Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Anonymous, Italian, mid-18th century
Sort by:
View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno, Anonymous, Italian, mid-18th century  Italian
Anonymous, Italian, mid-18th century
mid-18th century
Anonymous, Italian, mid-18th century
mid-18th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)  Italian, Tempera on wood, gold ground, Italian, Siena
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century
Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century)  French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century  Italian, Opaque watercolor on parchment
Anonymous, Italian, 18th century
1779
Design for Settee, Anonymous, German, 18th century  German, Graphite and pen and black ink
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century
Design for Back of a Sedan Chair, Anonymous, French, 18th century  French, Pen and brown ink, brush and gray wash, graphite
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700
Hermaphrodite, Anonymous, Italian, mid-16th century  Italian, Red chalk
Anonymous, Italian, mid-16th century
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640
Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century  Italian, Engraving
Anonymous, Italian, mid-16th century
Antonio Lafreri
1547
Four Travelers Sharing a Meal?, Anonymous, Italian, mid-16th century  Italian, Pen and brown ink over leadpoint
Anonymous, Italian, mid-16th century
mid-16th century
The Last Supper, Anonymous, Italian, mid-16th century  Italian, Brush and brown wash, over black chalk
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80
Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso), Anonymous, Italian, mid-16th century  Italian, Pen and brown ink, brush with brown and gray wash
Anonymous, Italian, mid-16th century
16th century
Design for an Architectural Frieze, Anonymous, Italian, mid-16th century  Italian, Pen and brown ink, brush and brown wash
Anonymous, Italian, mid-16th century
17th century
Head of a Horse, Anonymous, Italian, mid-16th century  Italian, Red chalk
Anonymous, Italian, mid-16th century
mid-16th century
Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century  Italian, Engraving
Multiple artists/makers
1553
Fan design with Republican assignats (French revolutionary money), Anonymous, French, 18th century  French, Etching, a small portion printed in red
Anonymous, French, 18th century
ca. 1795
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century  French, Hand-colored etching and engraving
Multiple artists/makers
ca. 1778
The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century  French, Hand-colored etching and engraving
Multiple artists/makers
ca. 1776
Two shillings and six pence revenue stamp, Anonymous, British, 18th century  British, Embossed stamp on blue-gray paper with metal staple on vellum (recto); engraved cypher (verso)
Anonymous, British, 18th century
1765–66
Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century  Italian
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century
Polyphemus and Galatea, Anonymous, Italian, 17th century  Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century  Italian, Pencil, pen and ink washes
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century  Italian, Pen and brown ink
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Multiple artists/makers
18th century
Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century  Italian, Pen and brown ink
Anonymous, Italian, Emilian, mid-16th century
16th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Design for an altar, Anonymous, German, 18th century  German, Graphite
Multiple artists/makers
early 18th century
Le triomphe de la coquetterie, Anonymous, French, 18th century  French, Etching and engraving
Anonymous, French, 18th century
Anonymous, British, 18th century
18th century
Design for a confessional, Anonymous, Flemish, 18th century (?) Flemish, Pen and gray ink
Anonymous, Flemish, 18th century
Anonymous, French, 18th century
ca. 1750
Studies for four urns with a walking stick and hat, Anonymous, German, 18th century (?) German, Pen and black ink, traces of black chalk
Anonymous, German, 18th century
Anonymous, French, 18th century
18th century
Design for a Settee, Anonymous, German, 18th century  German, Graphite
Anonymous, German, 18th century
Anonymous, British, 18th century
18th century
Cartouche, Anonymous, Italian, 18th century  Italian
Anonymous, Italian, 18th century
18th century
Design for a Gondola Decorated for a Festive Occassion, Anonymous, Italian, 18th century  Italian, Brown pen and ink, watercolor
Anonymous, Italian, 18th century
ca. 1750–80
Study after the Vatican Statue of Antinous as Osiris, Anonymous, Italian, 18th century  Italian, Red chalk
Anonymous, Italian, 18th century
ca. 1740–60
Fan Design with the Colosseum and the Temple of Vesta, Anonymous, Italian, 18th century  Italian, Watercolor and gouache on vellum ?
Anonymous, Italian, 18th century
18th century
Fan Design with the Pantheon and the Colosseum, Anonymous, Italian, 18th century  Italian, Watercolor and gouache on vellum ?
Anonymous, Italian, 18th century
18th century
Design for a Frieze with a Coat of Arms with a Serpent and a Landscape Scene with Women and Children, Anonymous, Italian, 18th century  Italian, Pen and ink and red chalk (partially pricked for transfer)
Anonymous, Italian, 18th century
18th century
Adoration of the Shepherds, Anonymous, Italian, 18th century  Italian, Pen and ink touched with gouache
Anonymous, Italian, 18th century
18th century
Interior of Temple, Design for Stage Scene, Anonymous, Italian, 18th century  Italian, Brush and gouache
Anonymous, Italian, 18th century
18th century