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Showing 1,754 results for Barry Kieselstein-Cord

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Necklace, Barry Kieselstein-Cord American, gold, pyrite, American — Necklace
Barry Kieselstein-Cord
1993

Bracelet, Barry Kieselstein-Cord American, gold, American — Bracelet
Barry Kieselstein-Cord
1993

Belt, Barry Kieselstein-Cord American, silver, lizard skin, American — Belt
Barry Kieselstein-Cord
1993

Belt, Barry Kieselstein-Cord American, silver, alligator skin, American — Belt
Barry Kieselstein-Cord
1988

Belt, Barry Kieselstein-Cord American, sterling silver, lizard skin, American — Belt
Barry Kieselstein-Cord
1994

Purse, Barry Kieselstein-Cord American, gold, leather, silk, American — Purse
Barry Kieselstein-Cord
1994

Purse, Barry Kieselstein-Cord American, gold, alligator skin, silk, American — Purse
Barry Kieselstein-Cord
1992

Purse, Barry Kieselstein-Cord American, gold, suede, silk, American — Purse
Barry Kieselstein-Cord
1994

Belt, Barry Kieselstein-Cord American, leather, metal, American — Belt
Barry Kieselstein-Cord
1979

Belt, Barry Kieselstein-Cord American, leather, metal, American — Belt
Barry Kieselstein-Cord
1979

Dress, Perry Ellis American, cotton, leather, mother-of-pearl, metal, American — Dress
Perry Ellis
Barry Kieselstein-Cord
ca. 1984

Ladle, Standish Barry American, Silver, American — Ladle
Standish Barry
ca. 1790

Portrait of a Man, John Barry British, Ivory — Portrait of a Man
John Barry
ca. 1790

Fate, Eros, Sleep, Night, Barry Ledoux American, Steel, lead, copper, sculpmetal, bronze, rivets, glass beads, and oil stick pigment — Fate, Eros, Sleep, Night
Barry Ledoux
1982–85

Portrait of a Woman, John Barry British, Ivory — Portrait of a Woman
John Barry
ca. 1790

Portrait of a Man, Said to Be John Durham, John Barry British, Ivory — Portrait of a Man, Said to Be John Durham
John Barry
ca. 1790

Pier table, Joseph B. Barry and Son American, Mahogany, mahogany veneer, satinwood, amboyna, pine, gilt bronze with yellow poplar, American — Pier table
Joseph B. Barry and Son
1810–15

Curley, General Custer's Scout, David F. Barry American, Albumen silver print from glass negative — Curley, General Custer's Scout
David F. Barry
1880s

Satan, Sin, and Death: "Death and Sin met by Satan on his Return from Earth", James Barry Irish, Graphite, brush and brown ink, gray and brown wash heightened with touches of white — Satan, Sin, and Death: "Death and Sin met by Satan on his Return from Earth"
James Barry
John Milton
1792–95

A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc., James Barry Irish, Etching and engraving; unrecorded alternate third state of four — A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc.
James Barry
dated May 1, 1791, issued 1792

The Thames, or the Triumph of Navigation, James Barry Irish, Etching with engraving; second state of five — The Thames, or the Triumph of Navigation
James Barry
1792–1801

Elysium & Tartarus, or The State of Final Retribution, James Barry Irish, Etching and engraving; sixth state of six — Elysium & Tartarus, or The State of Final Retribution
James Barry
first published 1792; this state 1808

The Conversion of Polemon, James Barry Irish, Etching with engraving and roulette and traces of aquatint; ninth state of nine — The Conversion of Polemon
James Barry
1778–90

Study for "Divine Justice", James Barry Irish, Pen and brown ink, brush and gray wash over graphite — Study for "Divine Justice"
James Barry
ca. 1802

Orpheus Instructing a Savage People in Theology and the Arts of Social Life, James Barry Irish, Etching and engraving; second state of three — Orpheus Instructing a Savage People in Theology and the Arts of Social Life
James Barry
plate dated May 1, 1791, issued 1792

Job Reproved by His Friends, James Barry Irish, Etching over traces of aquatint; third state of five — Job Reproved by His Friends
James Barry
dated 1777; issued ca. 1790

Divine Justice, James Barry Irish, Etching and engraving; final published state — Divine Justice
James Barry
1808

The Angelic Guards, James Barry Irish, Etching and engraving; fourth state of four — The Angelic Guards
James Barry
1808

Design for a Public Building in the Italian Renaissance Palazzo Style, Sir Charles Barry British, Pen and brown ink over graphite — Design for a Public Building in the Italian Renaissance Palazzo Style
Sir Charles Barry
ca. 1840

St. Andrews Town Hall, Sir Charles Barry British, Brush and gray wash over pen and ink — St. Andrews Town Hall
Sir Charles Barry
1810–60

Monument of Bishop Mays, Hereford Castle AD1516, Sir Charles Barry British, Pen and ink, brush and wash, over graphite — Monument of Bishop Mays, Hereford Castle AD1516
Sir Charles Barry
19th century

Clocktower, Sir Charles Barry British, Graphite — Clocktower
Sir Charles Barry
1840

View of the Roman Forum, unexcavated, Sir Charles Barry British, Watercolor over graphite — View of the Roman Forum, unexcavated
Sir Charles Barry
1840

Eastern Patriarch [King Lear]

James Barry

Georg Jacob Vollweiler

1803–6

The Distribution of Premiums at the Society of Arts

James Barry

1792, printed after 1806

Ale, in Prose and Verse

Multiple artists/makers

1866

Eastern Patriarch [King Lear]

Multiple artists/makers

1803

James Barry

Michelangelo Buonarroti

1801

The Birth of Venus

James Barry

ca. 1791

King George and Queen Charlotte (Projected Chimney Pieces for the Royal Society of Arts)

Multiple artists/makers

1792