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1-42 of 28,026 results for Anonymous, Italian, probably Umbrian, 14th century
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Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso), Anonymous, Italian, probably Umbrian, 14th century Italian, Pen and brown ink, highlighted with white gouache
Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso)
Anonymous, Italian, probably Umbrian, 14th century
1375–1400
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Madonna and Child with Saints Jerome and Francis, Italian (Umbrian) Painter Italian, Tempera on wood
Madonna and Child with Saints Jerome and Francis
Italian (Umbrian) Painter
The Theological Virtues: Faith, Charity, Hope, Italian (Umbrian) Painter Italian, Tempera and gold on wood
The Theological Virtues: Faith, Charity, Hope
Italian (Umbrian) Painter
Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Shield
Girolamo da Treviso
ca. 1535
Armet, LIONARDO Italian, Steel, copper alloy, Italian, probably Milan
Armet
LIONARDO
ca. 1440
Bronze statuette of a striding warrior, Bronze, Etruscan or Umbrian
Bronze statuette of a striding warrior
Etruscan or Umbrian
6th–5th century BCE
Head of a Bearded Man, Anonymous, Bohemian, 14th century Bohemian, Pen and gray-brown ink, brush and gray-black and brown wash, traces of white gouache highlights
Head of a Bearded Man
Anonymous, Bohemian, 14th century
1360–80
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century Italian, Opaque watercolor on parchment
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century
1779
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei, Anonymous, Italian , 16th century Italian, Engraving, Italian, Rome
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei
Multiple artists/makers
ca. 1550–53
Statuette of Herakles, Bronze, Etruscan, Umbrian
Statuette of Herakles
Etruscan, Umbrian
5th century BCE or later
Madonna and Child, Italian (Tuscan) Painter, first quarter of the 14th century Italian, Tempera on wood, gold ground
Madonna and Child
Italian (Tuscan) Painter, first quarter of the 14th century
first quarter the 14th century
Man of Sorrows, Italian (Tuscan) Painter, first quarter of the 14th century Italian, Tempera on wood, gold ground
Man of Sorrows
Italian (Tuscan) Painter, first quarter of the 14th century
first quarter of the 14th century
Alexander the Great (?), Turquoise, enamel, gold, probably Italian
Alexander the Great (?)
probably Italian
ring: mid-16th century; cameo: early Hellenistic 4th century BCE
Laureate Head of Alexander I of Russia, Onyx, probably Italian
Laureate Head of Alexander I of Russia
probably Italian
ca. 1810–20
Mantel, Marble, Italian, probably
Mantel
Italian, probably
1800–1830
Samson and the Lion, Bronze, with red-brown natural patina, remains of dark brown lacquer, probably Italian
Samson and the Lion
probably Italian
17th century
Alchemist and his Assistant, Hard-paste porcelain, probably Italian
Alchemist and his Assistant
probably Italian
ca. 1770–75
Cameo with the Head of a Satyr, Sardonyx with gold mount, probably Italian
Cameo with the Head of a Satyr
probably Italian
late 18th or early 19th century
War Hat, Steel, copper alloy, probably Italian
War Hat
probably Italian
1450–1500
Knife, fork, spoon, and corkscrew in a case (Étui de couvert), Anonymous, Steel, iron, partly inlaid with horn; leather, probably French or Italian
Knife, fork, spoon, and corkscrew in a case (Étui de couvert)
Anonymous
late 17th or 18th century
Polyphemus and Galatea, Anonymous, Italian, 17th century Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Polyphemus and Galatea
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century Italian, Pencil, pen and ink washes
Catafalque for funeral in Pisa
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century Italian
Cartouche due disegno differenti da Baldachino da Processioni
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century
Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio
Dish (tondino)
Italian
ca. 1530
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice)
Pilgrim flask
Italian
ca. 1500–1525
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century French, Terracotta, French
Sketch of an Allegory of the Abolition of Slavery
Anonymous, French School, 19th Century
ca. 1848
Design for an Empire Daybed, Anonymous, Italian, 19th century Italian, Pen and ink with brown, red, yellow and green wash
Design for an Empire Daybed
Anonymous, Italian, 19th century
Anonymous, French, 19th century
1800–1820
Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, brush and brown and gray wash, over graphite
Design for a Ceiling with the Allegory of Dawn
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700
Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink
Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century Italian, Pen and brown ink
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century Italian, Pen and brown ink
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian
Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century
Dizi, Jade, probably Chinese
Dizi
probably Chinese
late 18th–early 19th century
Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena
Tondo mirror frame
Italian, Siena
ca. 1490–1500
Madonna and Child with Saint Catherine of Siena and a Carthusian Donor, Italian, Lombard (probably Pavia) Italian, Lombard (probably Pavia), Tempera on wood, gold ground
Madonna and Child with Saint Catherine of Siena and a Carthusian Donor
Italian, Lombard (probably Pavia)
ca. 1411–24
Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris)
Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century
Elaborately Framed Roundel of Christ Washing the Feel of the Apostles, Anonymous, German, 19th century German, Watercolor over black crayon
Elaborately Framed Roundel of Christ Washing the Feel of the Apostles
Anonymous, German, 19th century
Anonymous, Italian, 18th century
after 1800 (?)
A View of the Ancient City (Parthenon?), Anonymous, German, 19th century ? German, Graphite
A View of the Ancient City (Parthenon?)
Anonymous, German, 19th century
Anonymous, Italian, 19th century
after 1800