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More than 10,000 results for Anonymous, Italian, Venetian, 18th century

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Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

An Angel holding a Lily, Cosmas Damian Asam German, Red chalk, brush and brown ink — An Angel holding a Lily
Cosmas Damian Asam
Anonymous, Italian, Venetian, 18th century
early 18th century

Venetian Scene, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed — Venetian Scene
Anonymous, Italian, Venetian, 18th century
18th century

Houses by a River, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of charcoal, on cream laid paper. Ruled diagonal lines in graphite or lead running across upper half of sheet — Houses by a River
Anonymous, Italian, Venetian, 18th century
1703–66

Landscape with Ruins, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink on cream laid paper — Landscape with Ruins
Anonymous, Italian, Venetian, 18th century
18th century

Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash (recto); red chalk (verso) — Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso)
Anonymous, Italian, Venetian, 18th century
18th century

Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below., Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, over lead, on cream laid paper — Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below.
Anonymous, Italian, Venetian, 18th century
18th century

Cartouche with a Mask, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper — Cartouche with a Mask
Anonymous, Italian, Venetian, 18th century
18th century

Christ Surrounded by Angels, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper — Christ Surrounded by Angels
Anonymous, Italian, Venetian, 18th century
18th century

Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, on beige-gray laid paper — Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso)
Anonymous, Italian, Venetian, 18th century
18th century

Pear, Anonymous, Italian, Venetian, 18th century Italian, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso) — Pear
Anonymous, Italian, Venetian, 18th century
18th century

An Execution, Anonymous, Italian, Venetian, 18th century Italian, Pen and ink, brush and wash of various colors — An Execution
Anonymous, Italian, Venetian, 18th century
18th century

Flagellation, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed — Flagellation
Anonymous, Italian, Venetian, 18th century
18th century

Virgin and Child in Glory with Angels and Saints, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over traces of black chalk, on cream paper. Squared for transfer in black chalk — Virgin and Child in Glory with Angels and Saints
Anonymous, Italian, Venetian, 18th century
18th century

Design for a Double Cartouche flanked by Satyrs (Frontispiece?), Anonymous, Italian, Venetian, 18th century Italian, Pen and ink and gray wash — Design for a Double Cartouche flanked by Satyrs (Frontispiece?)
Anonymous, Italian, Venetian, 18th century
18th century

Nativity, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed, highlighted with white — Nativity
Anonymous, Italian, Venetian, 18th century
18th century

Moses Trampling on Pharaoh's Crown, Anonymous, Italian, Venetian, 18th century Italian, Pen and bistre, brush and brown wash — Moses Trampling on Pharaoh's Crown
Anonymous, Italian, Venetian, 18th century
18th century

Design for Mirror or Box, Anonymous, Italian, Venetian, 18th century Italian, Pen and brush — Design for Mirror or Box
Anonymous, Italian, Venetian, 18th century
1740–70

Allegory, Anonymous, Italian, Venetian, 18th century Italian, Black chalk with charcoal with gray wash — Allegory
Anonymous, Italian, Venetian, 18th century
18th century

Moses Trampling on Pharao's Crown

Anonymous, Italian, Venetian, 18th century

18th century

Design for a Vase

Anonymous, Italian, Venetian, 18th century

18th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian — Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960

Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian — Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75

Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood — Madonna and Child
Italian (Venetian) Painter

A Patrician Couple, Italian (Venetian) Painter Italian, Ivory — A Patrician Couple
Italian (Venetian) Painter

Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite — Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700

Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink — Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century

Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Four Male Figures Fighting a Lion, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Four Male Figures Fighting a Lion
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Five Male Figures Fighting a Dragon, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Five Male Figures Fighting a Dragon
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)