Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Anonymous, Italian, Venetian, 17th century

Sort by:

Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Four Male Figures Fighting a Lion, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Four Male Figures Fighting a Lion
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Five Male Figures Fighting a Dragon, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Five Male Figures Fighting a Dragon
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Female Figure and Two Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Female Figure and Two Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Three Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Three Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Three Androgynous Figures and a Sphinx Combined with Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Three Androgynous Figures and a Sphinx Combined with Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Five Hybrid Creatures and a Lion., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Five Hybrid Creatures and a Lion.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Four Hybrid Male Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Four Hybrid Male Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Family Group, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink, washed — Family Group
Anonymous, Italian, Venetian, 17th century
17th century

A Crucifixion, Anonymous, Italian, Venetian, 17th century Italian, Red chalk — A Crucifixion
Anonymous, Italian, Venetian, 17th century
17th century

Two alternative designs for a composition of Hagar, Ismael, and the Angel, with the artist’s iconographic notes on the subject matter (recto); Fragmentary composition with a reclining woman and a cropped seated figure (verso), Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink, over red chalk underdrawing, with some touches of brown ink wash in the sketch at left (recto); pen and brown ink, brush and brown wash, over black chalk underdrawing (verso) — Two alternative designs for a composition of Hagar, Ismael, and the Angel, with the artist’s iconographic notes on the subject matter (recto); Fragmentary composition with a reclining woman and a cropped seated figure (verso)
Anonymous, Italian, Venetian, 17th century
17th century

Horizontal Panel Designs with Acanthus Rinceaux and Hybrid Creatures

Anonymous, Italian, Venetian, 17th century

Polifilo Giancarli

17th century (first half)

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian — Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960

Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian — Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75

Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink — Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century

Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, with brush and brown and gray wash, over graphite — Design for a Ceiling with the Allegory of Dawn
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700

Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century Italian, Pen and brown ink — Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608

Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood — Madonna and Child
Italian (Venetian) Painter

A Patrician Couple, Italian (Venetian) Painter Italian, Ivory — A Patrician Couple
Italian (Venetian) Painter

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century