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More than 10,000 results for Anonymous, Italian, Venetian, 18th century
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Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century  Italian, Pen and brown ink
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
An Angel holding a Lily, Cosmas Damian Asam  German, Red chalk, brush and brown ink
Cosmas Damian Asam
Anonymous, Italian, Venetian, 18th century
early 18th century
Venetian Scene, Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, washed
Anonymous, Italian, Venetian, 18th century
18th century
Houses by a River, Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, brush and gray wash, over traces of charcoal, on cream laid paper.  Ruled diagonal lines in graphite or lead running across upper half of sheet
Anonymous, Italian, Venetian, 18th century
1703–66
Landscape with Ruins, Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink on cream laid paper
Anonymous, Italian, Venetian, 18th century
18th century
Design for a Vase: two handles, no cover.  In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, brush and brown wash (recto); red chalk (verso)
Anonymous, Italian, Venetian, 18th century
18th century
Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below., Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, brush and brown wash, over lead, on cream laid paper
Anonymous, Italian, Venetian, 18th century
18th century
Cartouche with a Mask, Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper
Anonymous, Italian, Venetian, 18th century
18th century
Christ Surrounded by Angels, Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper
Anonymous, Italian, Venetian, 18th century
18th century
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso), Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, brush and brown wash, on beige-gray laid paper
Anonymous, Italian, Venetian, 18th century
18th century
Pear, Anonymous, Italian, Venetian, 18th century  Italian, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso)
Anonymous, Italian, Venetian, 18th century
18th century
An Execution, Anonymous, Italian, Venetian, 18th century  Italian, Pen and ink, brush and wash of various colors
Anonymous, Italian, Venetian, 18th century
18th century
Flagellation, Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, washed
Anonymous, Italian, Venetian, 18th century
18th century
Virgin and Child in Glory with Angels and Saints, Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, brush with gray and brown wash, over traces of black chalk, on cream paper. Squared for transfer in black chalk
Anonymous, Italian, Venetian, 18th century
18th century
Design for a Double Cartouche flanked by Satyrs (Frontispiece?), Anonymous, Italian, Venetian, 18th century  Italian, Pen and ink and gray wash
Anonymous, Italian, Venetian, 18th century
18th century
Nativity, Anonymous, Italian, Venetian, 18th century  Italian, Pen and brown ink, washed, highlighted with white
Anonymous, Italian, Venetian, 18th century
18th century
Moses Trampling on Pharaoh's Crown, Anonymous, Italian, Venetian, 18th century  Italian, Pen and bistre, brush and brown wash
Anonymous, Italian, Venetian, 18th century
18th century
Design for Mirror or Box, Anonymous, Italian, Venetian, 18th century  Italian, Pen and brush
Anonymous, Italian, Venetian, 18th century
1740–70
Allegory, Anonymous, Italian, Venetian, 18th century  Italian, Black chalk with charcoal with gray wash
Anonymous, Italian, Venetian, 18th century
18th century
Anonymous, Italian, Venetian, 18th century
18th century
Anonymous, Italian, Venetian, 18th century
18th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Venetian
ca. 1570, adapted ca. 1960
Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian
Italian (Venetian) Painter
ca. 1450–75
Madonna and Child, Italian (Venetian) Painter  Italian, Tempera on wood
Italian (Venetian) Painter
A Patrician Couple, Italian (Venetian) Painter  Italian, Ivory
Italian (Venetian) Painter
Design for Back of a Sedan Chair, Anonymous, French, 18th century  French, Pen and brown ink, brush and gray wash, graphite
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700
Design for Settee, Anonymous, German, 18th century  German, Graphite and pen and black ink
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Four Male Figures Fighting a Lion, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Five Male Figures Fighting a Dragon, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)