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Showing 366 results for Baldassarre Tommaso Peruzzi
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Frescoes from the Villa Stati-Mattei, Baldassarre Tommaso Peruzzi  Italian, Fresco, transferred to canvas
Baldassarre Tommaso Peruzzi
Portrait of an Olivetan Monk, Baldassarre Tommaso Peruzzi  Italian, Oil on canvas
Baldassarre Tommaso Peruzzi
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi  Italian, Chiaroscuro woodcut from two blocks in green
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27
Crouching Figure of Atlas, Baldassarre Tommaso Peruzzi  Italian, Pen and brown ink, over leadpoint or black chalk
Baldassarre Tommaso Peruzzi
1481–1536
Design for the Right-hand Section of the Tomb of Cardinal Francesco Armellini, Baldassarre Tommaso Peruzzi or workshop Italian, Pen and brown ink, over faint traces of leadpoint, or black chalk, and stylus-ruling
Baldassarre Tommaso Peruzzi
ca. 1523–27
Study for a Colonnade in Perspective, Baldassarre Tommaso Peruzzi , or workshop Italian, Pen and brown ink, over an armature of leadpoint, ruling, pin-pricks and compass work, on six fragments of paper
Baldassarre Tommaso Peruzzi
ca. 1530
Design for an Elaborate Barrel-Vaulted Chapel, Baldassarre Tommaso Peruzzi  Italian, Pen and brown ink, over graphite; ruler and compass construction
Baldassarre Tommaso Peruzzi
1481–1536
Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from "Story of Apollo and Daphne", Master of the Die  Italian, Engraving
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60
Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from "Story of Apollo and Daphne", Master of the Die  Italian, Engraving
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from "Story of Apollo and Daphne", Master of the Die  Italian, Engraving
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60
River gods consoling Peneus for the Loss of his Daughter, Daphne, from "Story of Apollo and Daphne", Master of the Die  Italian, Engraving
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures, Giovanni Antonio da Brescia  Italian, Engraving
Giovanni Antonio da Brescia
Baldassarre Tommaso Peruzzi
ca. 1520–25
Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the "Story of Apollo and Daphne", Master of the Die  Italian, Engraving
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60
Hercules chasing Avarice from the temple of the Muses, Ugo da Carpi  Italian, Chiaroscuro woodcut from two blocks in brown
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27
A hermit, Monogrammist YHS  Italian, Chiaroscuro woodcut from two blocks in blue-green ink
Monogrammist YHS
Baldassarre Tommaso Peruzzi
16th century
River gods consoling Peneus for the Loss of his Daughter, Daphne from 'The Story of Apollo and Daphne', Master of the Die  Italian, Engraving
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60
Venus at left in the company of cupids playing, Ugo da Carpi  Italian, Chiaroscuro woodcut in black and three tone blocks in beige, brown and dark brown
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27
Cybele in her chariot drawn by two lions, Master of the Die  Italian, Engraving
Multiple artists/makers
1530–60
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne', Master of the Die  Italian, Engraving
Multiple artists/makers
1530–60
Cybele in her chariot drawn by two lions, Master of the Die  Italian, Engraving
Multiple artists/makers
1530–60
Saint Jerome seated by a tree looking up at a crucifix, a lion drinking water from a stream to his right, Nicolas Chasteau  French, Etching and engraving
Multiple artists/makers
1728
Andrea Andreani
Baldassarre Tommaso Peruzzi
1608
Agostino Carracci
Baldassarre Tommaso Peruzzi
1579
Philippe Thomassin
Baldassarre Tommaso Peruzzi
1615
A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi, Anne Claude Philippe de Tubières, comte de Caylus  French, Etching and aquatint with tone woodblock
Multiple artists/makers
ca. 1729–64
Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left, Master of the Die  Italian, Engraving
Multiple artists/makers
1530–60
Multiple artists/makers
1655
Multiple artists/makers
1655
Multiple artists/makers
ca. 1520–25
Multiple artists/makers
1682–95
Man of Sorrows, Niccolò di Tommaso  Italian, Fresco transferred to canvas, Italian
Niccolò di Tommaso
ca. 1370
Boy holding a dog, Tommaso Fiamberti, Marble (Verde di Prato), Italian, Florence
Tommaso Fiamberti
late 15th century
Portrait of a Man, Tommaso Fiorentino (Tommaso di Stefano Lunetti)  Italian, Oil on wood
Tommaso Fiorentino (Tommaso di Stefano Lunetti)
1521
The Betrayal of Christ, Bartolomeo di Tommaso  Italian, Tempera on wood
Bartolomeo di Tommaso
ca. 1445–50
The Lamentation and the Entombment, Bartolomeo di Tommaso  Italian, Tempera on wood, gold ground
Bartolomeo di Tommaso
ca. 1445–50
Tommaso Mercandetti
19th century
Carlo Baldassarre Simelli
Giacomo Caneva
ca. 1858
Last Judgment, after Michelangelo, Tommaso Piroli  Italian, Ink and graphite
Tommaso Piroli
Michelangelo Buonarroti
1752–1824
The Adoration of the Shepherds, Tommaso Minardi  Italian, Pen and brown ink, brush and brown wash, over graphite
Tommaso Minardi
1837
Tasso Contemplating Beauty, Tommaso Minardi  Italian, Watercolor, pen and brown ink, over graphite; framing lines in pen and brown ink
Tommaso Minardi
1823