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More than 10,000 results for Anonymous, Italian, probably Umbrian, 14th century
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Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso), Anonymous, Italian, probably Umbrian, 14th century  Italian, Pen and brown ink, highlighted with white gouache
Anonymous, Italian, probably Umbrian, 14th century
1375–1400
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Madonna and Child with Saints Jerome and Francis, Italian (Umbrian) Painter  Italian, Tempera on wood
Italian (Umbrian) Painter
The Theological Virtues: Faith, Charity, Hope, Italian (Umbrian) Painter  Italian, Tempera and gold on wood
Italian (Umbrian) Painter
Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)  Italian, Tempera on wood, gold ground, Italian, Siena
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century
Madonna and Child, Italian [Tuscan] Painter, first quarter of 14th century  Italian, Tempera on panel, Italian, Tuscany
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century
Pietà, Italian [Tuscan] Painter, first quarter of 14th century  Italian, Tempera on panel, Italian, Tuscany
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century
Shield, Girolamo da Treviso  Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Girolamo da Treviso
ca. 1535
Armet, LIONARDO  Italian, Steel, copper alloy, Italian, probably Milan
LIONARDO
ca. 1440
Bronze statuette of a striding warrior, Bronze, Etruscan or Umbrian
Etruscan or Umbrian
6th–5th century BCE
Head of a Bearded Man, Anonymous, Bohemian, 14th century  Bohemian, Pen and gray-brown ink, brush and gray-black and brown wash, traces of white gouache highlights
Anonymous, Bohemian, 14th century
1360–80
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Madonna and Child with Saint Catherine of Siena and a Carthusian Donor, Italian, Lombard (probably Pavia)  Italian, Lombard (probably Pavia), Tempera and gold on wood, Italian, Lombardy, probably Pavia
Italian, Lombard (probably Pavia)
ca. 1411–24
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei, Anonymous, Italian , 16th century Italian, Engraving, Italian, Rome
Multiple artists/makers
ca. 1550–53
Statuette of Herakles, Bronze, Etruscan, Umbrian
Etruscan, Umbrian
5th century BCE or later
Laureate Head of Alexander I of Russia, Onyx, probably Italian
probably Italian
ca. 1810–20
Cameo with the Head of a Satyr, Sardonyx with gold mount, probably Italian
probably Italian
late 18th or early 19th century
Samson and the Lion, Bronze, with red-brown natural patina, remains of dark brown lacquer, probably Italian
probably Italian
17th century
Alchemist and his Assistant, Hard-paste porcelain, probably Italian
probably Italian
ca. 1770–75
Mantel, Marble, Italian, probably
Italian, probably
1800–1830
Alexander the Great (?), Turquoise, enamel, gold, probably Italian
probably Italian
ring: mid-16th century; cameo: early Hellenistic 4th century BCE
War Hat, Steel, copper alloy, probably Italian
probably Italian
1450–1500
Saucer, Opaque glass, Italian, probably
Italian, probably
18th century
Knife, fork, spoon, and corkscrew in a case (Étui de couvert), Anonymous, Steel, iron, partly inlaid with horn; leather, probably French or Italian
Anonymous
late 17th or 18th century
Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century  Italian
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century
Catafalque for funeral in Pisa, Anonymous, Italian, 17th century  Italian, Pencil, pen and ink washes
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
ca. 1740–60
Polyphemus and Galatea, Anonymous, Italian, 17th century  Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray
Anonymous, Italian, 17th century
Anonymous, Italian, 18th century
18th century
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century  Italian, Pen and brown ink
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass.  Blown, enameled, gilt., Italian (Venice)
Italian
ca. 1500–1525
Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio
Italian
ca. 1530
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century  French, Terracotta, French
Anonymous, French School, 19th Century
ca. 1848
Design for a Ceiling with the Allegory of Dawn, Anonymous, Italian, 17th century or Italian, Pen and brown ink, with brush and brown and gray wash, over graphite
Anonymous, Italian, 17th century
Anonymous, French, 17th century
ca. 1640–1700
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria, Anonymous, Italian, 17th century  Italian, Pen and brown ink
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Design for an Empire Daybed, Anonymous, Italian, 19th century  Italian, Pen and ink with brown, red, yellow and green wash
Anonymous, Italian, 19th century
Anonymous, French, 19th century
1800–1820
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, Anonymous, Italian, 17th century  Italian, Pen and brown ink
Anonymous, Italian, 17th century
Anonymous, Austrian, 17th century
ca. 1608
Annunciation, Anonymous, Italian, 17th century  Italian, Pen and brown ink
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century
Hercules and Achelous, Master of the Martyrdom of St. Sebastian  Austrian, Ivory, probably Austrian
Master of the Martyrdom of St. Sebastian
probably mid-17th century
Dizi, Jade, probably Chinese
probably Chinese
late 18th–early 19th century
Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena
Italian, Siena
ca. 1490–1500