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1-42 of 24,792 results for Anonymous, Italian, Venetian, 17th century
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Two alternative designs for a composition of Hagar, Ismael, and the Angel, with the artist’s iconographic notes on the subject matter (recto); Fragmentary composition with a reclining woman and a cropped seated figure (verso), Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink, over red chalk underdrawing, with some touches of brown ink wash in the sketch at left (recto); pen and brown ink, brush and brown wash, over black chalk underdrawing (verso)
Two alternative designs for a composition of Hagar, Ismael, and the Angel, with the artist’s iconographic notes on the subject matter (recto); Fragmentary composition with a reclining woman and a cropped seated figure (verso)
Anonymous, Italian, Venetian, 17th century
17th century
A Crucifixion, Anonymous, Italian, Venetian, 17th century Italian, Red chalk
A Crucifixion
Anonymous, Italian, Venetian, 17th century
17th century
Family Group, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink, washed
Family Group
Anonymous, Italian, Venetian, 17th century
17th century
Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Four Male Figures Fighting a Lion, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Four Male Figures Fighting a Lion
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Five Male Figures Fighting a Dragon, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Five Male Figures Fighting a Dragon
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Four Hybrid Male Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Four Hybrid Male Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Five Hybrid Creatures and a Lion., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Five Hybrid Creatures and a Lion.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Female Figure and Two Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Female Figure and Two Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Three Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Three Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Three Androgynous Figures and a Sphinx Combined with Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Three Androgynous Figures and a Sphinx Combined with Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Designs with Acanthus Rinceaux and Hybrid Creatures
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960
Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian
Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century Italian, Pen and brown ink
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink
Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century
Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, brush and brown and gray wash, over graphite
Design for a Ceiling with the Allegory of Dawn
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century Italian, Pen and brown ink
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood
Madonna and Child
Italian (Venetian) Painter
A Patrician Couple, Italian (Venetian) Painter Italian, Ivory
A Patrician Couple
Italian (Venetian) Painter
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes
Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Panel of Shutter Decoration of Two Putti with Garlands, Anonymous, German, 17th century German, Pen and black ink with gray wash
Panel of Shutter Decoration of Two Putti with Garlands
Anonymous, German, 17th century
Anonymous, Italian, 17th century
17th century (?)