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1-42 of 24,800 results for Anonymous, Italian, Venetian, 18th century
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Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
An Angel holding a Lily, Cosmas Damian Asam German, Red chalk, brush and brown ink
An Angel holding a Lily
Cosmas Damian Asam
Anonymous, Italian, Venetian, 18th century
early 18th century
Houses by a River, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of charcoal, on cream laid paper. Ruled diagonal lines in graphite or lead running across upper half of sheet
Houses by a River
Anonymous, Italian, Venetian, 18th century
1703–66
Landscape with Ruins, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink on cream laid paper
Landscape with Ruins
Anonymous, Italian, Venetian, 18th century
18th century
Christ Surrounded by Angels, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper
Christ Surrounded by Angels
Anonymous, Italian, Venetian, 18th century
18th century
Pear, Anonymous, Italian, Venetian, 18th century Italian, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso)
Pear
Anonymous, Italian, Venetian, 18th century
18th century
Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash (recto); red chalk (verso)
Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso)
Anonymous, Italian, Venetian, 18th century
18th century
Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below., Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, over lead, on cream laid paper
Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below.
Anonymous, Italian, Venetian, 18th century
18th century
Cartouche with a Mask, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper
Cartouche with a Mask
Anonymous, Italian, Venetian, 18th century
18th century
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, on beige-gray laid paper
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso)
Anonymous, Italian, Venetian, 18th century
18th century
Design for a Double Cartouche flanked by Satyrs (Frontispiece?), Anonymous, Italian, Venetian, 18th century Italian, Pen and ink and gray wash
Design for a Double Cartouche flanked by Satyrs (Frontispiece?)
Anonymous, Italian, Venetian, 18th century
18th century
Design for Mirror or Box, Anonymous, Italian, Venetian, 18th century Italian, Pen and brush
Design for Mirror or Box
Anonymous, Italian, Venetian, 18th century
1740–70
Moses Trampling on Pharaoh's Crown, Anonymous, Italian, Venetian, 18th century Italian, Pen and bistre, brush and brown wash
Moses Trampling on Pharaoh's Crown
Anonymous, Italian, Venetian, 18th century
18th century
Allegory, Anonymous, Italian, Venetian, 18th century Italian, Black chalk with charcoal with gray wash
Allegory
Anonymous, Italian, Venetian, 18th century
18th century
An Execution, Anonymous, Italian, Venetian, 18th century Italian, Pen and ink, brush and wash of various colors
An Execution
Anonymous, Italian, Venetian, 18th century
18th century
Flagellation, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed
Flagellation
Anonymous, Italian, Venetian, 18th century
18th century
Venetian Scene, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed
Venetian Scene
Anonymous, Italian, Venetian, 18th century
18th century
Nativity, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed, highlighted with white
Nativity
Anonymous, Italian, Venetian, 18th century
18th century
Virgin and Child in Glory with Angels and Saints, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over traces of black chalk, on cream paper. Squared for transfer in black chalk
Virgin and Child in Glory with Angels and Saints
Anonymous, Italian, Venetian, 18th century
18th century
Design for a Vase
Anonymous, Italian, Venetian, 18th century
18th century
Moses Trampling on Pharao's Crown
Anonymous, Italian, Venetian, 18th century
18th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century Italian, Opaque watercolor on parchment
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century
1779
Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian
Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75
Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood
Madonna and Child
Italian (Venetian) Painter
A Patrician Couple, Italian (Venetian) Painter Italian, Ivory
A Patrician Couple
Italian (Venetian) Painter
Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink
Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century
Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite
Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700
Fan design with Republican assignats (French revolutionary money), Anonymous, French, 18th century French, Etching, a small portion printed in red
Fan design with Republican assignats (French revolutionary money)
Anonymous, French, 18th century
ca. 1795
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century French, Hand-colored etching and engraving
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Multiple artists/makers
ca. 1778
The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century French, Hand-colored etching and engraving
The Destruction of the Royal Statue at New York on July 9, 1776
Multiple artists/makers
ca. 1776
Two shillings and six pence revenue stamp, Anonymous, British, 18th century British, Embossed stamp on blue-gray paper with metal staple on vellum (recto); engraved cypher (verso)
Two shillings and six pence revenue stamp
Anonymous, British, 18th century
1765–66
Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino, Anonymous, Italian, Venetian, 16th century Italian, Charcoal or black chalk, highlighted with white chalk
Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino
Anonymous, Italian, Venetian, 16th century
1536–40
Six Studies of a King for an Adoration, Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink, brush and brown wash
Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century
16th century
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Five Hybrid Creatures and a Lion., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Five Hybrid Creatures and a Lion.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)