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Saints Peter, Martha, Mary Magdalen, and Leonard, Correggio (Antonio Allegri) Italian, Oil on canvas
Saints Peter, Martha, Mary Magdalen, and Leonard
Correggio (Antonio Allegri)
ca. 1515
Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence
Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60
Spoon (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, Italian, Rome
Spoon (one of a set)
Attributed to Antonio Gentili (Antonio da Faenza)
late 16th century
Knife (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, gold, Italian, Rome
Knife (one of a set)
Antonio Gentili (Antonio da Faenza)
late 16th century
Head and wings of an angel and forehead of another, Antonio Rossellino Italian, Marble, Italian, Florence
Head and wings of an angel and forehead of another
Possibly by Antonio Rossellino
ca. 1475–90
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s
Medal: Girolamo Savorgnan or Savorniano, Fra Antonio da Brescia, Bronze, Italian, Venice
Medal: Girolamo Savorgnan or Savorniano
Fra Antonio da Brescia
model before 1514 (cast 19th century)
Leonardo da Vinci (1452–1519), Antonio Berini, Glass and gold, Italian, Rome
Leonardo da Vinci (1452–1519)
Antonio Berini
early 19th century
Antonio da Sangallo's project for St. Peters, plan of the façade extended to the left with a tower, Antonio da Labacco Italian, Engraving
Antonio da Sangallo's project for St. Peters, plan of the façade extended to the left with a tower
After Antonio da Labacco
Publisher Antonio Salamanca
1540–49
Drawing (design for fork and spoon), Antonio Gentili (Antonio da Faenza) Italian, Ink on paper, Italian, Rome
Drawing (design for fork and spoon)
Antonio Gentili (Antonio da Faenza)
Stefano della Bella
ca. 1580
Fork (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, Unknown
Fork (one of a set)
Style of Antonio Gentili (Antonio da Faenza)
probably 19th or early 20th century
The Annunciation, Correggio (Antonio Allegri) Italian, Pen and brown ink, brush and gray-brown wash, highlighted with white gouache, squared in red chalk, on paper tinted with reddish wash
The Annunciation
Correggio (Antonio Allegri)
ca. 1522–25
Medal: Federigo da Montefeltro, Filarete (Antonio di Pietro Averlino) Italian, Bronze (Copper alloy with brown to green patina with traces of black wax).
Medal: Federigo da Montefeltro
Follower of Filarete (Antonio di Pietro Averlino)
model ca. 1474 (possibly cast 19th or 20th century)
The Adoration of the Magi, Correggio (Antonio Allegri) Italian, Red chalk, highlighted with white gouache
The Adoration of the Magi
Correggio (Antonio Allegri)
ca. 1517
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae", Antonio da Labacco Italian, Engraving
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae"
After Antonio da Labacco
After Antonio da Sangallo, the Younger
Publisher Antonio Salamanca
1514
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae", Antonio da Labacco Italian, Engraving
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae"
After Antonio da Labacco
After Antonio da Sangallo, the Younger
Publisher Antonio Salamanca
16th century
Simone Michieli, Canon of Verona (1498–1535), Fra Antonio da Brescia, Bronze, olive-brown patina, cast, Northern Italian
Simone Michieli, Canon of Verona (1498–1535)
Medalist: Fra Antonio da Brescia
probably ca. 1515–25
Hercules I (d'Este), Second Duke of Ferrara (1431–1505), Giovanni Antonio da Foligno Italian, Bronze, Italian
Hercules I (d'Este), Second Duke of Ferrara (1431–1505)
Giovanni Antonio da Foligno
late 15th century
Portrait medal of Niccolò Michiel (obverse); Alidea Contarini (reverse), Fra Antonio da Brescia, Gilt bronze, Italian, Venice
Portrait medal of Niccolò Michiel (obverse); Alidea Contarini (reverse)
Fra Antonio da Brescia
ca. 1500
Man seated viewed from behind (Narcissus), Antonio da Trento Italian, Chiaroscuro woodcut printed from two blocks in brown
Man seated viewed from behind (Narcissus)
Antonio da Trento
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Portrait medal of Vittorino Rambaldoni da Feltre (obverse); A Pelican (reverse), Pisanello (Antonio Pisano) Italian, Bronze (yellowish copper alloy with brown patina and traces of black lacquer or wax)
Portrait medal of Vittorino Rambaldoni da Feltre (obverse); A Pelican (reverse)
Pisanello (Antonio Pisano)
model 1446–47 (possibly cast 15th or 16th century)
Study of Four Saints, Correggio (Antonio Allegri) Italian, Red chalk; squared in red chalk
Study of Four Saints
Correggio (Antonio Allegri)
1525–34
Standing Nude Child Surrounded by Women and Children, Correggio (Antonio Allegri) Italian, Red chalk, partly reworked with black chalk; glued onto secondary paper support
Standing Nude Child Surrounded by Women and Children
School of Correggio (Antonio Allegri)
1489–1534
Beato Giovanni Tavelli da Tossignano 1386–1446, Bishop of Ferrara 1431–46, Antonio Marescotti Italian, Bronze, Italian
Beato Giovanni Tavelli da Tossignano 1386–1446, Bishop of Ferrara 1431–46
Antonio Marescotti
1446
Wall fountain, Simone Mosca Italian, Grey sandstone (pietra serena), Italian, Florence
Wall fountain
Simone Mosca
1527–34
Ippolita Gonzaga 1535-63, wife of Antonio Caraffa, Jacopo Nizolla da Trezzo Italian, Bronze, Italian, Milan
Ippolita Gonzaga 1535-63, wife of Antonio Caraffa
Jacopo Nizolla da Trezzo
1552
Apollo and the Serpent Python, Pseudo Francesco Antonio da Brescia, Bronze, Italian, Brescia
Apollo and the Serpent Python
Pseudo Francesco Antonio da Brescia
16th century
Sleeping Amor, Pseudo Francesco Antonio da Brescia, Bronze, Northern Italian
Sleeping Amor
Pseudo Francesco Antonio da Brescia
ca. 1500
Santa Francesca Romana Clothed by the Virgin, Antonio da Viterbo the Elder Italian, Tempera on wood, gold ground
Santa Francesca Romana Clothed by the Virgin
Attributed to Antonio da Viterbo the Elder
ca. 1445
Santa Francesca Romana Holding the Christ Child, Antonio da Viterbo the Elder Italian, Tempera on wood, gold ground, inscriptions on parchment laid down on wood
Santa Francesca Romana Holding the Christ Child
Attributed to Antonio da Viterbo the Elder
ca. 1445
Vita di Michelagnolo Buonarroti raccolta per Ascanio Condivi da la Ripa Transone, Ascanio Condivi Italian, Illustrated book, Rome: Antonio Blado, 1553 (1st ed.)
Vita di Michelagnolo Buonarroti raccolta per Ascanio Condivi da la Ripa Transone
Author Ascanio Condivi
1553
Plan of St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving
Plan of St. Peter's, from "Speculum Romanae Magnificentiae"
After Antonio da Sangallo, the Younger
After Antonio da Labacco
Publisher Antonio Salamanca
1549
St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving
St. Peter's, from "Speculum Romanae Magnificentiae"
After Antonio da Sangallo, the Younger
After Antonio da Labacco
Publisher Antonio Salamanca
1547
Second group of Apostles, from "Di Tutti gli Affresco del Correggio in Parma"
Multiple artists/makers
ca. 1846
St. Peter and St. Paul, from 'Di Tutti gli Affresco del Correggio in Parma'
Multiple artists/makers
ca. 1846
Banquet of the Gods, Guglielmo della Porta Italian, Gold, lapis lazuli, carnelian, Italian, Rome
Banquet of the Gods
Designer Guglielmo della Porta
Probably cast by Antonio Gentili (Antonio da Faenza)
after 1585
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1741
Essempio di recammi, page 7 (recto), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 7 (recto)
Author Giovanni Antonio Tagliente
Publisher Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 25 (verso), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 25 (verso)
Author Giovanni Antonio Tagliente
Publisher Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, title page (verso), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, title page (verso)
Author Giovanni Antonio Tagliente
Publisher Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 26 (recto), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 26 (recto)
Author Giovanni Antonio Tagliente
Publisher Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 26 (verso), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 26 (verso)
Author Giovanni Antonio Tagliente
Publisher Giovanni Antonio di Nicolini da Sabio e i fratelli
1530