Search for Art

1-42 of 101 results for Ascension
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
The Ascension of Christ, Hans Süss von Kulmbach  German, Oil on fir
Hans Süss von Kulmbach
1513
Tusk Fragment with the Ascension, Ivory; carved
720–970 Radiocarbon date, 95% probability
The Ascension of Christ (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
Enameler Workshop of Jean II Pénicaud
Enameler possibly Jean III Pénicaud
mid-16th century
The Ascension, Michiel Coxie (I) , prob. Netherlandish, Wool, silk, silver-gilt, silver thread (18-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Multiple artists/makers
1540–45
The Ascension, School of Nottingham  British, Alabaster with paint and gilding, British
School of Nottingham
15th century
The Ascension, Silk on canvas, Italian
Italian
14th century
The Ascension, Frederick J. Brown  American, Oil on canvas
Frederick J. Brown
1982
Study for "The Ascension", John Singleton Copley  American, Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper, watercolor, American
John Singleton Copley
1774
Plaque with the Ascension, Cloisonné enamel, gold, Byzantine
Byzantine
late 19th–early 20th century (Byzantine style)
Ascension in an Initial V, Niccolò di ser Sozzo  Italian, Tempera and gold on parchment
Niccolò di ser Sozzo
ca. 1342–50
Ascension, Claude Gillot  French, Etching
Claude Gillot
Engraved by Jacques Gabriel Huquier
n.d.
Terracotta bell-krater (bowl for mixing wine and water), Persephone Painter, Terracotta, Greek, Attic
Attributed to the Persephone Painter
ca. 440 BCE
The Ascension from a set of The Passion, Albrecht Dürer , from the Small Passion German, Wool, silk, metal thread (20 warp threads per inch, 8 per cm.), German, Alsace, possibly Strasbourg
Design based on a woodcut by Albrecht Dürer
Unidentified Weaver's Mark
Unidentified Weaver's Mark
1592
The Ascension, Albrecht Dürer  German, Woodcut
Albrecht Dürer
n.d.
American Balloon Ascension (Amerikakoku), Utagawa Yoshitora  Japanese, Woodblock print; ink and color on paper, Japan
Utagawa Yoshitora
6th month, 1867
The Ascension of Christ, Hans Georg Asam  German, Pen and brown ink, gray wash
Hans Georg Asam
late 17th–early 18th century
The Ascension of Christ, Ventura Salimbeni  Italian, Brush, brown, gray and cream oil paint on paper
Attributed to Ventura Salimbeni
1568–1613
The Ascension of Christ, Johann Ignatz Zimbal  Austrian, Etching
Johann Ignatz Zimbal
ca. 1750
Aegidius Sadeler II
After Hans von Aachen
After Joris Hoefnagel
1585–1629
Aegidius Sadeler II
After Hans von Aachen
After Joris Hoefnagel
1590
Ascension of a Bishop Saint, Luca Giordano  Italian, Black chalk
Luca Giordano
1634–1705
The Ascension of the Virgin, Gregorio de' Ferrari  Italian, Pen and brown ink, brush and brown and gray wash
Gregorio de' Ferrari
1667–1726
Design for a mosaic panel, Ascension, Second Presbyterian Church, Amsterdam, New York, Louis C. Tiffany  American, Gouache and graphite on artist board in original window matt with gold metallic finish., American
Louis C. Tiffany
Designer After Frederick Wilson
Tiffany Studios
ca. 1923
Félix Bonfils
1870s
Diana Scultori
1581
Designed by Jacopo Zucchi
Philippe Thomassin
The Ascension of Christ, after Raphael, Nicolas Beatrizet  French, Engraving; first state (?)
Nicolas Beatrizet
After Raphael (Raffaello Sanzio or Santi)
Publisher Tommaso Barlacchi
1541
Probably Frederick Wilson
Possibly Tiffany Glass and Decorating Company
Possibly Tiffany Studios
late 19th–early 20th century
Tea caddy with cover, Höchst Manufactory  German, Hard-paste porcelain, German, Höchst
Manufactory Höchst Manufactory
ca. 1785
Situla (Bucket for Holy Water), Elephant ivory with gilded copper-alloy mounts and foil inlays, Carolingian
Carolingian
860–880
The Ascension of Saint Benedict; verso: Ornamental sketches, Hans Georg Asam  German, Pen and black ink, gray wash, red chalk; construction lines in black chalk; verso: pen and black ink
Hans Georg Asam
late 17th–early 18th century