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More than 10,000 results for Anonymous, Italian, Venetian, 16th century

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Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino, Anonymous, Italian, Venetian, 16th century Italian, Charcoal or black chalk, highlighted with white chalk, on blue paper (faded to blue-gray) — Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino
Anonymous, Italian, Venetian, 16th century
1536–40

Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso), Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink (recto); red chalk (verso) — Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso)
Anonymous, Italian, Venetian, 16th century
ca. 1510–15

Six Studies of a King for an Adoration, Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink, brush and brown wash — Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century
16th century

Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet, Anonymous, Italian, Venetian, 16th century Italian, Woodcut — Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet
Anonymous, Italian, Venetian, 16th century
ca. 1540–50

Study of a Woman’s Dress for a Portrait, Anonymous, Italian, Venetian, 16th century Italian, Black chalk, with small traces of white chalk, on blue paper — Study of a Woman’s Dress for a Portrait
Anonymous, Italian, Venetian, 16th century
ca. 1540–60

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian — Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960

Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian — Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75

Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood — Madonna and Child
Italian (Venetian) Painter

A Patrician Couple, Italian (Venetian) Painter Italian, Ivory — A Patrician Couple
Italian (Venetian) Painter

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

St. Jerome in a Landscape, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, over leadpoint (?) — St. Jerome in a Landscape
Anonymous, Italian, Venetian, 15th to 16th century
1495–1500

Symbolic Figure (a Sibyl?), Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, brush and brown wash, touched with red chalk and white, on brown gray paper — Symbolic Figure (a Sibyl?)
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Christ and the Woman of Samaria, Anonymous, Italian, Venetian, 15th to 16th century Italian, Red chalk — Christ and the Woman of Samaria
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Trees, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink — Trees
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Bishop and Two Saints, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and ink, brush and wash, highlighted with Chinese white, on brownish gray paper — Bishop and Two Saints
Anonymous, Italian, Venetian, 15th to 16th century
1575–1600

Christ's Entry into Jerusalem, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink on brown paper — Christ's Entry into Jerusalem
Anonymous, Italian, Venetian, 15th to 16th century
16th century

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Design for Mirror or Box, Anonymous, Italian, Venetian, 18th century Italian, Pen and brush — Design for Mirror or Box
Anonymous, Italian, Venetian, 18th century
1740–70

Allegory, Anonymous, Italian, Venetian, 18th century Italian, Black chalk with charcoal with gray wash — Allegory
Anonymous, Italian, Venetian, 18th century
18th century

Houses by a River, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of charcoal, on cream laid paper. Ruled diagonal lines in graphite or lead running across upper half of sheet — Houses by a River
Anonymous, Italian, Venetian, 18th century
1703–66

Cartouche with a Mask, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper — Cartouche with a Mask
Anonymous, Italian, Venetian, 18th century
18th century

Christ Surrounded by Angels, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper — Christ Surrounded by Angels
Anonymous, Italian, Venetian, 18th century
18th century

Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, on beige-gray laid paper — Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso)
Anonymous, Italian, Venetian, 18th century
18th century

An Execution, Anonymous, Italian, Venetian, 18th century Italian, Pen and ink, brush and wash of various colors — An Execution
Anonymous, Italian, Venetian, 18th century
18th century

A Crucifixion, Anonymous, Italian, Venetian, 17th century Italian, Red chalk — A Crucifixion
Anonymous, Italian, Venetian, 17th century
17th century

Virgin and Child in Glory with Angels and Saints, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over traces of black chalk, on cream paper. Squared for transfer in black chalk — Virgin and Child in Glory with Angels and Saints
Anonymous, Italian, Venetian, 18th century
18th century

Landscape with Ruins, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink on cream laid paper — Landscape with Ruins
Anonymous, Italian, Venetian, 18th century
18th century

Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash (recto); red chalk (verso) — Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso)
Anonymous, Italian, Venetian, 18th century
18th century

Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below., Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, over lead, on cream laid paper — Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below.
Anonymous, Italian, Venetian, 18th century
18th century

Pear, Anonymous, Italian, Venetian, 18th century Italian, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso) — Pear
Anonymous, Italian, Venetian, 18th century
18th century

Flagellation, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed — Flagellation
Anonymous, Italian, Venetian, 18th century
18th century

Family Group, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink, washed — Family Group
Anonymous, Italian, Venetian, 17th century
17th century

Nativity, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed, highlighted with white — Nativity
Anonymous, Italian, Venetian, 18th century
18th century

Moses Trampling on Pharaoh's Crown, Anonymous, Italian, Venetian, 18th century Italian, Pen and bistre, brush and brown wash — Moses Trampling on Pharaoh's Crown
Anonymous, Italian, Venetian, 18th century
18th century

Venetian Scene, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed — Venetian Scene
Anonymous, Italian, Venetian, 18th century
18th century

Hypnerotomachia Poliphili, Anonymous, Italian, Venetian 15th century Italian, Woodcut illustrations — Hypnerotomachia Poliphili
Multiple artists/makers
1545