000 results for Anonymous, Italian, Tuscan, late 15th century

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Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso), Anonymous, Italian, Tuscan, late 15th century Italian, Pen and brown ink over leadpoint (recto); graphite (verso) — Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso)
Anonymous, Italian, Tuscan, late 15th century
ca. 1490

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Two Monks Looking up at a Dragon in a Tower, Anonymous, Italian, Tuscan, early 15th century Italian, Pen and brown ink, brush and brown wash, on vellum — Two Monks Looking up at a Dragon in a Tower
Anonymous, Italian, Tuscan, early 15th century
1500–1550

Seated Man of Sorrows (Schr. 910), Anonymous, German, 15th century German, Woodcut, hand-colored — Seated Man of Sorrows (Schr. 910)
Anonymous, German, 15th century
15th century

Madonna and Child, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on panel, Italian, Tuscany — Madonna and Child
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Pietà, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on panel, Italian, Tuscany — Pietà
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Panel from a triptych, Poplar. Gilt; orange bole., Tuscan — Panel from a triptych
Tuscan
1440s

The Volto Santo of Lucca, Anonymous, Italian, Tuscan, 16th century Italian, Pen and dark brown ink, brush and brown wash, over traces of black chalk on light tan paper; squared in black chalk (with some corrections to squaring grid); framing lines in pen and dark brown ink apparently by artist — The Volto Santo of Lucca
Anonymous, Italian, Tuscan, 16th century
16th century

A Lion Confronting a Dragon, Anonymous, Italian, Tuscan, 16th century Italian, Pen and brown ink — A Lion Confronting a Dragon
Anonymous, Italian, Tuscan, 16th century
ca. 1500–10

Triptych, Tuscany Tuscany, Poplar ?, Italian, Tuscan — Triptych
Tuscany
ca. 1385–90

Engaged diptych moldings, Tuscany Tuscany, Spruce, Italian, Tuscan — Engaged diptych moldings
Tuscany
ca. 1300–1325

Caricature of a Dwarf Painter at His Easel, Tuscany (?) Tuscany, Pen and brown ink, gray and brown wash, Italian, Tuscan(?) — Caricature of a Dwarf Painter at His Easel
Tuscany
early 17th century

Tabernacle frame, Walnut, Italian, Tuscan — Tabernacle frame
Italian, Tuscan
style late 16th century, made 19th century

Tabernacle Frame, Poplar and walnut, Italian, Tuscan — Tabernacle Frame
Italian, Tuscan
style 16th century, made ca. 1920

Tabernacle frame, Walnut, Italian, Tuscan — Tabernacle frame
Italian, Tuscan
style 16th century, made ca. 1920

(Pencil) Cup with Putti, Robert Lehman American, Brass, Italian, Tuscan — (Pencil) Cup with Putti
Robert Lehman
early 20th century

Sheet of Studies of Sculptural Elements and Architectural Ornaments, Anonymous, Italian, 15th century Italian, Pen and brown ink — Sheet of Studies of Sculptural Elements and Architectural Ornaments
Anonymous, Italian, 15th century
ca. 1470

Battle of Hercules and the Giants, Anonymous, Italian, 15th century Italian, Engraving; first state — Battle of Hercules and the Giants
Anonymous, Italian, 15th century
Antonio Pollaiuolo
15th century

Saint Nicholas of Myra flanked by praying figures, Anonymous, Italian, 15th century Italian, Woodcut — Saint Nicholas of Myra flanked by praying figures
Anonymous, Italian, 15th century
ca. 1460–70

Crucifixion, Anonymous, Italian, 15th century Italian, Engraving, printed in the niello style — Crucifixion
Anonymous, Italian, 15th century
1450–75

Initial letter A with putto, Anonymous, Italian, 15th century Italian, Woodcut — Initial letter A with putto
Anonymous, Italian, 15th century
1496

Initial letter D, Anonymous, Italian, 15th century Italian, Woodcut — Initial letter D
Anonymous, Italian, 15th century
ca. 1495

Initial letter S, Anonymous, Italian, 15th century Italian, Woodcut — Initial letter S
Anonymous, Italian, 15th century
ca. 1495

Initial letter Q, Anonymous, Italian, 15th century Italian, Woodcut — Initial letter Q
Anonymous, Italian, 15th century
ca. 1495

Initial letter L, Anonymous, Italian, 15th century Italian, Woodcut — Initial letter L
Anonymous, Italian, 15th century
ca. 1495

Initial letter I with flowers, Anonymous, Italian, 15th century Italian, Woodcut — Initial letter I with flowers
Anonymous, Italian, 15th century
1496

Initial letter V with putto, Anonymous, Italian, 15th century Italian, Woodcut — Initial letter V with putto
Anonymous, Italian, 15th century
1496

Initial letter R with floral pattern, Anonymous, Italian, 15th century Italian, Woodcut — Initial letter R with floral pattern
Anonymous, Italian, 15th century
1496

A peasant going to market, Anonymous, Italian, 15th century Italian, Engraving with hand colouring and manuscript additions throughout, pasted to the inside cover of a medical book — A peasant going to market
Anonymous, Italian, 15th century
1470–1480

A peasant woman going to market, Anonymous, Italian, 15th century Italian, Engraving with hand colouring and manuscript additions throughout, pasted to the inside cover of a medical book — A peasant woman going to market
Anonymous, Italian, 15th century
1470–1480

Design for a Title Page, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush with brown and gray wash — Design for a Title Page
Anonymous, Italian, late 16th century
late 16th century

Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk — Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures
Anonymous, Italian, late 16th century
Giovanni Andrea Maglioli
1570–1620

Madonna in Glory with Two Saints, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash; highlighted with white (mostly oxidized) — Madonna in Glory with Two Saints
Anonymous, Italian, late 16th century
late 16th century

Wall Elevation with Three Chapels (recto); Floor Plan with Columns (verso), Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and gray wash, over black chalk (recto); pen and brown ink, over ruled black chalk lines (verso) — Wall Elevation with Three Chapels (recto); Floor Plan with Columns (verso)
Anonymous, Italian, late 16th century
late 16th century

Design for a Façade (unfinished), Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and gray wash, over black chalk — Design for a Façade (unfinished)
Anonymous, Italian, late 16th century
late 16th century

Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash. — Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti
Anonymous, Italian, late 16th century
1550–1600

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Christ on the Cross, with the Virgin and Saint John, Anonymous, 15th century , Cologne, ca. 1460, Woodcut — Christ on the Cross, with the Virgin and Saint John
Anonymous, 15th century
15th century

Christ on the Cross with the Virgin and Saint John, Anonymous, 15th century , ca. 1485, Woodcut; later state with third borderline removed — Christ on the Cross with the Virgin and Saint John
Anonymous, 15th century
15th century