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1-42 of 15,091 results for Anonymous, Spanish, late 16th–early 17th century
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(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged)., Anonymous, Spanish, late 16th–early 17th century Spanish, (recto) Pen and brown ink, over traces of black chalk; original sheet is inlaid onto a collector's mount; (verso) pen and dark brown ink.
(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged).
Anonymous, Spanish, late 16th–early 17th century
1570–1620
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American
Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5
A Standing Cavalier, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor, gouache, and gold paint with traces of graphite
A Standing Cavalier
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Allegory of Wisdom, Anonymous, Swiss, late 16th to early 17th century Swiss, Watercolor and gold over graphite
Allegory of Wisdom
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Allegory of Life, Anonymous, Swiss, late 16th to early 17th century Swiss, Pen and gray ink
Allegory of Life
Anonymous, Swiss, late 16th to early 17th century
late 16th–early 17th century
Annunciation, Anonymous, Italian, 17th century Italian, Pen and brown ink
Annunciation
Anonymous, Italian, 17th century
Anonymous, Spanish, 17th century
17th century
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Bone plaque with Female Dancer, Bone, Late Roman/Early Byzantine
Bone plaque with Female Dancer
Late Roman/Early Byzantine
4th–6th century
Panel of Venus, “Pudica Type”, Bone, Late Roman/Early Byzantine
Panel of Venus, “Pudica Type”
Late Roman/Early Byzantine
4th–6th century
Panel with Warrior Resting, Bone, Late Roman/Early Byzantine
Panel with Warrior Resting
Late Roman/Early Byzantine
4th–6th century
Autumn and Winter: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching
Autumn and Winter: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620
Spring and Summer: two heads made from flora typical of those seasons, Anonymous, Italian, 16th to early 17th century Italian, Etching
Spring and Summer: two heads made from flora typical of those seasons
Anonymous, Italian, 16th to early 17th century
Giuseppe Arcimboldo
ca. 1580–1620
Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and gray wash, over red chalk
Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso)
Anonymous, Italian, 16th to early 17th century
16th–early 17th century
Design for a Cartouche (recto); Design for a Cartouche (verso), Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink, over leadpoint or black chalk
Design for a Cartouche (recto); Design for a Cartouche (verso)
Anonymous, Italian, 16th to early 17th century
1580–1620
Design for a Church with a Central Octagonal Plan, Anonymous, Italian, 16th to early 17th century Italian, Pen and light brown ink, brush with brown and pink watercolor, some brown wash (later retouching), on parchment; framing lines in pen and brown ink
Design for a Church with a Central Octagonal Plan
Anonymous, Italian, 16th to early 17th century
1570–1620
Annunciation, Anonymous, Italian, 16th to early 17th century Italian, Etching
Annunciation
Anonymous, Italian, 16th to early 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–early 17th century
Madonna and Child with St. Elizabeth and St. John, Anonymous, Italian, 16th to early 17th century Italian, Etching with engraving
Madonna and Child with St. Elizabeth and St. John
Anonymous, Italian, 16th to early 17th century
16th–early 17th century
Madonna and Child, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Madonna and Child
Anonymous, Italian, 16th to early 17th century
16th–early 17th century
[Four Cupids; Apollo and Daphne in the Background], Anonymous, Italian, 16th to early 17th century Italian, Engraving
[Four Cupids; Apollo and Daphne in the Background]
Anonymous, Italian, 16th to early 17th century
Parmigianino (Girolamo Francesco Maria Mazzola)
16th–early 17th century
The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer, Anonymous, Italian, 16th to early 17th century Italian, Engraving
The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer
Multiple artists/makers
ca. 1515–1600
Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Two satyrs placing Silenus on a braying mule and a third satyr at left, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Two satyrs placing Silenus on a braying mule and a third satyr at left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto., Anonymous, Italian, 16th to early 17th century Italian, Pen and brown ink
Design for a Frieze with a Grotesque Vase and Festoon with a Ram and Putto.
Anonymous, Italian, 16th to early 17th century
1550–1610
Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Saint Luke, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Saint Luke
Multiple artists/makers
ca. 1514–36
Saint John, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Saint John
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600
Grotesque with a vase, birds and acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Grotesque with a vase, birds and acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Grotesque with male figure with lower body and head of acanthus scrolls, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Grotesque with male figure with lower body and head of acanthus scrolls
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–27
Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right
Multiple artists/makers
ca. 1520–40
Cleopatra, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Cleopatra
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600
Venus and Eros, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Venus and Eros
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–36
Acanthus Leaves, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Acanthus Leaves
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600
Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600
Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–1600
Ornamental Panel, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Ornamental Panel
Anonymous, Italian, 16th to early 17th century
Agostino Veneziano (Agostino dei Musi)
ca. 1514–36
Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600
Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Three cupids in front of a facade with pilasters, one holding a trident and another a large shell
Multiple artists/makers
ca. 1515–1600
Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left, Anonymous, Italian, 16th to early 17th century Italian, Engraving
A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left
Anonymous, Italian, 16th to early 17th century
Marco Dente
ca. 1515–1600
Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
Giulio Romano
ca. 1515–1600