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1-42 of 24,753 results for Anonymous, Italian, mid-18th century
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View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno, Anonymous, Italian, mid-18th century Italian
View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno
Anonymous, Italian, mid-18th century
mid-18th century
Design for the Base of a Couch (?)
Anonymous, Italian, mid-18th century
mid-18th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French
Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century Italian, Opaque watercolor on parchment
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century
1779
Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving
Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, mid-16th century
Antonio Lafreri
1547
Four Travelers Sharing a Meal?, Anonymous, Italian, mid-16th century Italian, Pen and brown ink over leadpoint
Four Travelers Sharing a Meal?
Anonymous, Italian, mid-16th century
mid-16th century
Head of a Horse, Anonymous, Italian, mid-16th century Italian, Red chalk
Head of a Horse
Anonymous, Italian, mid-16th century
mid-16th century
Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving
Aristotle, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
The Last Supper, Anonymous, Italian, mid-16th century Italian, Brush and brown wash, over black chalk
The Last Supper
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80
Hermaphrodite, Anonymous, Italian, mid-16th century Italian, Red chalk
Hermaphrodite
Anonymous, Italian, mid-16th century
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640
Design for an Architectural Frieze, Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush and brown wash
Design for an Architectural Frieze
Anonymous, Italian, mid-16th century
17th century
Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso), Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush with brown and gray wash
Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso)
Anonymous, Italian, mid-16th century
16th century
Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite
Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700
Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink
Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century
The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century French, Hand-colored etching and engraving
The Destruction of the Royal Statue at New York on July 9, 1776
Multiple artists/makers
ca. 1776
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century French, Hand-colored etching and engraving
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Multiple artists/makers
ca. 1778
Two shillings and six pence revenue stamp, Anonymous, British, 18th century British, Embossed stamp on blue-gray paper with metal staple on vellum (recto); engraved cypher (verso)
Two shillings and six pence revenue stamp
Anonymous, British, 18th century
1765–66
Fan design with Republican assignats (French revolutionary money), Anonymous, French, 18th century French, Etching, a small portion printed in red
Fan design with Republican assignats (French revolutionary money)
Anonymous, French, 18th century
ca. 1795
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes
Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century Italian
Cartouche due disegno differenti da Baldachino da Processioni
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century
Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Design for Title-Page
Multiple artists/makers
18th century
Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century Italian, Pen and brown ink
Cupid Seated on a Cloud and Holding a Palm (?)
Anonymous, Italian, Emilian, mid-16th century
16th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Design for an altar, Anonymous, German, 18th century German, Graphite
Design for an altar
Multiple artists/makers
early 18th century
Le triomphe de la coquetterie, Anonymous, French, 18th century French, Etching and engraving
Le triomphe de la coquetterie
Anonymous, French, 18th century
Anonymous, British, 18th century
18th century
Design for a Settee, Anonymous, German, 18th century German, Graphite
Design for a Settee
Anonymous, German, 18th century
Anonymous, British, 18th century
18th century
Design for a confessional, Anonymous, Flemish, 18th century (?) Flemish, Pen and gray ink
Design for a confessional
Anonymous, Flemish, 18th century
Anonymous, French, 18th century
ca. 1750
Studies for four urns with a walking stick and hat, Anonymous, German, 18th century (?) German, Pen and black ink, traces of black chalk
Studies for four urns with a walking stick and hat
Anonymous, German, 18th century
Anonymous, French, 18th century
18th century
Head of a Woman, Anonymous, Italian, 18th century Italian, Red chalk, touches of white chalk
Head of a Woman
Anonymous, Italian, 18th century
1700–1750
Cartouche, Anonymous, Italian, 18th century Italian
Cartouche
Anonymous, Italian, 18th century
18th century
Design for a Porcelain Plate, Anonymous, Italian, 18th century Italian, Pen and ink with gray and pink washes
Design for a Porcelain Plate
Anonymous, Italian, 18th century
late 18th century
Rear View of the Wooden Structure of a Carriage, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk
Rear View of the Wooden Structure of a Carriage
Anonymous, Italian, 18th century
18th century
Rear Wheel and Part of the Carved Wooden Structure of a Carriage, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk
Rear Wheel and Part of the Carved Wooden Structure of a Carriage
Anonymous, Italian, 18th century
18th century
Right Half of a Wall Elevation with a Church Altar, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk, highlighted with white gouache; some stylus-ruled construction
Right Half of a Wall Elevation with a Church Altar
Anonymous, Italian, 18th century
18th century
Fountains in Gardens of Villa D'Este, Tivoli (Cento Fontanelle), Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and gray and blue wash, over black chalk
Fountains in Gardens of Villa D'Este, Tivoli (Cento Fontanelle)
Anonymous, Italian, 18th century
18th century
Bernini's Fountain of the Four Rivers in Piazza Navona, Rome, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and gray and blue wash, over graphite
Bernini's Fountain of the Four Rivers in Piazza Navona, Rome
Anonymous, Italian, 18th century
18th century
An Architectural Detail: A Herm Figure Placing or Removing a Column from Under an Entablature (after Stucco Frame by Daniele da Volterra from Orsini Chapel, Santa Trinità dei Monti), Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and gray wash, over graphite
An Architectural Detail: A Herm Figure Placing or Removing a Column from Under an Entablature (after Stucco Frame by Daniele da Volterra from Orsini Chapel, Santa Trinità dei Monti)
Anonymous, Italian, 18th century
18th century
Au Choix Design for a Ceiling, Anonymous, Italian, 18th century or early 19th century Italian, Pen and black ink, brush with gray wash and watercolor, over graphite
Au Choix Design for a Ceiling
Anonymous, Italian, 18th century
n.d.
Funerary Monument with Two Male Figures (Santa Maria del Popolo, Cappella Chigi, Rome), Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and gray wash, over graphite
Funerary Monument with Two Male Figures (Santa Maria del Popolo, Cappella Chigi, Rome)
Anonymous, Italian, 18th century
18th century