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1-42 of 24,835 results for Anonymous, Italian, Venetian, 16th century
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Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino, Anonymous, Italian, Venetian, 16th century Italian, Charcoal or black chalk, highlighted with white chalk
Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino
Anonymous, Italian, Venetian, 16th century
1536–40
Six Studies of a King for an Adoration, Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink, brush and brown wash
Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century
16th century
Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet, Anonymous, Italian, Venetian, 16th century Italian, Woodcut
Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet
Anonymous, Italian, Venetian, 16th century
ca. 1540–50
Study of a Woman’s Dress for a Portrait, Anonymous, Italian, Venetian, 16th century Italian, Black chalk, with small traces of white chalk, on blue paper
Study of a Woman’s Dress for a Portrait
Anonymous, Italian, Venetian, 16th century
ca. 1540–60
Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso), Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink (recto); red chalk (verso)
Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso)
Anonymous, Italian, Venetian, 16th century
ca. 1510–15
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960
Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian
Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75
Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood
Madonna and Child
Italian (Venetian) Painter
A Patrician Couple, Italian (Venetian) Painter Italian, Ivory
A Patrician Couple
Italian (Venetian) Painter
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century
St. Jerome in a Landscape, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, over leadpoint (?)
St. Jerome in a Landscape
Anonymous, Italian, Venetian, 15th to 16th century
1495–1500
Trees, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink
Trees
Anonymous, Italian, Venetian, 15th to 16th century
16th century
Symbolic Figure (a Sibyl?), Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink, brush and brown wash, touched with red chalk and white, on brown gray paper
Symbolic Figure (a Sibyl?)
Anonymous, Italian, Venetian, 15th to 16th century
16th century
Bishop and Two Saints, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and ink, brush and wash, highlighted with Chinese white, on brownish gray paper
Bishop and Two Saints
Anonymous, Italian, Venetian, 15th to 16th century
1575–1600
Christ's Entry into Jerusalem, Anonymous, Italian, Venetian, 15th to 16th century Italian, Pen and brown ink on brown paper
Christ's Entry into Jerusalem
Anonymous, Italian, Venetian, 15th to 16th century
16th century
Christ and the Woman of Samaria, Anonymous, Italian, Venetian, 15th to 16th century Italian, Red chalk
Christ and the Woman of Samaria
Anonymous, Italian, Venetian, 15th to 16th century
16th century
Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Palazzo Nerone
Multiple artists/makers
16th century
Houses by a River, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of charcoal, on cream laid paper. Ruled diagonal lines in graphite or lead running across upper half of sheet
Houses by a River
Anonymous, Italian, Venetian, 18th century
1703–66
Landscape with Ruins, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink on cream laid paper
Landscape with Ruins
Anonymous, Italian, Venetian, 18th century
18th century
Christ Surrounded by Angels, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper
Christ Surrounded by Angels
Anonymous, Italian, Venetian, 18th century
18th century
Pear, Anonymous, Italian, Venetian, 18th century Italian, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso)
Pear
Anonymous, Italian, Venetian, 18th century
18th century
Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash (recto); red chalk (verso)
Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso)
Anonymous, Italian, Venetian, 18th century
18th century
Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below., Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, over lead, on cream laid paper
Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below.
Anonymous, Italian, Venetian, 18th century
18th century
Cartouche with a Mask, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper
Cartouche with a Mask
Anonymous, Italian, Venetian, 18th century
18th century
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, on beige-gray laid paper
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso)
Anonymous, Italian, Venetian, 18th century
18th century
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Five Hybrid Creatures and a Lion., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Five Hybrid Creatures and a Lion.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)