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Department
Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome
Perseus with the Head of Medusa
Antonio Canova
Patron Commissioned by Count Jan and Countess Valeria Tarnowski
1804–6
Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice
Tomb of Antonio Canova
Medalist: Antonio Fabris
1827
Cupid and Psyche, Antonio Canova Italian, Plaster, Italian, Rome
Cupid and Psyche
Antonio Canova
1794
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Reclining Naiad
Antonio Canova
Patron Commissioned by John Bligh, 4th Earl of Darnley
1819–24
Venus Italica, Antonio Canova Italian, Carrara marble, Italian, Rome
Venus Italica
Workshop of Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810
Paris, Antonio Canova Italian, Marble, Italian, Rome
Paris
Workshop of Antonio Canova
ca. 1822–23, original marble version completed November 1812
Portrait of Antonio Canova (1757–1822), Francesco Putinati Italian, Bronze, Italian, Milan
Portrait of Antonio Canova (1757–1822)
Medalist: Francesco Putinati
ca. 1822
The Vestal, Antonio Canova Italian, Marble, Italian
The Vestal
Workshop of Antonio Canova
probably ca. 1819–23
Hercules about to hurl Lichas into the sea, Antonio Canova Italian, Onyx, Italian, probably Rome
Hercules about to hurl Lichas into the sea
After a composition by Antonio Canova
first half 19th century
Head of Medusa, Antonio Canova Italian, Plaster cast, with modern metal rod, Italian, Rome
Head of Medusa
Studio of Antonio Canova
1806–7
The Graces and Venus Dancing before Mars, Antonio Canova Italian, Bronze, Italian
The Graces and Venus Dancing before Mars
After a composition by Antonio Canova
19th century
Venus and Cupid, Antonio Canova Italian, Terracotta, Italian
Venus and Cupid
Antonio Canova
1798–99
Bust of Napoleon, Antonio Canova Italian, White marble (probably Carrara), Italian
Bust of Napoleon
After a model by Antonio Canova
ca. 1808–14
Antonio Canova, Paul Adolphe Rajon French, Etching; proof
Antonio Canova
Etcher Paul Adolphe Rajon
After John Jackson
Sitter Antonio Canova
1873
Drawing after a Lithograph of a Recumbent Lion., Antonio Canova Italian, Brush and black and gray wash, graphite and black chalk
Drawing after a Lithograph of a Recumbent Lion.
After Antonio Canova
n.d.
Study for a Tomb, Antonio Canova Italian, Graphite
Study for a Tomb
Antonio Canova
ca. 1790/91–95
Study of a Nude Man in Profile turned to the Right, Antonio Canova Italian, Pen and brown ink over graphite
Study of a Nude Man in Profile turned to the Right
Antonio Canova
n.d.
[Perseus with the Head of Medusa by Antonio Canova, Vatican]
M. Petagna
1860s–70s
Impressions of intaglios after the statuary of Canova and Thorvaldsen, Francesco Carnesecchi Italian, Gesso, paper, leather, Italian, Rome
Impressions of intaglios after the statuary of Canova and Thorvaldsen
Francesco Carnesecchi
After originals by Antonio Canova
After originals by Bertel Thorvaldsen
ca. 1822–44
Versi ineditie Sulle Opere di Antonio Canova
Author Melchior Missirini
Author L. Ferrucci
Publisher Coi Tippi Di Vincenso Gugliemini
1851
Sketch of two statues: Ballerinas by Canova, John Gibson British, born Wales, Graphite, with inscriptions in pen and brown ink
Sketch of two statues: Ballerinas by Canova
Circle of John Gibson
After Antonio Canova
ca. 1850
Nude Man Reclining (recto); Man Facing Left with Out-stretched Arms (verso), Anonymous, Italian, early 19th century Italian, Pen and brown ink
Nude Man Reclining (recto); Man Facing Left with Out-stretched Arms (verso)
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper
Nude Study
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper
Nude Study
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Standing Male Nude, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper
Standing Male Nude
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink on tracing paper
Nude Study
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century Italian, Pen and brown ink
Nude Study
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Four Studies of Nude Men, Anonymous, Italian, early 19th century Italian, Pen and brown ink
Four Studies of Nude Men
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
1757–1822
Nude Man Standing with One Arm Raised, Anonymous, Italian, early 19th century Italian, Pen and brown ink, over black chalk
Nude Man Standing with One Arm Raised
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Sketches of seven sculptures: The Four Seasons, Venus and Adonis, a Beggar, and Salmacis, John Gibson British, born Wales, Pen and brown ink, graphite
Sketches of seven sculptures: The Four Seasons, Venus and Adonis, a Beggar, and Salmacis
Circle of John Gibson
After Antonio Canova
ca. 1850
Sketches of seven statues: Faith, Paolo and Francesca di RImini, Charity, Ceres, Heavenly Venus, Dancer, and Sleeping Cupid, John Gibson British, born Wales, Graphite, with inscriptions in pen and brown ink
Sketches of seven statues: Faith, Paolo and Francesca di RImini, Charity, Ceres, Heavenly Venus, Dancer, and Sleeping Cupid
Circle of John Gibson
After Antonio Canova
ca. 1850
Statue of a recumbent lion, Anonymous, Lithograph; printed on both sides
Statue of a recumbent lion
Anonymous
After Antonio Canova
1825–1900
Ajax, front view, from "Oeuvre de Canova: Recueil de Statues...", Pietro Fontana Italian, Engraving and etching
Ajax, front view, from "Oeuvre de Canova: Recueil de Statues..."
Pietro Fontana
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Venus, frontal view, from "Oeuvre de Canova: Recueil de Statues...", Domenico Marchetti Italian, Engraving and etching
Venus, frontal view, from "Oeuvre de Canova: Recueil de Statues..."
Domenico Marchetti
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Venus, back view, from "Oeuvre de Canova: Recueil de Statues...", Domenico Marchetti Italian, Engraving and etching
Venus, back view, from "Oeuvre de Canova: Recueil de Statues..."
Domenico Marchetti
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Perseus with the head of Medusa, from "Oeuvre de Canova: Recueil de Statues...", Domenico Marchetti Italian, Engraving and etching
Perseus with the head of Medusa, from "Oeuvre de Canova: Recueil de Statues..."
Domenico Marchetti
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Paris leaning on tree stump, frontal view, from "Oeuvre de Canova: Recueil de Statues...", Giovanni Battista Balestra Italian, Engraving and etching
Paris leaning on tree stump, frontal view, from "Oeuvre de Canova: Recueil de Statues..."
Giovanni Battista Balestra
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Paris leaning on tree stump, back view, from "Oeuvre de Canova: Recueil de Statues...", Angelo Testa Italian, Engraving and etching
Paris leaning on tree stump, back view, from "Oeuvre de Canova: Recueil de Statues..."
Angelo Testa
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Back view of Venus reclining accompanied by Cupid with a harp, from "Oeuvre de Canova: Recueil de Statues...", Domenico Marchetti Italian, Engraving and etching
Back view of Venus reclining accompanied by Cupid with a harp, from "Oeuvre de Canova: Recueil de Statues..."
Domenico Marchetti
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Seguansi le alti e rari talenti
Antonio del Pedro
After Antonio Canova
ca. 1780–1850
Title page, from "Seguansi le alti e rari talenti"
Antonio del Pedro
After Antonio Canova
ca. 1780–1850
Ulysses watches the sons of Alcinoös dance, from "Seguansi le alti e rari talenti"
Antonio del Pedro
After Antonio Canova
ca. 1780–1850

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