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More than 10,000 results for Anonymous, Italian, mid-18th century

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View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno, Anonymous, Italian, mid-18th century Italian — View of Piazza San Firenze and the church of San Firenze, Florence, view toward Arno
Anonymous, Italian, mid-18th century
mid-18th century

Design for the Base of a Couch (?)

Anonymous, Italian, mid-18th century

mid-18th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French — Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855

Design for Back of a Sedan Chair, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, graphite — Design for Back of a Sedan Chair
Anonymous, French, 18th century
Anonymous, Italian, 18th century
ca. 1700

Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink — Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century

The Last Supper, Anonymous, Italian, mid-16th century Italian, Brush and brown wash, over black chalk — The Last Supper
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80

Hermaphrodite, Anonymous, Italian, mid-16th century Italian, Red chalk — Hermaphrodite
Anonymous, Italian, mid-16th century
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640

Head of a Horse, Anonymous, Italian, mid-16th century Italian, Red chalk — Head of a Horse
Anonymous, Italian, mid-16th century
mid-16th century

Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Aristotle, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving — Wild Animals, from antique wall paintings, plate 3, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, mid-16th century
Antonio Lafreri
1547

Four Travelers Sharing a Meal?, Anonymous, Italian, mid-16th century Italian, Pen and brown ink over traces of leadpoint — Four Travelers Sharing a Meal?
Anonymous, Italian, mid-16th century
mid-16th century

Design for an Architectural Frieze, Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush and brown wash — Design for an Architectural Frieze
Anonymous, Italian, mid-16th century
17th century

Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso), Anonymous, Italian, mid-16th century Italian, Pen and brown ink, brush with brown and gray wash — Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso)
Anonymous, Italian, mid-16th century
16th century

Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray — Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century

Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes — Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60

Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century Italian — Cartouche due disegno differenti da Baldachino da Processioni
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink — Design for Title-Page
Multiple artists/makers
18th century

Cupid Seated on a Cloud and Holding a Palm (?), Anonymous, Italian, Emilian, mid-16th century Italian, Pen and brown ink — Cupid Seated on a Cloud and Holding a Palm (?)
Anonymous, Italian, Emilian, mid-16th century
16th century

Design for an altar, Anonymous, German, 18th century German, Graphite — Design for an altar
Multiple artists/makers
early 18th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Design for a Settee, Anonymous, German, 18th century German, Graphite — Design for a Settee
Anonymous, German, 18th century
Anonymous, British, 18th century
18th century

Le triomphe de la coquetterie, Anonymous, French, 18th century French, Etching and engraving — Le triomphe de la coquetterie
Anonymous, French, 18th century
Anonymous, British, 18th century
18th century

Studies for four urns with a walking stick and hat, Anonymous, German, 18th century (?) German, Pen and black ink, traces of black chalk — Studies for four urns with a walking stick and hat
Anonymous, German, 18th century
Anonymous, French, 18th century
18th century

Design for a confessional, Anonymous, Flemish, 18th century (?) Flemish, Pen and gray ink — Design for a confessional
Anonymous, Flemish, 18th century
Anonymous, French, 18th century
ca. 1750

Design for a Gondola Decorated for a Festive Occassion, Anonymous, Italian, 18th century Italian, Brown pen and ink, watercolor — Design for a Gondola Decorated for a Festive Occassion
Anonymous, Italian, 18th century
ca. 1750–80

Archangel Holding a Lily in a Landscape with Clouds Bearing Putti (Fragment of a Scene of the Annunciation), Anonymous, Italian, 18th century Italian, Pen and brown ink; traces of framing outlines in pen and brown ink from the old mount on drawing surface — Archangel Holding a Lily in a Landscape with Clouds Bearing Putti (Fragment of a Scene of the Annunciation)
Anonymous, Italian, 18th century
18th century

Design for a Carriage, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk — Design for a Carriage
Anonymous, Italian, 18th century
18th century

Design for the Decorated Panel of a Carriage, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk — Design for the Decorated Panel of a Carriage
Anonymous, Italian, 18th century
18th century

Design for the Decorated Panel of a Carriage, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and brown wash, over black chalk — Design for the Decorated Panel of a Carriage
Anonymous, Italian, 18th century
18th century

Decoration for the Façade of a Church for the Funeral of Joseph I, 1711, Anonymous, Italian, 18th century Italian, Pen and black ink, brush and gray wash, over lead underdrawing on cream laid paper; framing lines in pen and black ink and graphite or lead — Decoration for the Façade of a Church for the Funeral of Joseph I, 1711
Anonymous, Italian, 18th century
early 18th century

The Crossing of the Red Sea (Lunette or Fan?), Anonymous, Italian, 18th century Italian, Pen and brown ink over lead on cream laid paper. Rubbed with black chalk or charcoal dust for transfer. Outlines stylus-incised for transfer — The Crossing of the Red Sea (Lunette or Fan?)
Anonymous, Italian, 18th century
18th century

Design for a Fan: Scene of Cupids, and a Sleeping Lion in a Landscape, Anonymous, Italian, 18th century Italian, Pen and brush with brown ink on cream paper — Design for a Fan: Scene of Cupids, and a Sleeping Lion in a Landscape
Anonymous, Italian, 18th century
18th century

Design for a Carriage (Chaise Italienne?), Anonymous, Italian, 18th century Italian, Pen and gray ink, brush and brown wash, over black chalk; framing outlines in pen and brown ink — Design for a Carriage (Chaise Italienne?)
Anonymous, Italian, 18th century
18th century

Frame for a Painting of Saint Christopher, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush with brown and yellow wash, over graphite, on cream laid paper — Frame for a Painting of Saint Christopher
Anonymous, Italian, 18th century
18th century

Architectural Fantasy: Temple-like Building with Colonnades, a Monumental Staircase, and a Burnt Offering (Sacrifice) in the Foreground, Anonymous, Italian, 18th century Italian, Pen and black ink, brush and gray wash, over traces of graphite?, on light tan laid paper — Architectural Fantasy: Temple-like Building with Colonnades, a Monumental Staircase, and a Burnt Offering (Sacrifice) in the Foreground
Anonymous, Italian, 18th century
18th century

Design for an Interior Wall Decoration of a Palazzo with Two Doorways and a Decorated Panelling with Trophies, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and gray, yellow, blue and green wash (only in right half of sheet), over traces of black chalk, on cream laid paper. Scales with numbers 5, 10, 20 at bottom — Design for an Interior Wall Decoration of a Palazzo with Two Doorways and a Decorated Panelling with Trophies
Anonymous, Italian, 18th century
18th century

View of Florence: Or San Michele, Towards Piazza della Signoria (Via dei Calzaiuoli), Anonymous, Italian, 18th century Italian, Pen and brown ink, a little brush and pink-red wash, over traces of graphite on cream laid paper — View of Florence: Or San Michele, Towards Piazza della Signoria (Via dei Calzaiuoli)
Anonymous, Italian, 18th century
18th century