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1-42 of 628 results for Atherton Fine Millinery
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Evening hat, Atherton Fine Millinery, silk, feather, jet, metal, beads, American
Atherton Fine Millinery
ca. 1885
Portrait of a Gentleman, Ezra Atherton  American, Watercolor on ivory, American
Ezra Atherton
1840
Rocks and Weeds, John Atherton  American, Opaque watercolor and black ink on coated board (scratch board)
John Atherton
1951
The Black Horse, John Atherton  American, Oil on canvas
John Atherton
1942
Afternoon jacket, Lichtenstein Millinery Company, wool, silk, French
Lichtenstein Millinery Company
ca. 1905
Hat, Margie-Pauline Millinery, straw, rayon, wood, American
Margie-Pauline Millinery
ca. 1937
Young Girl Seated, Perle Fine  American, Charcoal on paper
Perle Fine
1939
Untitled, Perle Fine  American, Cut and torn pasted printed, painted and colored papers with charcoal and matte white paint on paper
Perle Fine
1966
Evening hat, Gellert Sisters Millinery Importers, silk, hair, straw, American
Gellert Sisters Millinery Importers
ca. 1905
Toque, The Metropolitan Millinery Importer, straw, bird, feathers, silk, American
The Metropolitan Millinery Importer
ca. 1910
Medallion, Godel & Co. Fine Art, Bronze
Godel & Co. Fine Art
1819
Medallion, Godel & Co. Fine Art, Bronze
Godel & Co. Fine Art
1819
Initial letter A with garlands, Oronce Finé  French, Woodcut
Oronce Finé
mid-16th century
Untitled, Perle Fine  American, Engraving printed in relief
Perle Fine
1944
Slippers, E.D. Burt & Co. Fine Shoes, silk, metal, American
E.D. Burt & Co. Fine Shoes
1865–85
Five Ladies, Ravi Varma Fine Art Lithographic Press, Lithograph, India
Ravi Varma Fine Art Lithographic Press
1910s
Mr. and Mrs. Atherton Curtis, Anders Zorn  Swedish, Etching; second state of three
Multiple artists/makers
1906
Walking Man, William Kentridge  South African, Linocut on paper
Multiple artists/makers
2000
Zeno at 4 a.m., William Kentridge  South African, Set of 11 intaglio prints of various etching techniques on paper <br/><br/>a: Open-bite etching<br/>b: Etching, aquatint and open-bite<br/>c: Etching, aquatint and open-bite with burnishing<br/>d: Etching, aquatint, open-bite and drypoint<br/>e: Open-bite and etching<br/>f: Open-bite and aquatint<br/>g: Etching and aquatint<br/>h: Open-bite etching<br/>i: Etching, aquatint and roulet
Multiple artists/makers
2001
Savage and Ottinger's Pioneer Fine Art Gallery
ca. 1869
Trinity: Tall Box Leaning, Box With Dot, Long Flower Box, Kate Shepherd  American, Etching and soft-ground etching printed on Somerset Velvet paper
Kate Shepherd
Karen McCready Fine Art
1999
Winter, Yasuo Kuniyoshi  American, born Japan, Lithograph
Yasuo Kuniyoshi
American Fine Arts Society
1934
Blue Deb, Deborah Kass  American, 7-color screenprint on 2-ply museum board; 31/60
Deborah Kass
Lococo Fine Art Publisher
2012
General, William Kentridge  South African, Etching with drypoint and watercolor (hand coloring) on handmade paper
Multiple artists/makers
1993–98
Sleeper and Ubu, William Kentridge  South African, Soft-ground etching, aquatint, drypoint and hand-coloring
Multiple artists/makers
1997
General, William Kentridge  South African, Drypoint and etching on handmade paper
Multiple artists/makers
1993
Atlas Procession I, William Kentridge  South African, Etching, aquatint, drypoint, and hand painting
Multiple artists/makers
2000
Atlas Procession II, William Kentridge  South African, Etching, aquatint, drypoint, and hand painting
Multiple artists/makers
2000
Dale Chihuly
Sidereal Fine Art Press, Seattle, Washington
ca. 1990
Oliver Ballou Fine Art Store
ca. 1890
Little Venice (The Little Venice), James McNeill Whistler  American, Etching and drypoint, printed in black ink with selectively wiped ink on medium weight cream wove paper; second state of two (Glasgow)
James McNeill Whistler
The Fine Art Society, London
1879–80
The Kitchen, James McNeill Whistler  American, Etching, printed in black ink on fine ivory laid paper; third state of three (Glasgow)
James McNeill Whistler
The Fine Art Society, London
[1858] republished 1885
Little Venice (The Little Venice), James McNeill Whistler  American, Etching; second state of two (Glasgow); printed  in brownish-black ink on medium weight ivory laid paper
James McNeill Whistler
The Fine Art Society, London
1879–80
Kakyoung Lee
Michael Steinberg Fine Art
2009
Green Pastures and Still Waters, Frederick Albert Slocombe  British, Etching; second state
Multiple artists/makers
1883
Sir Francis Seymour Haden
The Fine Art Society, London
1879
Ann Chernow
Connecticut Fine Arts, Westport, Connecticut
1990
Joseph Tilson
Marlborough Fine Art (London) Ltd.
1970